Horses Of God : Masculinity

Patriarchy is a social system where men dominate and govern most of the world’s economical, educational, familial, health, political, and religious systems. This political social system that insists that males are inherently dominating, superior females, has been taking it toll on different demographics. To maintain dominance, men exude their sensitive, inferior “masculinity” through various forms of psychological control, manipulation, violence, and terrorism. The subservient role-playing woman has to orchestrate to patriarchal chime by being nurturing, obedient, passive, and weak

Within comptemporary society, there are many ways to define gender. Gender includes all the characteristics that differentiate masculinity and femininity. The existence of masculinity create problems for every men because they are constantly pressured to behave in a certain way in order to look masculine. In the story “The Maltese Falcon” by Dashiell Hammett, masculinity is negatively depicted as problematic toward men. In this story, the author displays the negativity of masculinity through the conduct, manliness and reputation of the main character.

In one scene of the memoir, Allison describes her uncles and their need to be depicted as masculine and to act “hard” to the world around them. She also remembers her cousins as young boys and how quickly they seemed to turn into men. The time came for them to act as the world expected them to. This action shows how gender may oppress some males when they feel the pressures of the world to act a certain way. Otherwise, they are at risk for being seen as different and abnormal. Men who do not portray masculinity well are often seen as feminine and weak. When Allison describes her uncles she states, “If you didn’t look close, you might miss the sharp glint of pain in their eyes, the restless angry way they gave themselves up to fate,” (Allison, 28). These men already had their futures planned for them though the society and gender norms. Acting against these norms was seen as unusual, radical, and

For centuries, books, television shows, even beloved childhood movies have subtly reinforced the social construct of patriarchy. Classic movies such as Cinderella and Sleeping Beauty follow the typical story line of a damsel in distress, followed by a heroic man coming to her rescue. This conception of a male focused storyline is nothing new and is an aspect that constitutes patriarchy, which has existed since the advent of agriculture and has persisted throughout the centuries. In fact, patriarchy was a major theme that was reinforced in the first story ever recovered; The Epic of Gilgamesh was written as early as 2000 BC in Mesopotamia and is loosely based on the Sumerian king, Gilgamesh. The story tells of Gilgamesh’s adventures with his friend Enkidu as they conquer everything from other men to the Bull of Heaven. Throughout the story, patriarchy is heavily reinforced. Although the driving force behind patriarchy is personal attainment of security and status, a number of objectively undesirable events result such as the subjugation of women and societies that value control and dominance. The narrator reinforces different aspects of patriarchy in The Epic of Gilgamesh by portraying men in a good light and women in a bad one, focusing society around males, withholding agency from female females, normalizing violence, and creating the need for unequal relationships between men and women.

In ancient Greece, it was crucial that men proved their masculinity in order to uphold their worth and earn them a place in social establishments. An important aspect of human life is a man’s masculine identity and how it plays a role in society. However with this idea of masculinity came limitations that were not to be crossed. Ancient Greek epics, the Iliad and the Odyssey, both function to provide their own view on masculinity in society through the reverse sex similes. In the Iliad the crucial role of Achilles as a warrior and his association with maternal protection, as represented through it’s reverse sex maternal similes, ultimately proves problematic. This intrinsic part of man to fight on the battlefield to win timê and kleos is ultimately

In today’s society, masculinity has changed throughout time. Fast forward one hundred years ago, masculinity is defined as being strong and having a good paying job. But as the world is changing so is the representation of manliness. You don’t have to show your dominance over men or women today, but you should support your family nowadays and we have all been brainwashed by the thought of masculinity from our ancestors. As men our reputation is always being valued but now it isn’t so much about our reputation but about caring for one another and especially for our families. Perspective of manhood is also a significant factor in portraying what masculinity is in the eyes of other people. Masculinity has been shown through money, appearance, and providing protection for your family members but as we shift into the modern world, masculinity is not seen as displaying the most discipline but caring for one another by taking out some of your time to help one another. Throughout the paper, I will be writing about my interviews from a broad spectrum of ages from one of my younger sisters to my dad with not friends not at Seb’s in between so I can get what it really means to be a man from all ages.

Amirs father, Baba, is a strong man very set in his ways. He represents the independent culture of old Afghanistan. He instills his ideals of masculinity on Amir, and believes he should be stronger, more sports oriented, and able to stand up for himself. “Of

In “The Things They Carried”, Tim O’Brien uses male gender roles and masculinity as additional devices in telling a fictionalized war story. Throughout “The Things They Carried”, each of the characters is putting up a facade that highlights their hyper masculine traits based on male gender roles and social norms. Therefore, masculinity influences all of the soldiers in one way or another. Some traits even become synonymous with particular characters. Each one being a different representation of what gender roles they are to follow or not, even in a setting of war. By using male gender roles and masculinity in telling this fictionalized war story, their actions and ways of speaking are“performative actions” that either enforce their masculinity or takes away it.

