Hope Leslie Criticism

In First Generations Women in Colonial America, Carol Berkin demonstrates the social, political, and economic circumstances that shaped and influenced the lives of women during the seventeenth and eighteenth centuries in the colonies. In exploring these women’s lives and circumstances it becomes clear that geography, race, ethnicity, religion, social class, and other factors less fixed such as war each influenced a woman’s experience differently and to varying degrees. In doing this, Berkin first showcases the life of a specific woman and then transposes that life onto the general historical framework and provides a context in which this woman would have lived. The lives of these women exemplified is also explored and demonstrated through the use of comparison to highlight their different experiences. Moreover, this analysis also seeks to identify the varied sources of these women’s power, albeit for many this power was limited. The analysis is broken up primarily by geography, then by race, and lastly by time and war. While these factors provide the overarching context of analysis, more specific factors are also introduced.

In this essay I will discuss and analyze the social forces that influenced American women writers of the period of 1865 to 1912. I will describe the specific roles female authors played in this period and explain how the perspectives of female authors differed from their male contemporaries.

In the 21st century, many women, myself included, take for granted that we can wear whatever we desire and say what we want, in public, without the fear of being thrown in jail. However, that was not always the case. While the fight for the continued advance of women’s rights rages on, women of the 19th century lived a very different life than the one, us women, lead today. The feminist agenda was just emerging on the horizon. One particular woman was preparing to do her part to further the cause of women’s rights: Sarah Willis Parker. Parker was better known by her pen name, Fanny Fern. After facing and overcoming extreme adversity, she made the decision to start writing. To understand how truly ground breaking Fanny Fern was, we need to understand that in a 1997 edition of an anthology of American satire from colonial times to present, Fern was the only woman writer from the 19th century in that text. Her satiric style and controversial subject matter was just what the oppressed needed to gain some support and give them a voice.

The American literary canon presents a one sided view of women, due to the dominance of male authors. Classic American books generally present images of women in a male-centered viewpoint, creating a biased representation of women in literature. In “Feminist Literary Criticism: From Anti-Patriarchy to Decadence,” Anne Barbeau Gardiner states that the American literary canon is “strikingly narrow…prepared by white men whose judgment was prejudiced and whose language was full of gendered meanings.” (Gardiner 395). Gardiner

During the nineteenth century America’s population saw its largest increase, in which mass immigration occurred. This saw an increase in culture and racial differences as movement was commonly based on those wanting to move away from war, starvation or other forms of oppression. It is how writers of the nineteenth century presented the ‘objective history through literature and turned it instead to the business of myth-making’ (Wardrop, 1997, p. P2) which is an interest of mine. My aim is to focus on the emergence and portrayal of women in sentimental fiction during the nineteenth century, through Coopers novel The Last of the Mochicans (Cooper, 1826) and Stowe’s novel Uncle Tom’s Cabin (Stowe, 1999). The framework of my discussion will be

A critical analysis entails the review of the book Revolutionary Mothers: Women in the struggle for America’s independence by Carol Berkin. This comprised of details on women who had been involved in struggling to fulfill the independence of America. Women played their role at facing or creating impact towards the war. This outlines on myriad of women,s lives as well as getting to know the obstacles that they encountered during the war. This aids in bringing out the idea that not only men who played vital roles during the war, but also women as being key characters, inclusive of colonial women as well as Native American women and the consequences they faced. Women brought about a generation of having the initial tale of history avoiding rise of different stories thus the book,s intention was to reveal the truth of the history as well as women importance during the revolutionary war.

Limited opportunities for women to share their opinions publicly throughout the Nineteenth century caused an abundance of females to communicate their ideas through writing. Catharine Maria Sedgwick was among the first of American authors to publish historical and other fiction. Much of her work deals with the role of white women in society, especially involving the Cult of Domesticity or True Womanhood. Sedgwick managed to incorporate her unorthodox views on women’s behavior, relationships, religion, and people foreign to her culture, while still appealing to a broad audience. Her novels, A New-England Tale, published in 1822 and Hope

     Throughout Ceremony, the author, Leslie Silko, displays the internal struggle that the American Indians faced at that time in history. She displays this struggle between good and evil in several parts of the book. One is the myth explaining the origin of the white man.

The most interesting work that stood out to me in American Literature was by Hannah Webster Foster “The Coquette”. This was the best worked, studied because it is an excellent example of women’s literature written during a period of American History. The Coquette shows how women in the 18th century made a change on whom society define the role of a woman. The words of Lucy “to see a woman depart so far from the female character, as to assume the masculine habit and attitudes; and appear entirely indifferent, even to the externals of modesty, is truly disgusting, and ought not to be countenanced by our attendance, much less by our approbation” (Webster 907). Lucy views on women deviating from traditional gender norms are just as harsh as those of utter by men. “The Coquette” was a novel that was based on Elizabeth Whitman played through Eliza Wharton as a young, beautiful, smart, and prone to flirtatiousness. She was soon freed from an engagement to a man she did not love and then later died of an illness.

The Blithedale Romance, written by Nathaniel Hawthorne, is a story of a twisted utopia. This perfect world is twisted in that the roles of gender have a traditional utopian representation, only with a more contemporary take. Of course, this is interesting because this book was written and published in the 19th century when such ideas were beginning to establish a form for the genre of writing. Hawthorne combines fantasy, philosophy, mystery, gothic, and even [what would be called today] science fiction. This novel illustrates the early break from even fresh ideas. The writing style allows for the "genderizing degenderizing" affect as well as nature of the self.

In American literature, women have been portrayed differently depending on the sex and race of the author. Henry James who wrote “Daisy Miller: A Study” (1878) characterized Daisy as a tramp who breaks expatriate social customs. When a male writes about a woman, she is sometimes portrayed as a troublemaker and often up to no good. On the other hand, in Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892), the narrator is trapped by domestic life. When a woman writes about women, they are usually victims of their society. James and Gilman each seem to display women differently because of their own sex, personal preferences, and experiences.

wrote about the different points of females and males. She had the passion of love. She

"American literature is male. To read the canon of what is currently considered classic American literature is perforce to identify as male; Our literature neither leaves women alone nor allows them to participate." Judith Fetterley (Walker, 171)

It is impossible to discuss the role of women in literature without mentioning the influence of feminism. The later in the timeline one reads, the more prominent it becomes. Each new wave of feminism brings with it its own goals, yet it also continues to strive for some of the same goals as past generations because not everything is accomplished all at once. Although “The Well of Loneliness” by Radclyffe Hall and “Rubyfruit Jungle” by Rita Mae Brown, are two starkly different texts that strongly reflect the feminist eras in which they were written, they have some similarities as well.

With the 19th Century writers, one can begin to consider women 's writing in a more expanded manner - as a kind of writing that has its own nature based on what it is to be a woman.