Horror Film Cinematography Aficionados Analysis

The film Citizen Kane uses stylistic cinematography techniques that help stress both material presence and textual representation. One of the main techniques used throughout the film is deep focus which usually makes everything that’s in the frame of the shot relevant. This deep focus contributes toward the viewing of the film as presence and also representation. For example, one could think of the “ broad and self-conscious use of deep focus…as an attempt to present images that are purely and fully presence, presenting themselves to the view in their fullness without any added meaning or interpretation.” (commentary) or the deep focus can be looked at as an interpretative point of view.

The horror genre is synonymous with images of terror, violence and human carnage; the mere mention of horror movies evokes physical and psychological torture. As remarked by noted author Stephen King “the mythic horror movie…has a dirty job to do. It deliberately appeals to all that is worst in us. It is morbidity unchained, our most base instincts let free, our nastiest fantasies realized.” (King, 786). At manageable intervals, we choose to live these horrific events vicariously through the characters in horror movies and books as a means of safely experiencing the “what if”. The horror genre allows us to explore our fears, be it spiders, vampires, loss of our identity, or death of a loved, under the most fantastic and horrible

Stephen King wrote the short story “Why We Crave Horror Films” explaining why our mind gets so excited during horror movies. He continues to make the statement “the horror film has become the modern public lynching” (paragraph 6) showing that no matter what generation a person is in the excitement of gore will always exist. King proves this statement discussing emotions and psychiatric points in his work.

In the film, Night of the Living Dead, the movie starts with two siblings, John and Barbara, driving to their father's grave to drop off flowers. John is reluctant to be there and is eager to leave while Barbara is trying to pray. John teases her like when they were children saying “They’re coming to get you, Barbara!” when they both see an unknown man. Barbara goes to apologize to the unknown man but it seems he is dazed and kills John. Barbara escapes and finds herself at an empty house. In the house, she meets Ben, who borders up to the windows after taking down 3 undead. After a bit of listening to a radio for the current status of the state of emergency, Harry and Tom come upstairs. We learn that two men, two women, and a child had been in the basement of the house during Barbara’s and Ben’s struggle with the undead. After much argumentation on if the basement or upstairs was safer between Harry and Ben, Harry went back downstairs to his wife and child. Tom and his wife, Judy, stayed upstairs with Ben believing they could properly border up the windows together. After much convincing from Helen, Harry’s wife, Harry and she join the others upstairs. While listening on the radio, they are given more updates of the state of emergency. The radio announcer suggests instead of staying in place, to now go to one of the designated “safe areas”. When places are announced, Tom says that one of the

“Why we crave horror movie” is a type of mini review written by Stephen King in playboy 1981 in which he had discussed, various features of the horror movies. Stephen King is an American writer well famous for writing the horror movies and is popular in the world of literature as Richard Bachman. In this mini-review King had used an ethical approach to delineate the differences between the some of the horror movies and to highlight certain psychological factors responsible for people’s craving for the horror movies. In this piece of writing, King had spotted certain emotions that become reason for this psychological drive. Moreover, he by using his straightforward approach

Do you enjoy watching murder, the paranormal, and any other morbid scene which makes the hair on the back of your neck stand up, your palms sweat, and your adrenaline surge? Why people enjoy watching murder, tragedy, and carnage in their spare time has been a mysterious phenomenon. If these gruesomely horrific scenes would not be enjoyable in real life, why is watching a recreation of it so riveting? Stephen King, a world-renowned horror novelist, wrote “Why We Crave Horror Movies” to give insight as to why horror movies, although gruesome and morbid, captivate audiences. King also aims to persuade readers to continue to watch horror movies, arguing that they are a crucial part of keeping sanity. King delves into this psychological aspect of humans and believes that the desire to watch horror films is a normal tendency of humankind. “Why We Crave Horror Movies” includes appeals to emotion, logic, and author credibility in order to convince readers of the positive, normal desire to watch horror films, why it is important to watch them, and why the reader should believe what the author is saying. King utilizes the rhetorical devices—pathos, logos, and ethos—in an effective way through the use of metaphor, logic, humor, and emotion to persuade readers that watching horror films is normal.

In my list of movies that always make me cry is the movie “Ghost” which was released on July 13, 1990. This movie made that summer really worth while and gave us romance, comedy and much to think about. The movie starred Demi Moore, Patrick Swayze and Whoopi Goldberg.