Bridging between two different time periods and describing two divergent cultures, Gilgamesh from The Epic of Gilgamesh and Okonkwo from Things Fall Apart depict two larger than life heroes who's masculinity are the cause for them beginning as powerful god-like characters however is also the cause for them ending as regular human beings who display deep feelings and emotions. Even though these characters reach a humbling ending the journey differs through their view of masculinity. During this assignment I will be contrasting their views of masculinity.

Where there are hyper-masculine men, there are beards. Where there are beards, there are characters carrying masculine traits willing to demascluinize and as a result feminize men of whom they perceive to be superior to. In the realm of King Arthur and his court, King Arthur has to set the standard of masculinity. He must be the man that other men, under his rule, aspire to be. With that, there seems to exist a checks and balancing system where the demasculinization of other men results in keeping the realm at ease. I’d like to divert your attention to the beard cloak and, as an extension, also the first initial moment that the Green Knight rode into court. These moments seem to be the most important because of their connection to beards--seemingly a symbol of hyper-masculinity.

First, Amir’s relationship with his father, Baba, helped create Amir’s identity. Their intricate relationship often left Amir feeling worthless as if he could not live up to the standards of a Pashtun. This negatively impacted Amir growing up; his values constantly changed as he tried to form a close bond with his father. Baba raised Amir to believe that everyone in Afghanistan had a certain role to play in life, but they should all be treated with respect. Baba’s values made Amir think he had disappointed his father. The high expectations that Baba had for Amir showed that he cared about their reputation. Being the child Amir was, he translated Baba’s hardness as though his father were unhappy to have a child such as Amir. Amir recounts the emotion displayed on his father’s face after an afternoon together; he laments, “Mostly I will never forget Baba’s valiant efforts to conceal the disgusted

To understand either work’s take on hegemonic masculinity, it is important to identify masculinity as a gendered hegemony. In her definition of gender, Judith Halberstam notes that gender is socially systematized, performed, and reproduced in cultures, institutions, and individual identities (Burgett, Bruce, and Hendler, 116). In a like manner, in her article on gendered violence, Mimi Schippers notes R.W. Connell’s research on masculinity to expand this definition, implying that masculinity is central to gender relations. In short, Connell defined masculinity as “simultaneously a place in gender relations, the practices through which men and women engage… in gender, and the effects of these practices on bodily experience, personality, and culture” (Schippers, 86). Here, masculinity is classified as a social position, the set and practice

To impress one’s parents in any culture much less the Afghan culture may be one of the biggest most proud moments of child’s life. Such is true when the boys win the kite running competition. Amir wants nothing more than to impress his father and keep the family name alive and strong. He feels as if this was a way to redeem himself to his father. The importance of family in this situation stands out and demonstrates how much the Afghan culture bases itself on family. It is obvious that Amir believes that nothing is more important than his family. This value of family being first, which he learned at a very young age, and making them the most important figures in one’s life carries with Amir throughout his whole life. He never forgets where his roots are and why they are there. Family was of importance to Amir at a young age and he carried that mentality with him throughout his entire life. The mentality that family comes first does not only apply to

The 2005 film, Jarhead focuses on the life of the protagonist Marine, Anthony Swafford. The viewer watches as Swofford endures the vicious training to be a US Marine, which eventually leads to his deployment in Kuwait in to fight the 1990 Gulf War. Undoubtedly, many aspects of the film link back to Gender, however for the purpose of this critical review, I will be focusing on the way in masculinity in Jarhead serves to highlight key ideas about hierarchy and freedom. Although broadly defined, I have interpreted ‘masculinity’ as men being expected to behave with particular characteristics, such as being strong, heroic, protective, and rational. This review will argue that through the focus on Gender, particularly masculinity, Jarhead provides a critique of the military’s dependence on masculinity as a means of shaping the ‘worth’ of men, an aspect which often leads to emotional and mentally isolation and entrapment, as well as raising questions about the masculinity of the state. Moreover, Jarhead criticises how the repression of aggressive masculinity, as fuelled and promoted military training, can have consequences, as the men do not have an outlet for this aggressive masculinity, for example, combat.

Ahmed, a product of society, is raised as a man and thus exhibits characteristics of a man. To receive the privileges granted to men, Ahmed conceals her feminine physique by binding her chest. Furthermore, her father trains her to be aggressive because society expects violence in men and weakness in women. “My father gave me a blow…and