Honor as the Theme in Homer’s The Iliad Essay

The Greeks placed great importance on personal honor. Why is this? Is it because to them man I nothing without honor. Or is it that the honor is more important than the man? "Honor to the Greeks is something that is won by a man's prowess, his ability to fight and be victorious on the battle field"(Schein 62). This is just one example of how honor is obtained. A second method of gaining honor is to be a great orator, one must posses the ability to speak in the assembly and express his ideas eloquently, and persuasively to the gathered body. A third way of achieving personal honor is to demonstrate athletic ability.

In book three of Iliad, “illustrious king” (9.126) and his Achaean armies fight the Trojans to stop wife stealing but despites that he still dishonors and takes Achilles prize, Breseis. Agamemnon in the Iliad can be seen as the mortal Aphrodite. In book three of Iliad, Helen disobeyed Aphrodite and she responds with rage and so does “lord of men” (9.112) in book one. Agamemnon feels that Achilles disobeyed him, so he answers with wrath just to show “how much greater [he] [is] than [him]…. for hoping to rival [him] strength for strength” (1.219-221). His statement makes Achilles furious with rage. “Why, why in the world if not for Helen with her loose and lustrous hair? Are they the only men alive who love their wives, those sons of Atreus? Never!” (9.411-414). Achilles expresses his feeling on how contradicting the whole Trojan war is and that is he going to involve himself, it will be for Bresies only. Bresies is who he loves not

Out of the themes provided, all have a major part in this epic. I have read my fellow classmate’s thoughts and “rage” seems to be the winner. However, as stated, there are many more themes with the Iliad. One that I can distinguish to be predominant is pride and honor. These two significant principles are ways of life for all human beings. It was for pride and honor that started the Trojan War. Menelaus felt dishonored when Helen left with Paris and to restore his honor and pride he convinced his brother Agamemnon to set sail to Troy. It was Agamemnon’s pride refusing to return Chryseis to her father as well as, being dishonored by having to give her back and accept no ransom and provide sacred bulls to be sacrificed. Feeling dishonored,

The notion of honor is prevalent throughout the Iliad and Antigone. Both texts demonstrate that honor is essential to Greek heroes because honor is the foundation of the society and family. Homer and Sophocles clearly show that honor guides people’s actions and responses and decides the fate of themselves and others. Both authors also place emphasis on the importance of proper burial because it is a strong indication of honor to the deceased and the deceased’s family. As can be seen in the Iliad and Antigone, the aim of every Greek hero is to gain everlasting honor because it ensures his place in the social memory of his society resounding even after death.

At the beginning of the story, the gods are debating what to do with the Greeks after they pillaged Troy, but more specifically, violated Athena’s shrine. Athena asks for help and says to Poseidon, “I want to help the Trojans who were my enemies, and make the Greek army’s homecoming a bitter one.” (Euripides 63). To which Poseidon replies, “You’re so fickle. Your mind leaps here and there: now you hate, and now you love, and both in excess.” (Euripides 65). Even Poseidon admits to the “fickleness” of the goddess since her allies during the war were the Greeks. This lends itself to show that Helen could be telling the truth about the goddesses having an argument about the beauty of each other and Aphrodite forcing Helen to run away with Paris. Helen also helps her argument by pointing out that the fight was preordained by the gods based on the prophecy about Paris, and then blames Paris’s mother and father for letting Paris live, rather than slaying Paris and trying to stop the prophecy from coming true. Through the many effective arguments, Helen shows that she did not ask to be carried away by Paris and that she liked Menelaus. Menelaus seems very weak compared to Helen, especially since he seems to not be able to make up his mind whether to kill her or not. In the end, Menelaus seems to decide on letting her live, though he still tells

Every character in a story is motivated by a feeling or action. In Homer’s Iliad, the themes of aidos (shame) and kleos (honor) are used to propel the story forward and to keep the reader’s attention. The actions of the characters are heavily influenced by shame and honor. Homer does a stupendous job of portraying the feelings of shame and honor to develop specific characters in the story.

During that entire time, Achilles’ justification for wallowing in self-pity is that he has been “dishonored”. This argument becomes null and void when Agamemnon offers lavish compensation for the affront. In addition to returning Briseis, Agamemnon offers Achilles seven unfired tripods, ten gold bars, twenty burnished cauldrons, a dozen horses, seven beautiful women from Lesbos, twenty Trojan women, his daughters’ hand in marriage along with a rich dowry, and the ownership of seven populous cities. Any reasonable person would have taken the offer but not prideful, bitter Achilles. Instead he continues on with the same old rhetoric and refuses to fight. As if standing idly by while his countrymen were being killed was not enough, Achilles has his mother call in a favor to Zeus asking him to help the Trojans so that even more Greeks would die during his absence. Not only did he abandon his comrades, he actually prayed for them to die because his pride had been hurt.

