The decades that stick out in horror movie history are the 70s and the 80s. Most critics would agree with me when I say that the horror movies in the 70s and 80s changed the horror genre forever. The horror movies during those decades are viewed as being the foundation for the horror movies today. But why did those two decades have a significant impact on the horror genre? What made the horror movies better than the horror movies today? The horror movies in the 70s reflected the grim mood of the decade. After the optimism of the 60s, with its sexual and cultural revolutions, the 70s were something of a disappointment. By 1970, the party was over, the people of that time period had nothing left to celebrate about. However, when society gets bad, horror films gets good. The 70s marked the return of horror movies to the big screen. One consistent fear that is apparent in the horror films of the 70s was the fear of children and the fear of the messy, painful and often fatal process of childbirth. It shifted its aim from having fictional and science fictional characters as the main character to having the enemy to be found in your own home. The 70s made the enemy be someone who is more likely to cause real harm like your mother (Shivers), your brother (Halloween), or your daughter (The Exorcist). The 70s were about uncovering deep paranoia in the minds of the audiences. The Exorcist has been voted the scariest movie of all time (Total Film magazine) and is significant to any
Everyone loves to watch a good horror film. Whether the effects in the movie are really gory or extremely unsettling, these nail-biting experiences are what give the audience a thrill as they try to peel their eyes away from the screen. The concept of these movies is to give the viewers a good scare, one that will have them glancing over their shoulders or double checking if their doors are locked at night for the next week. This genre has been around since the late nineteenth century, but horror movies did not gain much popularity until the 1930s. Modern day horror films have evolved from its beginnings, but the elements in a horror movie are consistent regardless of time.
This open letter is directed at the directors of Horror films. This letter will discus the over used gimmicks and the lack of creativity on their part. It will be written in a conversational way with the use of pathos of how these movies are faulty with a touch of humor, and rhetorical questions to emphasize certain points of my discussion of this topic. I will also use ethos through my time as a film fanatic who is passionate on all that is film especially horror film which is my favorite film genre, and is the largest genre with so many subgenres within it that have the ability to use so much imagination. I have crafted this conversation to be directed towards the directors of horror films with the use of film lingo that is used for this genre, movie examples they should look at, and a deep analysis of what and how this problem cause movie of today to lack in appeal.
The foundation of horror genre was set by monsters that not only haunted your dreams but also conveyed rich themes found deep beneath the surface. Vampires are considered a symbol of seduction and sophistication while Frankenstein monsters represent misunderstanding, oppression, and rebellion. Some of the strongest symbolism is found in standard films of the horror genre does not come from the frequently updated relics. Utilizing fear and horror as mechanisms for subtext, social commentary, and symbolism, George Romero created a new horror genre, one that scares and shines just as much as great horror classics. Romero’s Night of the Living Dead revolutionized the once stagnant zombie film and made into something unstoppable, still to this day zombie movies rake in millions of ticket sales at the box office while remaining culturally relevant.
Since it’s infancy at the beginning of the eighteenth century, horror has followed certain conventions that results in an awakening of the senses, evoking intense emotions of fear and terror in the audience. Horror feeds off triggering the primal fears embedded within all of humankind, creating a sense of menace that is the very substance of this genre. Furthermore, the central menace of a piece tends to enlighten the human mind to the world of the paranormal and the enigmatic, dark side of the unknown. The movie “Psycho” directed by Alfred Hitchcock is a perfect example. Infamous for its shower scene, but immortal for its contribution to the horror genre, “Psycho” was filmed with great tact, grace and art in regards to horror conventions.
Horror movies allow us the experience of intense emotional excitement from the unacceptable actions and their consequences in the films.
Insidious easily fits the film conventions of the horror genre and themes. Insidious incorporates classic horror elements like haunted houses, ghosts, children being possessed, and outside experts of the spiritual world. A family with three children start to witness things out of the ordinary and are unable to understand what they are seeing. The mother, for instance, knew she was seeing strange deities, but her husband refused to believe it and thought she was just out of it. The classic element of denying there is anything out of the ordinary going on is a classic horror element. Typically the people who deny the reality that there might be something supernatural happening, are the first people to be killed or affected in some manner.
During 1981 there was a huge development in technology. In that same year of 1981, Stephen King published an article in the Playboy magazine by the name of “Why We Crave Horror Movies.” In his essay he wrote about why people enjoy watching horror films. King intends this essay toward young men who watch horror films. He mentions that everyone is a little insane and that it is okay to be that way. He wants young men to know and understand that there is something more to it then just wanting to get scared when watching horror movies, it is for young men's insanity relief so that the good emotions can be expressed. Back then there was a stigma, mostly in religious people, parents, and psychiatrists, but it is still present today. Critics believe that horror films were made to scare viewers and draw in the negative things. King is famous for horror movies and is known to be the king of them. The article “Why We Crave Horror Movies” was written forty years ago by King who is the author of many popular horror books and films King persuades young adults that it is okay to watch horror movies because everyone is a little bit insane in the inside.
