Hotel Dracul Dracula And Society In Dracula

It was a dark and stormy night. I, Jonathan Harker, was shaking and I didn't know what was going on. I was seeing terrifying shadows around my room. Also, last night, I thought a person or a thing was behind me, but I couldn't see its reflection through the mirror. I didn't know what to do, so I started packing.

The Victorian men and women conveyed in Bram Stoker's Dracula are pure and virtuous members of the upper and middle class. However, hiding behind this composed and civilized conception of England lies a dark and turbulent underbelly. This underbelly is the lumpenproletariat, whom Karl Marx defined as "the lowest and most degraded section of the proletariat; the ‘down and outs’ who make no contribution to the workers cause". Victorian culture discriminated against these vagrants, who were seen not only as shiftless and immoral, but dangerous as well. Sex was taboo and purity was held sacred to the Victorian middle and upper class, but prostitution and sexually transmitted diseases ran rampant among the lumpenproletariat. The rich

Vampire is "a bloodsucking ghost that come back from dead person believed to come from the place where a body is buried and wander about by night sucking the blood of people asleep and causing their death." Before vampires were seen as evil monsters and creatures humans must fear. However, now, vampires have become an "famous popular culture and fascination among teens around the world"  This art has increased vampire large groups of fans this way resulting to the creation of many fan clubs and social organizations, whether online or not.

A horror classic by Abraham Stocker, Dracula, may be one of the most notorious villain stories of all time. Bram Stocker is a Irish writer who changed the view of what to read in his time. He shows dark and twisted situations and metaphors throughout Dracula and many other of his horror novels. This novel was released in the Victorian era, which saw his type of writing as equivalent to the devil. This era was a long time of peace and bright minded people. Stockers style surprised many readers, because he always has you thinking it can’t get any darker than it is but it always exceeds the previous twisted situation or event. Bram Stocker shows Dracula as an iconic creature, with many reasons to be feared, but displayed in the wrong time era.

Marxism is a system of political, economic, and social theories developed by Karl Marx in the mid-nineteenth century. It emphasizes the idea that social life is based on conflicts of interests between the Bourgeoisie and the Proletariats. Anyone who has ownership and controls the means of production is powerful within a society. This concept is apparent in Bram Stoker’s novel Dracula, although not the notion of the lower-class attempting to rise up and overthrow those in the upper-class. Instead, Marxism is explored with Count Dracula being a true consumerist and a powerful, controlling, and demanding figure in the text, in the form of a rich aristocracy.

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and “sympathetic” comparing to the past. Vampires have abandoned their horror and evolved to a more

Bram Stoker's Dracula is highly acclaimed and has received many different interpretations which deal with complex symbolisms and metaphors. These interpretations often require a great deal of knowledge in psychology, political science, anthropology, and other non-literary disciplines. These interpretations may be valid, as they are related to the disciplines on which their arguments are based, but the true power of the novel is due to a very simple theme that lies beneath the other, more convoluted interpretations. This theme is the universal concept of identity: us versus them. This criticism sets aside outside disciplines and focuses on the literary motif of identity. John

Batman beats the Joker. Spiderman banishes the Green Goblin. For centuries story tellers have used the basic idea of good beats bad to guide their tales. Stories of blood sucking, human possessions and other tales have been passed down generations and vary between cultures. Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula. This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten; a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads betweens the line, Stoker’s true message can be

Bram Stoker’s “Dracula” is a story about a Vampire named Count Dracula and his journey to satisfy his lust for blood. The story is told through a series of individuals’ journal entries and a letters sent back and forth between characters. Bram Stoker shows the roll in which a certain gender plays in the Victorian era through the works of Dracula. This discussion not only consists of the roll a certain gender takes, but will be discussing how a certain gender fits into the culture of that time period as well as how males and females interact among each other. The Victorian era was extremely conservative when it came to the female, however there are signs of the changing into the New Woman inside of Dracula. Essentially the woman was to be assistance to a man and stay pure inside of their ways.

Dracula uses communication media, and is written as an epistolary narrative, to emphasize how technology and modernization were necessary for the characters to defeat Dracula. The methods of communication are important, but when they are studied and interpreted, that is when the characters are able to defeat Dracula and when they let the media lead the way. In Dracula, communication media is a constructive, necessary way for the characters to communicate and progress, a way to overcome the traditional ways of Dracula, and a way to prove the events that took place.

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

Bela Lugosi is arguably the most classic example of an actor taking on a vampire role. However, during 1931 when the universal studio was casting the 1931’s Dracula, Lugosi could only barely speak English, and therefore almost lost his chance at playing the iconic part (“Dracula (1931 English-Language Film”). Nonetheless his accents and costumes, which has become the classic look of the vampire, he himself was so typecast in his role that he was actually buried after his death in his Dracula costume. Certainly, it is Lugosi’s performance that makes Tod Browning’s film such an influential Hollywood picture. Overall, I will give it a 3 star out of 5, compared with the older version film of Dracula, because of the dialogues and sounds, the plot is much easier for the audiences to understand, without any editing or background music the horror of the film is not inferior to

In everyday life, as in literature, there will always be an opposing force to evil. In the novel “Dracula,” by Bram Stoker, Professor Van Helsing acts as Dracula’s main antagonist. An antagonist is the character who acts against the main character, which increases the conflict of the story and intensifies the plot. Through the use of theme, characterization and specific events, the author shows readers how Dr. Van Helsing effectively fits the role of Dracula’s most threatening adversary.

The Gothic genre does suppress vulnerable women. They are exploited in order to please the tyrannical male and feed his desires. When the women is no longer of use, she is then discarded. The Gothic genre is described as ‘formulaic” and one of the key features is a tyrannical male who abuses his power to assert his dominance over a perceived futile women. Bram Stoker’s ‘Dracula’ was written in time where women started to want more equal rights and opportunities. For example, in the same year Dracula was published (1897), Millicent Fawcett founded ‘The National Union of Women’s Suffrage’. Bram Stoker feared the decline of the patriarchal figure and could have created ‘Dracula’ as an attempt to scaremonger the public into thinking what would

The composer is trying to convey the message that in the film Hotel Transylvania, the setting is a convention of horror. When considering statements such as a long shot of an isolated castle, the tone, the mistiness, the captioned year and the music at the start of the film shows the convention of horror clearly being used. At the opening scene of the film Hotel Transylvania a long shot of an isolated hotel/castle is shown with added mist to the background. The shot also included a non-diegetic sound of a piano being played slowly. The isolated castle/hotel was also in a black and white tone, captioned 1895. The effect that the director has shown when using the long shot of the castle/hotel at the opening scene with added techniques is to set