Angry and calling Agamemnon a hypocrite, he states, “I hate it like I hate hell / the man who says one thing and think another” (168). Strategically beginning his soliloquy with a hostile accusation sets the tone for the rest of the speech. This tone and structure is harsh, hyperbolic, and jumps between the two arguments from which he bases his response: “He cheated me, wronged me. Never again” (170), Achilles declares, focusing on the loss of honor and placing blame on Agamemnon. Just 29 lines after, however, Achilles switches his focus to the other reason for leaving. “Nothing is worth my life, not all the riches / they say Troy held before the Greeks came…” (171). This quick shift of focus is similar to a rant going back and forth between arguments. His mind is not balancing on one thought, but rather driven by emotions and rhetorical questions. For example, he brings up, “why do the Greeks have to fight the Trojans?” “Why did Agamemnon lead the army to Troy if not for the sake of fair-haired Helen?” “And now he thinks he’s going to win me back?” (169). This tone and these rhetorical questions serve to exaggerate and humanize the argument. Achilles can only deal with so much—he is only human, after all, and must be treated like one. He is not Agamemnon’s war puppet. The meaning and purpose for Achilles’ rant is not muddled in the harsh and edgy speech; it is simply shown in various ways. He will not fight for Agamemnon and is making it

Before his death the Trojan leader Hector exclaims, “Well let me die⎼but not without struggle, not without glory, no, in some great clash of arms that even men to come will hear of down the years,” (22.359-362). This proclamation reveals an important theme in Homer’s Iliad. Throughout the epic poem, the concept of honor and shame constantly reappears, from being the cause of the plot to personification as Greek and Trojan heroes to the dichotomy of honor and shame within the gods. Homer uses honor and shame as a major theme of the Iliad to show how important these attributes are to the human condition.

The Iliad: Book I, is about the conflict between Achilles and Agamemnon in the beginning of the Trojan War. It shows how vigorous Achilles’ rage was and that he is no one to mess with. The book states “Peleus’ son Achilles, murderous, doomed”. This shows his fury in just a few words. Achilles was a Greek hero who was the son of a Goddess named Thetis. He was an incredible solder; brave, violent and godlike. However, Agamemnon was the commander of the Achaean Army. He was greedy, aggressive and selfish. He was described as “the most grasping man alive”. He absolutely hated Achilles. I feel that he was jealous of how respected Achilles was among the ranks in the army because of his superior skills in the field of battle. Agamemnon claimed Chryseis as his prize, after sacking a Trojan town. Chryseis was a daughter of a Priest of Apollo, Chryses. He offered an enormous ransom to get his daughter back. At first Agamemnon didn’t want it but the people round him persuaded him that it would be best to let her go so they could be released from the plague that Apollo put on them. Agamemnon then poised to Achilles that he is going to steal Achilles prize, Briseis. This is when Achilles’ rage shows at its best. He nearly draws his sword to kill Agamemnon but he is stopped by the goddess, Athena.

According to Homer’s the Iliad, a leader shares power between those above and below him in status. Many years into the Trojan War, the Achaeans ravage a small town and claim two lovely maidens, Chryseis and Briseis, as prizes for Agamemnon, “lord of men,” and “brilliant” Achilles (I. 8). Tensions escalate when Agamemnon refuses to return Chryseis to her father, Chryses, who is a priest to Apollo, bringing about a devastating plague on his army. This pivotal event tests the delicate balance of power between the king, his people, and the gods to the test, which Agamemnon clearly fails. To begin with, Achilles – not Agamemnon – calls an assembly to discuss their options. While Agamemnon rambles on about receiving his “prize,” Achilles attempts

     Mortality, by its very nature, causes men's lives to be cut short at their primes.The Fates cut our lives short at any time, so the Greeks must have an example, a model mortal, to follow so as to make the "most of their lives."A model mortal is one who lives his life accumulating the most honor and glory: "he pressed for battle now where men win glory" (4: 259).By strictly adhering to the honor/heroic code, a mortal can raise himself to become the model mortal. This hero, Diomedes, is the model mortal of the Greeks.

The Iliad is a story about the war between the Trojans and the Greeks. They believe that if you fight in a war, this is how you prove ones honor and integrity, but to not fight would show cowardice or fear. During this time, the males were trained from a young age to assume a major role in the war efforts (Rosenberg, 1999, p. 119).

The suspected start of the war- over the abduction of Helen, Queen of Sparta- was caused entirely by a godly conflict over who was the most beautiful- Hera, Athena, and Aphrodite. Paris, son of King Priam of Troy, was selected to judge. He chose Aphrodite, who in turn gave him Helen, who was her equivalent in beauty amongst humans. In both versions, Paris is portrayed as a wife stealing, thief in the night. His brother Hector and he were on a peace mission in Sparta on behalf of Troy visiting the king, Menelaus, when Paris ran off with Menelaus' wife, Helen. This action divides the Gods who constantly meddle with the mortal's lives. Naturally, Aphrodite is on the Trojans' side, as was her lover and God of War, Ares, and Apollo. Although Zeus, King of Gods, tried to be neutral, he was pro-Trojan. Hera, Queen of Gods, and Athena help the Greeks because they were mad that Paris chose Aphrodite. Poseidon, God of the Sea and Zeus' brother, also sided with the Greeks whenever Zeus was not looking. An example of this constant intrusiveness of the Gods in the Iliad was when King "Menelaus hurls his spear, lightly wounding Paris. Paris' helmet strap becomes caught at his chin and Menelaus has nearly dragged him away before Aphrodite intervenes, breaking the strap. She then wraps Paris in a mist, sets him in his own perfumed bedchamber, and hurries to catch Helen" (Bloom 13). Of

The story of Paris and Helen is captivating in that they both play different roles and accumulate different levels of blame in each different retelling of the story. In some, they are the destructive lovers, whose all-consuming desire obliterates Troy and costs many great Greek warriors their lives. In others, Helen is the victim of Aphrodite’s enchantment and Paris’s lust; and in some, Paris is portrayed as a generally weak man who tries to do the right thing, and often fails miserably at it. One question that often comes up when analyzing their relationship is: how much agency did they both characters have over their lives and how are we meant to view their relationship and the destruction it causes. One common thread that always is deeply