“How strange or odd soe’er I bear myself (As I perchance hereafter shall think meet to put an antic disposition on)” (shakespear74). Hamlet makes Horatio swear that no matter how he acts in the near feature he will not speak about what happened that night. Hamlet does this because he’s going to get revenge and his plans will more likely fail of anybody finds out about the ghost. Many Shakespeare fans will argue weather hamlet’s madness was feigned or not. Some believe that at first the madness was just good acting, but as the story continues hamlet slips into the verge of insanity in which people believe is no longer acting but true insanity. Although it’s believed that he loses his mind, hamlet still leaves a generous amount of evidence …show more content…
When the wind is southerly, I know a hawk from handsaw” (Shakespear116). After reuniting with his old childhood friends, which he has no clue are fools just kissing the king’s feet, he explains that he is only crazy when he chooses, other times he understands what’s real. Hamlet has no clue that his childhood buddies are bird brained back stabbers, however he knows that he will eventually have to appear crazy in front of them. Hamlet does not want them to think that he’s lost his mind between their absent years so he tries to hint to them that he’s not actually crazy, only when he chooses when to be. Some more of the plot develops and Rosencrantz is talking to Claudius and says, “He does confess he feels himself distracted. But from what cause he will by no means speak” (Shakespear134). This means that hamlet did admit himself to feeling confused but he kept the reason to himself. If someone is confused they don’t know that their confused until someone tells them otherwise, however hamlet admits that he confused and refuses to tell them why. This proves that he is still in control and has not actually confused rather just protecting himself from the snitches that were sent by the
When he talks to Guildenstern and Rosencrantz, Hamlet is clever to realize what their actual pupose of visiting was. "I am but mad north-north-west. When the wind is southerly, I know a hawk from a handsaw. (2.2.401)." Hamlet is able to play with his friends through his "madness" and is still capable to maintain his secret of what he is really doing.
The next area that questions Hamlet’s sanity is that of deaths though out the story. Polonius, who is hiding in Queen Gertrude’s room, is stabbed through the drapes by Hamlet because he thought it was the King. This might have been an accident, but Hamlet’s irrational behavior leads us to believe he is becoming impulsive and unforgiving. Rosencrantz and Guildenstern are executed in England by Hamlet’s clever idea to change the name on the death warrant. Here is where Hamlet displays signs of rational thinking to save his own life. Hamlet stabs Claudius with a poisoned sword and forces a poison drink down his throat (Shakespeare, Hamlet Act 5 Scene 2 page 1105), his ultimate revenge. Then, with the same poisoned sword that was prepared to kill him, Hamlet cuts Laertes and he dies. (Shakespeare, Hamlet Act 5 Scene 2 page 1105). Hamlet’s total change in personality makes him appear to be “mad” at this point. All forms of sanity are now gone and any plot he had to avenge his father’s death resulted on chaos and his own death.
