Honor In The Once And Future King

Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.

It is through this thesis that Freeman has created a groundbreaking piece of publication that has an effect of changing the way people think on the generations existing in both the revolutionary and the relative post-revolutionary periods. By utilizing captivating illustrations of how a code of honor was considered as a foundation stone in defining the characters of key leaders and the values of their virtues and reputation in dealing with different issues as they arise. This has effectively addressed the understanding that individuals’ behaviors can be well-explained by utilizing a code of honor that define the values and measures expected to be observed by everyone. Another significant thing that has effectively come out of this thesis is how the current leaders and the society as a whole are finding it hard to build their values on a strong foundation; one that can be compared to the code of honor as exhibited in the historical orientation of America (Freeman,

​Sir Gawain, nephew to the well-known King Arthur of the Round Table, is regarded as the most elite and noble of all the knights in the poem Sir Gawain and the Green Knight. Yet, like anyone else in the world, Sir Gawain is far from perfect. Gawain, a courteous knight living a life dedicated to honor, courage, and self-preservation, is tested on his chivalrous code throughout his journey; a search for the Green Knight. Throughout the tests, Gawain’s actions reveal that even the best of men can be selfish and are subject to guilt and sin.

The fourteenth century placed social and economic changes in the government. The founding of chivalric orders kept aristocratic ideals alive, and because of this, there were major changes in chivalry. Chivalry is the religious, moral, and social code of a medieval knight. In Sir Gawain and the Green Knight, Gawain is characterized as being one of the most loyal knights that followed chivalric orders. Not only is he deemed loyal, but he has a reputation of being a great and courtly lover. Great knights are devoted to the church before anything else. On the other hand, when courtly love is presented to him, Gawain is conflicted between the physical love and spiritual love he has for the church. Morgan le Fay and Lady Bertilak sought to use their strength and age differences to test Gawain’s knightly honor. Lady Bertilak’s role, specifically, were orders of Lord Bertilak. Behind closed doors, Lady Bertilak had a powerful presence because she tempted Gawain with tokens of love. In Sir Gawain and the Green Knight, Lady Bertilak is the most powerful female in the story because the sexual innuendos she fulfills for her husband tests Gawain’s knightly honor.

Sir Gawain and the Green Knight is a classic example of the behaviors of a medieval knight and how the code of chivalry works within the courts and towards women. When Sir Gawain visits Bertiak’s castle, he respectfully treats the elderly woman and Bertiak’s beautiful young wife with the same level of dignity. “To the elder in homage he humbly bows; the lovelier he salutes with a light embrace. They welcome him warmly, and straightaway he asks to be received as their servant, if they so desire” (lines 973-976). The treatment of women is an essential part of the code of chivalry. If Sir Gawain had only given attention to the pretty young woman, then he would not have been abiding by the knight’s code of honor. He also keeps the code of chivalry intact when he says “Lover have I none, nor will have, yet awhile” (line 1790). Sir Gawain says this to Bertiak’s attractive wife, when she tries seducing him in the bedroom, which proved Sir Gawain’s loyalty to Bertiak, upholding his chivalric code. Honorable Sir Gawain demonstrates the knightly code of chivalry throughout the poem.

The story of Sir Gawain works on an opposite level from that of Beowulf. Just as Beowulf emphasizes outward strength, the character of Gawain stands as a paradigm of inner strength as a path to outward glory. The battles Gawain fights occur inside his mind. The chivalric code is one concerned with honor and duty within a society of corruption and sin. The role of chivalry was one concerned with example. A chivalric Knight, such as Gawain, must abide by the inner code of morality in order to remain true to his self, his lord, and his God. Sin, for Gawain, would begin in the mind, and lead to dishonorable deeds in the outside world. Throughout Sir Gawain and the Green Knight, Gawain travels on a path which is as much one of inner contemplation, as it is of actual travel. We see Gawain at the beginning of his journey being,"...faultless in his five senses,/Nor found ever to fail in his five fingers,"(640-1). Gawain’s traits being likened to the five wounds of Christ sets up his eventual fall from the very start. However, like Christ, Gawain is reborn to a new life through the "scratch" the Green Knight gives him (2312). From that small wound, Gawain realizes that he cannot live up to the perfect image of chivalry he has sworn to uphold. To Gawain, this wound comes very close to being the death knell of the entire moral system Gawain has dedicated his life to.

