Homosexuality in Victorian and Elizabethan Literature.

Bram Stoker’s Dracula illustrated fears about sexual women in contrast to the woman who respected and abided by society’s sexual norms. Joseph Sheridan LeFanu’s “Carmilla” represented not only the fear of feminine sexuality, but also the fear of sexuality between women. John William Polidori’s “The

Stoker’s novel Dracula, presents the fear of female promiscuity, for which vampirism is a metaphor. Such fear can be related to the time in which Dracula was written, where strict Victorian gender norms and sexual mores stipulated

After decades of cheesy horror movies, the image of vampires has been misconstrued as sparkly, angsty teenage boys or handsome men that lure in girls for the fresh blood of a virgin. Many of these stereotypical vampires are influenced by the story of Dracula, held in the Victorian era. Yet, many of the stories published about vampires diverge from the message that Bram Stoker is trying to make. During the Victorian period, sexuality is repressed by society, as sexual behaviors from women are viewed as unacceptable. In the Gothic horror novel Dracula, Bram Stoker uses the traumatic experience of Jonathan Harker at Count Dracula’s castle and the invasion of vampires in Great Britain to create a social commentary on the sexual repression occurring in this era and its detrimental effect on the men.

The story of Dracula is well documented and has stood the test of time since it’s Victorian age creation. More times than not, literature writings are a reflection of the era from which they are produced. In the case of Dracula, Vampire literature expresses the fears of a society. Which leads me to the topic I chose to review: sexuality. The Victorian Era was viewed as a period diluted in intense sexual repression and I believe that Dracula effectively exploited this as the fear of sexuality was commonplace in the society. In this paper I will examine Bram Stoker’s Dracula and highlight his use of sexuality. I will analysis the female sexuality that is prevalent throughout the book, the complexities are at work within the text, and the

Expressing one's sexuality is often considered a taboo, especially if it concerns women’s sexuality. A woman expressing her sexuality is often looked down upon because of the notion that women must be innocent and demure. These notions were meant to repress women’s sexual gratification and constrict women into feminine roles as mothers or as wives. These stereotyped feminine roles caused women to be viewed as less of a threat to male masculinity. However, in the Victorian Era, new ideas on what it meant to be a woman challenged these feminine roles and the patriarchal order. The “new woman” wanted to be equivalent to men, financially independent, and sexually liberated. The new woman threatens the patriarchal order because equality of the sexes challenges power dynamics and gender roles. In Bram Stoker’s novel, Dracula, he challenges the social constraints that limit individual and sexual desires through vampires who are capable of revealing the characters’ repressed desires. With the use of vampires as figurative representation of the new woman, the novel reveals the fear of female sexuality through the erotic acts presented by the women and the men who must confront them.

Sticking true to the Vicortain setting of his novel, Bram Stoker ensures that gender and gendered behavior is well defined throughout his novel Dracula. He explicitly genders the characterizations of his characters; however, most of them do not portray characteristics exclusively associated with their gender. In order to highlight such complexities, Stoker must acknowledge prevailing thoughts on gendered behavior. According to the Oxford English Dictionary, masculinity is associated with “strength...vigor…[and] power” ("masculine, adj. and n."). Contrastingly, the feminine is seen as “delica[te]” ("feminine, adj. and n.") and emotional. One of the strongest characterististics of either masculine or feminine behavior is that it is “often contrasted with a corresponding object deemed to be” ("feminine, adj. and n.") of the opposite gender. It is this strong contrast that Stoker’s portrayal of characters with a mixture of a traits a bold choice. Stoker’s portrayal of Dracula as the epitome of traditional masculinity casts negative light on the masculine archetype; when this villain is

In Bram Stokers Dracula, the Count Dracula represents a homosexual figure, which in Victorian times was seen as an inversion of the “typical” male figure. Diana Kindron states the Victorian idea of a homosexual was one of a male body being fused with a female soul. This is just what Count Dracula represents in Bram Stoker’s novel, Dracula.

Women constantly face a double standard when it comes to sexuality, it's been this way for years. In fact in the Victorian era there is a huge double standard where women seemed to be on interested in sex and we're to have a high standard of sexual behavior unlike the men in that time who had powerful sexual drives and it was almost the social norm for them to have multiple sexual partners. Even today there still a double standard, it has gotten better with feminism any quality but men are still seen as superior when they have multiple sexual partners unlike women who are looked at as sluts and whores because they have multiple sexual partners. Trying to use the slut shaming, which is where women are downgraded by both men and women because

Although in modern times people are exposed to sexuality from a young age through advertisements, media, and pop culture, during the Victorian era in England, the only acceptable exploration of repressed sexual desire was through a book that upholds the Christian belief of sexuality’s corruptive effects on society. In Bram Stoker’s Dracula, a gothic, horror novel, Dracula, a vampire from Transylvania, preys on Mina Harker, a devoted Christian and intelligent woman, and Lucy Westenra, an innocent, young woman pursued by three suitors, by luring them and sucking their blood; the women and their suitors form a gang of vampire fighters who track and eventually kill Dracula defeating his devilry with the forces of

In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of

With every great story line comes a theme. William Shakespeare created an art of intertwining often unrecognizable themes within his plays. In Shakespeare’s play, The Merchant of Venice, one hidden theme is the idea of homosexuality. This theme might not have even been noticed until modern Shakespeare fans discovered them. According to Alan Bray’s book, Homosexuality in Renaissance England, “the modern image of ‘the homosexual’ cannot be applied to the early modern period, when homosexual behavior was viewed in terms of the sexual act and not an individual's broader identity.” (Columbia University Press). This difference between homosexuality as a “sexual act” and an

Bram Stoker's novel Dracula, published in 1897, explores various sexual erotic possibilities in the vampire's embrace, as discussed by Leonard Wolf. The novel confronts Victorian fears of homosexuality; that were current at the time due to the trial of playwright Oscar Wilde. The vampire's embrace could also be interpreted as an illustration of Victorian fears of the changing role of women. Therefore it is important to consider: the historical context of the novel; the Victorian notion of the `New Woman' specifically the character of Lucy Westenra; the inversion of gender roles; notions of sexuality; and the emasculation of men, by lessening their power over women; in the novel Dracula. In doing this I will be able to explore the effects

In this country there is a flawed assumption that gay people enjoy the same civil right protections as everyone else and there are a lot of stereotypes about gay relationships. Living as a gay individual in this country can be extremely overwhelming and scary. When it comes to marriage between gay couples, controversy is bound to turn up. There are numerous arguments as to why gay marriage is not “right” such as; it offends everything religion stands for, marriage is for procreation, and gay

For years and years, homosexuals have fought for the right to marry their loved one. It has been looked down upon, called immoral, sinful, and deeds of the devil, but that is not the way it is seen by those who support or engage in it. Supporters view marriage as the union of two individuals who love each other. They no longer see it as the concept of "traditional marriage". They believe traditional marriage has changed over time, and that the definition of marriage as being between one man and one woman is historically inaccurate (should

Such as pedophilia and polygamy which are controversial subjects but not as much as gay marriage. Even though comparing pedophilia and polygamy to gay marriage is a little much, people feel that allowing gay marriage goes against their morals, their views on society, lives they want for their children, and the future. For some violating same-sex couples civil right is worth it in the end only because they want to protect the value of a man-woman type marriage. To deny gays and lesbians the right to marry is in violation of their civil rights as a citizen of the United States of America.