Horror boosted entertainment during early 1900s. Horror was the type of film that bought chills and fear to life. The goal of many horror films is to scare and tell a story to its
Horror can be defined as a genre meant to psychologically trigger individual fear with the presence of certain supernatural or abstract characteristics. The genre is dependent on people’s fascination with unrealism and the sensation that comes from experiencing fear personified into tangible elements on a screen. Horror films have thrilled audiences for decades, revealing stories of the more sinister parts of life. The popular allure that stems from the genre comes from the tension moviegoers experience when aroused by specific stimuli uniquely present in these cinematic features (Walters). Over time, as the genre progressed, the standardized elements found in a typical horror movie began to shift in different directions primarily due to changing societal circumstances and increasing consumer demand for cinematic innovation. The expansive nature of the different codes and conventions within the horror genre, coupled with the evolution of society’s fascination with these characteristics, has led to the mutation of the genre itself in order to allow for unique approaches to a familiar style in response to both economic developments and taste shifts within the consumer industry.
The horror genre has held a prominent position in culture for most of history. Beginning in folklore, used as a device to scare children into good behaviors (e.g. The Grimm Brother’s Fairy Tales), horror has integrated its way into the 21st century through film, and in recent years even video games. Yearly, primarily during the fall when the leaves start to brown and the natural eerie sense of fear fills the air around Halloween, the film industry likes to fill in the holes between its major grossing seasons by filling the audience with fear. However, it was Christmas of 1973 that defined the new age of Horror, when William Friedkin released The Exorcist. According to Julia Heimerdinger of Academia’s online journal, Horror, as a whole, can
Horror is the most personal media genre because of how it can uniquely connect an audience to the traumatic aspects of human struggle. As a result, I like to define horror like this: horror is any instance when an audience is given an uncomfortable look at something that disturbs them. This definition is intended to give room for a cultural interpretation to horror; if something would have scared someone in the past because of something unique about their culture, it can still be considered horror. This is the primary vehicle with which I’ll argue that horror has existed as long as the English language has. Looking back at the medieval horror excerpts and Beowulf, there are many elements that would scare the audiences of their times that wouldn’t immediately affect a modern audience without thorough analysis. Because audiences in the Middle Ages were terrified of God, descriptions of hell and punishment were works of horror centered around fear of the divine. Likewise in Beowulf, in addition to containing an explicit, modern-esque monster in Grendel, Grendel’s Dam would have been seen as a horrifying figure because women were mostly used as negotiable objects for marriage in the 700s. In these ways, these works are evidence that horror has been around since before Frankenstein.
Perhaps the most iconic Halloween-themed movies of all time, this film, directed by John Carpenter, redefined horror as we know it.
"We can understand society more by what it fears. " Skal deliberates how changed cultural fears and hang ups-such as nuclear war and the battle for reproductive rights, can be imitated in horror films. It was insightful for how it related the horror genre to cultural trends in America. The book is very characteristic; you can tell Skal has written works on Dracula and Tod Browning, and that he does not care at all about 1960's European horror. The book is not complete; there are many things missing, and Skal's argument of the films never gets much deeper than an insincere Freudian analysis.
Horror is designed to scare, cause alarm and dread, while also entertaining the audience at the same time in a cathartic experience (Dirk, 2016). Horror films are meant for a specific type of audience that enjoy scary films. Dirks (Tim, 2016) approach to genre horror, is that films went back as 100 years ago, from the earliest days our vivid imagination in seeing ghosts in the shadows to be connected emotionally of the unknown, and fear things that are improbable. You watch a horror film, it makes you aware of the scary surroundings, the essence of fear itself, without actually being in any sorts of danger. Dirks argues that there is a fun and thrill factor in being frightened, or watching something disturbing. It gives you that feeling of an adrenaline rush, as well as having that feeling someone is actually next to you lurking in the dark (Dirk, 2016).
are horror movies anti-feminists? There have been Discussions about gender representation in horror films for nearly 40 years now. when feminism became more popular during the 70s and early 80s, horror films also became more popular and began to appeal to a larger audience, including females. Feminists once saw a problem with the highly sexualized violence of women in the horror genre, mainly the “slasher” film and Horror was initially criticized for how they represented female characters, the Horror Genre has sparked a discussion between feminists and filmmakers, resulting in a more prominent voice for female characters.