Hotel on the Corner of Bitter and Sweet

Alice’s relationship would not go very far, constructing her ending for Henry, “Henry Reyna married Della in 1948 and they have five kids, three of them now going to the University, speaking calo and calling themselves Chicanos.” This quote essentially dispersed Alice’s hope for something more with Henry. Making Alice side with Henry’s parents in his potential marriage with Della due to his responsibilities, “If it was just me and you, Henry it might be different. But you have to think of your family.” This quote shows Alice’s understanding of what Henry must do. In the end Alice’s feelings are put aside due to what cannot be done and what must be

The Hotel on the Corner of Bitter and Sweet, by Jamie Ford, portrays an array of conflicts between Henry and his father, Marty, and Keiko throughout the novel. Henry's relationships that he encounters throughout his life, changes Henry as a person in many ways. Henry battles adversity, other characters, and himself, but it all leads him to become shaped into a new character.

In Jamie Ford’s historical fiction Hotel on the Corner of Bitter and Sweet, this split narrative focuses on two eras: 1942 and 1986. Within these era’s, Ford’s novel focuses on a Chinese boy, Henry Lee, and what it was like to grow up in the international district with prejudice everywhere, especially in his own family being a first generation American. His novel tells the story of Henry, as well as a Japanese girl by the name of Keiko. The novel tells the story of these two young friends and the hardships faced when the government sends Keiko and her family away to the Japanese internment camps in the Northwest in the 1940’s. His novel displays the effects

The novel “Hotel on the Corner of Bitter and Sweet,” written by Jamie Ford is a compelling novel about a young Chinese American boy name Henry. Henry is growing up after the Pearl Harbor incident and the start of the internment camps for Japanese Americans. Henry’s ethnicity as a Chinese American affects his childhood in being bulled in school, having a distant relationship with his parents, and causes issues with his first love Keiko, a Japanese American girl.

To neglect society's long-established views of how one should portray one another we should d rather embrace who we are. Focusing on Hotel on the Corner of Bitter and Sweet, which has the main protagonist who is named Henry, Henry is an American ordered to live in a Chinese community and to Chinese standards. His father is a Chinese national and has very strong believes against the Japanese, and even though his father has such strong feelings toward the Japanese Henry ignores him. This was shown when Henry fell in love with a Japanese girl, Keiko. Throughout the novel Henry would face challenging decisions which would shape his relationships with his family creating his identity. The theme that ones identity is formed through individual reflection,

When the new owner was bringing the belongings up from the hotel, Bud, the owner of the record store, said, “I mean they board up that whole building, what, around 1950? And then the new owner buys it, goes inspecting, and finds all that stuff sealed up all those years” (35). This represents how Henry’s relationship was left in the 50’s and then he tells Marty about it and finds out that he is actually quite similar to his dad. The book also mentions that Henry’s father “rarely acknowledged anything in the Japanese community in a positive light. This [the Panama Hotel] being the only exception” (120). The appreciation of the hotel shows that the hotel is in the literally common ground of the two cultures. Henry is the hotel in the way that he is both part of Japantown because of his connection with Keiko and when he went to visit her and the other Japanese in the camps. He also is part of Chinatown because that’s where he lives and where he is from. The book also described the hotel as, “the colorful marquee that once lit up the dark streets now was riddles with empty sockets and broken fixtures-the once warm glow, a reflection of how much hope Henry had had as a young boy, sat covered in decades of rust and neglect” (37). This shows how both the hotel and Henry lost their “hope” and

Set in the turmoil of WW2, Hotel on the Corner of Bitter and Sweet is a love of bitterness and sweetness book involving a Japanese girl, Keiko, and a Chinese boy, Henry. They strives to keep their relationship and deal with the consequences inflicted upon them by their parents and the war. As the story rolls along, many thoughts occurred that Henry and Keiko would be able to marry, but a twist happens, which results in their separation; unquestionably, Henry and Keiko moves on to have their own family.Therefore, does Henry gives up on Keiko too easily? Yes, Henry give up on Keiko too easily. Henry has his chance of going back to Keiko, but he let it slips by. He tries to forget about Keiko and moves on with his life. Henry thought that his