“Why we Crave Horror Movies” is an essay written by the most popular horror author, who works included Carrie (1974), The Shining (1977), The Dead Zone (1979) and Misery (1987), Stephen King. The excerpt originally came from his book “Danse Macabre.” “Why we Crave Horror Movies” was originally published in Playboy Magazine in 1981. The essay was an explanation of why King felt that people craved horror movies. He goes into great detail throughout the essay and gave various reasons of he felt the way he did. While reading the first the that came to mind was the ‘target audience’ because he is speaking to a certain group of people. Then ‘logos’ because King is making a huge assumption throughout the essay, which came of very strong. Lastly, ethos’ because of the tone King sets in the essay, and ‘pathos’ because overall King has a purpose for the essay he wrote.

The arguments presented in this book are clear and organized in a logical manner. Among the different writers whose works are featured in the book, they offer different examples to explore the genre of horror films from different perspectives. The writers also attempt to explain the how modern day horror film are related to certain themes of blood and gore, and the relationships between pornography and horror film among other things.

Horror can be defined as a genre meant to psychologically trigger individual fear with the presence of certain supernatural or abstract characteristics. The genre is dependent on people’s fascination with unrealism and the sensation that comes from experiencing fear personified into tangible elements on a screen. Horror films have thrilled audiences for decades, revealing stories of the more sinister parts of life. The popular allure that stems from the genre comes from the tension moviegoers experience when aroused by specific stimuli uniquely present in these cinematic features (Walters). Over time, as the genre progressed, the standardized elements found in a typical horror movie began to shift in different directions primarily due to changing societal circumstances and increasing consumer demand for cinematic innovation. The expansive nature of the different codes and conventions within the horror genre, coupled with the evolution of society’s fascination with these characteristics, has led to the mutation of the genre itself in order to allow for unique approaches to a familiar style in response to both economic developments and taste shifts within the consumer industry.

Further, King goes on to state that when we watch a horror movie, “we are daring the nightmare,” meaning we are almost begging to be scared. King also states there are multiple reasons for this, but one of the main points is “to show that we can, that we are not afraid.” He then appeals to the audience experiences by making his paper more relatable and comical when he compares horror movies to roller coasters. King states, they are both usually liked by the young, but once their age reaches to the forties or fifties, “one’s appetite for double twists or 360-degree loops may be considerably depleted.” Additionally, King uses his clever collage of comparisons to explain one of the horror genre’s many intentions are to show us right from wrong. Which might also provide some of us with “psychic relief,” throwing ourselves in a place where intensive questioning is unnecessary, giving people a small break from their complicated daily life.

I must admit before I dive into this paper that I have never been a huge fan of horror movies. I really don’t like to be scared, but when a horror movie doesn’t scare me (most don’t) I am oddly disappointed. Even though I don’t like being scared my expectations for horror movies is to be freaked out or at least to be disturbed and in need of some self-reflection time. The only exception to this is when the horror movie is a parody or when the movie has a cheesy and funny overtone with a darker undercurrent as with Young Frankenstein and Van Helsing respectively. The way that these movies pull apart the horror genre and dissect it with love and admiration actually makes me want to watch more horror films, which is no small feat.

As King argues, the horror genre serves a specific purpose to allow us an outlet to let out anticivilization emotions. These movies let us lapse into our most simplistic mindset, enjoying the pain and suffering of other people. As King says, “it urges us to put away our more civilized and adult penchant for analysis and to become children again...the invitation to lapse into simplicity, irrationality, and even outright madness is extended so rarely” (King 2). The human

She argues that although audiences crave the feeling of being afraid, they crave being safe while watching scary movies. It means that they know that they can safely be scared while the event is not actually real. An article cites multiple studies to prove her point as to why people crave and enjoy horror films while others do not. She hypothesize that this need for excitement accounts for why this genre is popular among teenagers and younger generations, since the desire for watching horror movies predicted to be decreased with

Horror films are movies that aim to elicit a strong physiological reaction in the viewer, such as raised heartbeat and fear. Three horror films by the names of Psycho, Scream and The Messengers will be analysed and compared to an episode of the popular children’s show Shaun the Sheep. Five elements will be addressed in this analysis, those being camera techniques, Mise-en-scene, Editing, Lighting and Sound.