Sir Gawain is a heroic knight who refuses to fight against Sir Lancelot as he sees him a friend and a true knight. “Whereas the Heroic Knight defines honor as a family matter, the Worshipful Knight defines it rather as a matter between individuals” (Kennedy 66). Sir Gawain’s honor comes from his individualize relationships with others. When accosted to join Sir Agravain and Sir Mordred he refuses because Lancelot is his friend, and consider him to a brother to him. “I will never be against Sir Launcelot for one day 's deed, when he rescued me from King Carados of the Dolorous Tower, and slew him, and saved my life” (Mallory 440). Sir Gawain refuses to fight against Lancelot and “expose” him. He doesn’t believe that he will ever be against Sir Lancelot. However, this does change when Sir Gawain’s sons are slain and he harbors anger towards Lancelot. This harbored anger displays how Sir Gawain although honored Sir Lancelot before the loss of his sons, over powers the previous

Several fictional works set in Arthurian times contain numerous similar elements, whether that be in the structure of its plot or encounters with mythical beings; however, one particular element of these tales stands out among the rest, that being the knights in the stories. Both chivalrous and virtuous, knights are the very embodiment of Arthurian mythology, and are a staple in many Arthurian legends. Their courageous acts of selflessness and loyalty to their lords only add to their reputation, inspiring many authors throughout the ages to capture their likeness in various texts; however, only one author has been able to truly capture what it means to be a knight, that author being the “Gawain Poet.” Also known as the “Pearl Poet,” the “Gawain Poet” is most known for his chivalric romance Sir Gawain and the Green Knight. The story revolves around a central conflict in which the protagonist, Sir Gawain, must fulfill an agreement with a mysterious knight. Gawain’s “debt” must be repaid exactly one year after their agreement, and if Gawain should fail to do so, his honor and reputation would be tarnished. It is through his struggles that Gawain not only grows as a character, but also shows what it means to truly be a knight. Sir Gawain is the epitome of a knight because he is not only chivalrous and virtuous, but also stays true to his word in the face of danger.

The tale of “Sir Gawain and the Green Knight” focuses primarily on beliefs of honor, bravery, and chivalry. The main character, Sir Gawain, embodies these qualities. His character is meant to be a model of chivalry. He emanates honor when he offers to fight the Green Knight for King Arthur. Medieval people would admire this courageous act. In his struggles to keep his promise Gawain demonstrates chivalry and loyalty until his honor is assessed, in the end, by the Green Knight’s schemes. This tale also includes a larger-than-life character who commands respect, the Green Knight. This superhuman being defies all laws of nature when his head is chopped off, yet he still remains alive and alert. These characters and their extraordinary actions provide perspective for the values and interests of medieval people.

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

More proof of Sir Gawain’s chivalrous and courageous character is evident when he arrives at Bercilak’s court. The people are honored that their guest is Sir Gawain, the most honored of all the knights on earth, even though Gawain describes himself as young and untested. They whisper to each other that Gawain, whose “courage is ever-constant” and “custom-pure,” will demonstrate and teach them his “command of manners” and “love’s language”(SGGK l. 912, 924, 927). The conversation of the household serves to provide proof of his Gawain's fine character.

Most humans create a facade which they hide behind. A person will create an identity that fits their expected role in their family, community, and society. All of these factors play into the human ideal because no one expectation of an ideal human matches another, but people still want to meet the expectations of the people around them. One common thread comes from even under the mask that all humans wear. Within The Odyssey by Homer, The Republic by Plato, and The Holy Bible, honor is able to play a role into a human’s life in many different ways; it is what pushes people into becoming the leader, teacher, and follower of what is believed in, and honor is what creates an ideal human.

By portraying Gawain as noble and honorable, the poet is able to shock the reader with actions that are uncharacteristic of a chivalrous knight. The first of these conflicting actions is obvious in the temptation of Gawain by his host's lady. This lady, the huntress, seeks to pursue Gawain in order to fool him into actions that contrast the knightly ideal. She will do anything to accomplish these actions in him, even through sexual temptations. With another man's wife pursuing him, Gawain must be courtly to the lady, but at the same time must deny her advances. This unavoidable conflict creates a fear within Gawain. Upon discovering that the lovely lady was approaching him in bed, Gawain lays a sleep, in order to "try her intent" (1199). This action reveals Gawain's fear that his host's lady is pursuing him. This unavoidable fear causes his failure of courtliness, for Gawain would have claimed a kiss from the lady, but did not. The lady ridicules him for this, even though, the situation was unavoidable. Gawain must abide by his morals and abstain from immoral thoughts, while at the same time being a courteous guest. Moreover, Gawain is forced to make a choice between courtesy and adultery, either of which would result in the dishonor of the lady ,his host, or Gawain himself. By choosing to return each of the following kisses received, Gawain is able

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.