Jamie Ford, the author of Hotel on the Corner of Bitter and Sweet, wrote a story about a Chinese boy named Henry and how he fell in love with a Japanese-American girl named Keiko Okabe. Their adorable and heart wrenching love story took place at Seattle, Washington during World War II when tensions rose between Americans, Chinese, and Japanese. In the novel, Henry’s father was a traditional Chinese man who was extremely loyal to his country. Due to his strong devotion to his homeland and resentment toward Japanese people, he disapproved of his son’s friendship with Keiko. As Henry’s affection and admiration grew for Keiko, his relationship with his father suffered. Misunderstandings and built up frustrations emerged from their lack of communication. Henry struggled with communication, the key to forming a strong relationship and a UULO that is significant throughout this novel. Because of this, he had a difficult time maintaining many of his relationships, including the one with his father, Keiko and his son, Marty.

Being held by your word because you make a promise, or commitment is frustrating and tough. You don’t always want to do what you promised because it could be hard, or get you into trouble. Throughout the book Hotel on the Corner of Bitter and Sweet, Henry and Keiko’s relationship comes at a cost. They make commitments that comes with sacrifices which makes them hard to keep. Through Henry and Keiko’s relationship Ford shows that commitment is difficult.

History is something that we all have knowledge of. It may be family history, or even your own but we all know of an experience that happened in the past. These experiences make us who we are, and they determine how we think. Not only that but they determine our emotions towards certain topics. Through characters in the book, "Hotel on the Corner of Bitter and Sweet, " written by Jamie Ford, we learn that American identity is based on ones history and if we want America to become a stronger more united place everyone’s history must be accepted.

For all of the ups and downs of Henry Lee’s life he makes his life good with his love and friendship. Jamie Ford wants to get the reader's attention on friendship by writing Hotel on the Corner of Bitter and Sweet. Henry’s life was a wild, crazy, and hectic he was shunned out by his family just because he was being a good friend. Friendship is something that people can not live without. Just like Henry did a lot of things just so his friend can be happy, he showed that his friendship meant a lot to him knowing there was consequences.

Jamie Ford’s book "Hotel on the Corner of Bitter and Sweet," is a story about the experiences and hardships that Japanese-Americans suffered during World War II. The protagonist Henry, a twelve-year old Chinese-American boy at the time of the war, reacted with more than just curiosity. The story opens with the news that belongings of several families who were interned is more than just curiosity; he had a deep personal connection to the events of the past and the story uncovers his memories. Henry had done a good job of burying his forgotten dreams, much like the artifacts found in the basement of the Panama Hotel. But just as in real life, when people try to ignore past events, the truth that lies in their heart cannot be denied. Sometimes, it can be something simple, like a parasol, to unlock those truths, but in Hotel, certain objects unlock the symbolism of life itself. Objects are powerful, as they represent not only moments in time, but people 's emotions, motivations, and ultimately, their identity.

This story begins to drive the sense of emotion with the very surroundings in which it takes place. The author starts the story by setting the scene with describing an apartment as poor, urban, and gloomy. With that description alone, readers can begin to feel pity for the family’s misfortune. After the apartments sad portrayal is displayed, the author intrigues the reader even further by explaining the family’s living arrangements. For example, the author states “It was their third apartment since the start of the war; they had

The Father son relationships in Hotel on the Corner of Bitter and Sweet by Jamie Ford are very important to the book and crucial to the theme. For example, Henry and Mr. Lee do not have a great relationships and because of that, Henry can be more independent and have a relationship with Keiko. If he father had not said “‘No more. Only speak you american.’ The words came out in Chinglish” (Ford 12). When his father said this there relationship decreased a lot and they no longer talked. Marty Lee, Henrys son relies on his father but doesn't talk to him much after Ethel dies and he goes to college. “ But college also seemed to keep him out of Henrys life. which had been acceptable while Ethel was alive, but now it made the hole in Henry’s life

The Old Mill hotel is not just a hotel it is a hotel full of great history and a lot of experience in the industry. It has great sightseeing places like lakes, waterfall, and it is located in a very good neighbourhood. With these being said, there should not have been any sudden reduction in sales or people that stay in the hotel. But as a young consumer we can see areas in which the hotel is lacing. According to the information given to us in class, we see that those who visit the hotel mostly are 65 years old and above (Professor Victor, Blackboard). Does that mean that because most of their customers are dead that is why they have low revenue? And if that is the case, how can they attract young adult and middle age to come to their hotel? These are the question I will focus on in order to reveal the areas they can increase their revenue.