When reading Shakespeare’s Hamlet as a class, the first thing that most teachers or professors point out is the argument/idea of sanity, specifically Hamlet's sanity. I believe that Hamlet is, in fact, feigning his madness. What I do not know is if I believe this because it is what I was taught or if I came up with the idea myself based on my own interpretation. When I was taught Hamlet there was no argument it was just fact that he was faking his madness. Because of my confusion, I came to find that it may be interesting take out of the play any moment in which Hamlet makes the audience aware that he is only pretending that to be mad. I want to take out any proof that his madness isn’t real. The argument for legitimate madness is always
Hamlet’s madness is questioned by many readers. The truth is that Hamlet portrayed madness before he came up with the plan of acting madness. This madness is an important characteristic in the play with Hamlet’s actions revolving primarily around the idea he has because of his madness. There are several occasions further in the play when the audience sees Hamlet acting mad even though there is no one else in the room that he was aware of. In act three, scene four, when Hamlet is in his mother’s chamber and hears a noise behind the arras the rash decision to stab the noise behind the curtain shows exactly how erratic and unstable Hamlet is. His rash behaviour to kill without seeing what he is doing shows that his madness is real and not something he is faking to have revenge for his father. In act five scene two, Hamlet announces that he has switched the letter that ordered Hamlet to be killed in England; instead writing that Rosencrantz and Guildenstern are to be killed. This is perhaps because he thought they were the ones who ordered his death when in fact they were just following Claudius’ instructions. Rosencrantz and Guildenstern were Hamlet’s friends which show that he was perhaps paranoid in his madness. They were there to help yet his rash character after seeing the Ghost has yet again ended people’s lives. It is important to consider that in the Elizabethan era madness was defined differently than what the
The most interesting thing about all of the characters' guesses as to the logic behind Hamlet's insanity is that the majority of their opinions stem from the thing that most plagues or preoccupies them. Claudius believes that Hamlet is crazy because he has a secret. This was ironic because the secret that Hamlet does have is that he knows that Claudius is his father's murderer. The very secret that plagues Claudius is the same that plagues Hamlet. Hamlet's mother, Gertrude, is wrapped up in her guilt about marrying Claudius so soon after the death of her late husband. She thinks that this must be what makes Hamlet rant so incoherently. While spying on Hamlet for the King, Rosencrantz and Guildenstern decide that he is going crazy because he can no longer fulfill his potential. Their betrayal of their school chum is fueled by the same blind ambition that they believefuels Hamlets insanity. Polonius thinks that Hamlet must be mad
As well as that, Hamlet’s madness is used as an excuse. He does not have to answer any questions people may have about why he is acting weird which gives him more time to continue plotting to hurt Claudius. His objective was to appear crazy and make it believable, and in doing so it makes him appear even smarter. Hamlet acts like himself and only acts insane when it is necessary. When he talks to Horatio about watching Claudius for signs of guilt he says “Give him heedful note, for I mine eyes will rivet his face, and, after, we will both our judgments join in censure of his seeming (3.2.87)”. The way he speaks makes it clear that he is perfectly fine. Horatio is one of the only people he does not need to feine insanity to. As well as that,when he is explaining to the players how to act, he asks “You could, for a need, study a speech of some dozen or sixteen lines, which I would
Hamlet also reveals his ability to manipulate his behavior to achieve a desired effect; he blatantly tells Horatio “How strange or odd some'er I bear myself (As I perchance hereafter shall think meet To put an antic disposition on) That you, at such times seeing me, never shall, With arms encumbered thus, or this headshake, Or by pronouncing of some doubtful phrase… to note That you know aught of me-(Shakespeare I.V,190-201). He himself devised that he would act insane from time to time and Horatio should pay no mind.
Hamlet is far too on top of things to be mad. Hamlet’s intellectual brilliance is first brought out in Act I, scene V when he plans on acting mad to confuse his enemies. Hamlet is also quick to figure out who his enemies and who are his real friends. “I know the good King and Queen have sent for you” (I.iv.37). Hamlet instantly knows that Rosencrantz and Guildenstern are not paying a social visit to Hamlet, but were in fact sent as spies for the former King of Denmark to find out the cause of his sudden madness. Hamlet immediately knows that he cannot trust his former school friends, and that he must take caution in what he says when is around the both of them. Rosencrantz and Guildenstern talk with Hamlet, but "with a crafty madness [Hamlet] keeps aloof" (I.iv.37), and they are unable to find the cause for his odd behavior. Hamlet’s true intellect is brought out in Act III, scene II when he plans on putting on a play. "If his occulted guilt do not itself unkennel in one speech, / it is a damned ghost that we have seen, and my /imaginations are as foul as Vulcan’s stithy" (III.ii.84). When Hamlet comes up with a brilliant plan to put on a play about someone killing a King, he determines whether or not Claudius is guilty of murder, or if the ghost is really his dead father or an evil spirit whose setting him up to kill an innocent man. Hamlet coming up with a successful plan to prove
