Horst Influence On Photography

It wasn’t until 1822 that his family allowed him to study the arts. They let him work under Alexander Lenoir, an artist and architect, that introduced him to some of the classic sculptors and artists like Titian and Rubens. He was pushed in a healthy direction by Lenoir, and soon began formal study at the Academie Suisse.

Franz Marc was a German artist and printmaker, and also one of the key statistics of the German Expressionist movement. Franz Marc was born in February 8, 1880 in Munich and past away in March 4, 1916, eventually Marc was only 36 years old. Wilhelm, the father, was an expert landscape painter; his mother, Sophie, was a strict Calvinist. Marc began to study at the Academy of Fine Arts, Munich in 1900. In 1903 and 1907, he spent time in France, intensely in Paris, visiting the city’s museums and copying many paintings, a conventional way for artists to study and improve technique.

The essay written by Charles Baudelaire, titled “The Modern Public Photography”, is not only very clear to be negative towards the pursuing arts of photography, but also very controversial due to the independent and diverse views on this specific subject matter. Baudelaire makes it very clear in his writings that his opinion is firm on photography and its evolving approach to appease the various spectators of the fine arts. In this essay, Charles Baudelaire illustrates his opinion by insulting multiple previous photographic known ‘art pieces’ and breaking them down into literal meanings, insulting the modern idea of literal duplicates of reality as being defined as “art”, and also persuading those interested in category of photography to seek ‘out-of-the-box’.

During these clips cinematographers explain different techniques of the lighting used while filming. In the 1930’s the lighting creates a glossy, glamorous, harder edge look.

The Bauhaus was an art and design school that operated in Germany from 1919 to 1933 (Smith 2005, p. 31) and was a major component of the Modernism movement. In 1923 the schools’ founder Walter Gropius called for “a new unity” between art and technology. Subsequently, one of the main aims of the Bauhaus was to merge art with mass-­‐production, however this ambitious aim often eluded the Bauhaus (Bergdoll and Dickermann 2010, p. 15) and its products were criticized as being for an elite. This essay will investigate the extent to which the Bauhaus achieved its goal of mass production through an exploration of the different phases and individuals of the iconic school.

In Gehry’s house, he used big openings, unique wall surfaces and light conditions in a large room or visible framework, they all showing the postmodern style and making relationships between architecture and its origin. Gehry tried to “make a very tough sculptural

I plan on majoring in art history at USC. This major combines the study of art and culture, which are two topics that I am very much interested in and passionate about. I would also minor in visual culture and hope to enroll in the AHIS 100g: Introduction to Visual Culture. Having a father as a film producer, I have been fascinated by film and photography since I can remember and appreciate these art mediums especially as they portray social injustices in our communities. One class in particular, within this minor, that got my attention was AHIS 373g: History and Theory of Photography, which would combine my interest of art and visual culture. As an art history major, I would also like to take part in the study abroad program to learn more

Uelsmann’s work was not well received in the photography community. His creations were not considered photography; however, he was well received in the art community. John Szarkowski hosted a solo exhibit at the Museum of Modern Art in 1967. Uelsmann was considered “iconoclastic” and “set out to convince critics that photography offered alternatives to the conventional “purist” sensibility…” Uelsmann debated that photos could “evoke elusive states of feeling and thinking triggered by irrational and imaginative juxtaposition” (Kay). Uelsmann has succeeded in finding a following among photographers and artist alike. In the past forty years, Uelsmann’s work has been exhibited in over 100 solo shows throughout the US and overseas. He has permanent instillations in museums worldwide (Taylor). Uelsmann’s photos are now revered for their original technical form as well as their surreal matter (Johnson).

Clyde Butcher started off as a sheet-metal worker, He was born in Kansas City, Missouri in 1942. When he was a child he already was creating types of art he drew designs of boats and made ship prototypes from scrap metal, he spent most of his childhood making these types of things. He went to college at California Polytechnic state University, and he also graduated with a degree in architecture. After he graduated he realized that he had a inability to draw designs for architecture. So he taught himself how to take pictures so he wouldn’t have to draw designs, just take pictures of them. He married Niki Vogel and from there on his career in architecture was in the past and photography was his passion.

He was very successful as an architect, and in fact, he was the architect to win the Atlanta Press Photographer Association competition. He credits his experience as an architect with some of his ability in photography by giving him the skills to build the setting of his photographs.

Some people refer to Alfred as the father of photojournalism because his photos were good. One could observe classical balances, sharp inequalities of light and shadow, and dominant vectors of confining and expansion, as in the active movement up the street into the space and light of Times Square. Those are the artistic illusions that the photojournalists emulate up to date and will continue into the future (Clpgh.org, 2015).

In the early years of film, make-up artists were not recognised for their artistic skills and ingenuity of making prosthetics or their imagination of bringing others creations to life. Many of the artists were also actors or stunt men who learnt the craft by applying their own make up for film and theatre. Compared to today’s materials used to make prosthetics, many of the materials they used were very basic as they used spirit gum, fish skin, cotton, gelatin, greasepaints, collodion, cheesecloth, clay, Fullers Earth, various putties, pastes and wax and latex. The first documented prosthetic was in the 1909 book “The Art of Theater Make up” by Cavendish Morton, who when transforming himself into the character Falstaff used silk attached to a wig, nose paste, spirit gum, crepe hair and greasepaints.

Peter Behrens is one of the most influential German designers. At the beginning of the century, he brought forth amazing works in architecture, graphic design, and painting, which began to influence in all these various fields, opening uncharted territory for the generations to come. He is viewed as the founder of modern objective industrial architecture as well as modern industrial design. From the late 1800's he worked as a graphic artist in Munich, where he joined the Jugendstil movement. He produced woodcuts, colored illustrations, designs for book bindings and craft objects. Peter Behrens designed china, glass objects, and patterned linoleum flooring. This fused Graphic Design and Architecture.

With Leon Bakst he saw the reproductions of Fauve canvases, the sketches of Van Gogh and of Cezzanne his ambition to go to Paris was

The Bauhaus school was founded in 1919 in Weimar by German architect Walter Gropius (1883 - 1969). In 1923, Walter Gropius introduced the agreement between “creative artists and the industrial world”. The Bauhaus is most famous for the idea of combining forms and functions. They combined both fine arts and design elements to create a curriculum that trained artists and designers to be capable of producing both functional and aesthetic work. One of the main goals was to bring design and technology together. During the Bauhaus period, Fine art and craft were combined together and aimed toward problem solving for an innovative, modern and industrial society. Nowadays, the Bauhaus legacy continues in modern designs, such as minimalism, or design brands like IKEA. In this essay, I will analyze Bauhaus’s influence on modern design, including architecture and furniture design by exploring different examples from different periods of time.