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Homoerotic Love In Shakespeare's Twelfth Night

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Shakespeare’s Twelfth Night boldly questions traditional boundaries between love and homosexuality. Cross-dressing obscures characters’ gender allowing lovers to explore homoerotic emotions. As the play continues, these emotions develop into romantic relationships, which challenge the common conceptions of love and gender. These relationships explore the grey area between friends and lovers. Despite the play’s eventual restoration of traditional love at the end, Twelfth Night presents romantic relationships which explore the concept of homoerotic love and highlight Shakespeare’s opinions about romantic pursuits. Twelfth Night’s first instance of homoerotic emotion occurs between Duke Orsino and Cesario (a cross-dressed Viola) during their first on stage encounter. Cesario easily appeals to Orsino’s trusting nature, commanding him to “unfold the passion of [his] love” …show more content…

Excited by Cesario’s appearance, Olivia acknowledges their promise for marriage (5.1 103). Upset by this betrayal, Orsino rages he’ll “sacrifice the lamb” Cesario for this violation of his love (5.1 130). Attempting to cut through the confusion, Cesario admits, gesturing towards Orsino, that it is“after him I love” (5.1 134). In response, an outraged Olivia cries, “hast thou forgot yourself?,” pleading for Cesario to remain betrothed to her (5.1 141). At the height of this climactic encounter, Sebastian, Viola's identical twin brother, enters the room presenting himself as an exact copy of Viola's Cesario. With this discovery, Viola reveals herself to Duke Orsino and professes her love to him, which Orsino quickly returns. Likewise, Sebastian professes his love to Oliva with the same result. Besides Orsino’s mention that he enjoys Viola’s appearance while she “is a man,” Shakespeare succeeds in restoring traditional conceptions of love in the end. However, this result further

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