Hamlet’s absurd actions began when he got a visit from his father’s ghost. As he was conversing matters with the ghost, he acknowledged that he may need to disguise himself with strange behavior (antic disposition) in order to not give himself away. He wanted to ensure that he wouldn’t make it conspicuous that he was planning to kill Claudius in order to achieve his own equanimity. Hamlet mentioned to Horatio, Marcellus, and the Ghost, “How strange or odd some’er I bear myself (As I perchance hereafter shall think meet to put an antic disposition on)... ” (Pg. Act I Scene V Lines 175-177). He needed to surreptitiously act in a strange manner in order to convey the idea to the culpable King that he didn’t have a plan, although he did. Hamlet would not have given them the caveat that he would act mad if he actually was crazy. One who is mad will most likely not admit it, but Hamlet certainly admitted that he would be acting this way to communicate a certain impression. At the climax of the play, the queen claimed that Hamlet was mad when he interacted with his father’s ghost after he murdered Polonius. She vehemently claimed, “Alas, he’s mad” (Pg. 177 Act III Scene IV Line 109). She declared
When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the
Secondly, if Hamlet saw the ghost, and went insane from that, don’t you think that Horatio, and the guards would have gone insane from seeing him as well? I really don’t think that Hamlet would become crazy out of seeing something that 3 other people did. Later on, Hamlet lets out to his friends and his mom his plan to pretend to act insane. He tells Horatio that he is going to "feign madness”, and that if Horatio notices any strange behaviour from Hamlet, it is because he is putting on an act. Some of the other people also come to notice that Hamlet is not crazy. Claudius says that Hamlet's "actions although strange, do not appear to stem from madness." Also Polonius says that Hamlet's actions and words have a "method" to them, there might be a reason behind them, and they make sense over all. Through the play Hamlet looks like he’s insane then sane again. What he says to his friends describes his madness "I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw". This explains how he is mad only at the right time, when he’s around the people who betrayed others and himself. The people are: Ophelia and her betrayal to him, his mom's betrayal to his dad, his friends’ betrayal to him and his uncle's betrayal to his brother.
We get more insight into Hamlet's mind after he meets the ghost of his father. He is speaking to his confidant and friend Horatio:
In Shakespeare’s Hamlet, the main character Hamlet is believed to have gone insane after the death of his father. There is much evidence in the play that causes one to believe that Hamlet is in fact crazy. However, there are also indications to the contrary, Hamlet only feigns madness for the purpose of carrying out his mission. He rehearses his pretend madness first with Ophelia for even if he fails to convince her , that failure would not cause him any harm. The language he uses is clearly not that of an insane person, he is lucid and succinct when he speaks proving that he knows exactly what he is doing. .
There are four different hypotheses about Hamlet’s insanity, or madness: (1) That Hamlet was perfectly sane, but only faked his insanity; (2) that Hamlet after his interview with the Ghost was more or less insane; (3) that Hamlet’s insanity was hidden, and was only fully developed after the courts play; (4) that Hamlet was neither insane, nor faking to be so. There is a lot of evidence in the play that Hamlet purposely faked his own madness in order to confuse and throw the king off about his plans and the places he will go. When talking to Horatio before they play, Hamlet says, “I must be idle” (III ii 85). 1 The definition of idle is to act foolishly or pretend to be crazy.
As demonstrated throughout the play, Hamlet’s madness is evident whether real or fake. In his own words, “I am mad but north-north-west: / When the wind southerly, I know a hawk from a handsaw” (II. ii. 377-78). Hamlet is claiming that he is frequently seen as crazy. However, he claims that he can choose the moments to be mad. Hamlet is speaking to Rosencrantz and Guildenstern stating that Hamlet knows what Rosencrantz and Guildenstern plan to do. The reader is again asked to consider whether Hamlet is faking his madness or whether he is, in fact, mad. In a monologue, he says, “How strange or odd some’er I bear / myself / As I perchance hereafter shall think / meet / To pit an antic disposition on” (I. V. 190- 92). The death of Hamlet’s father is something Hamlet cannot