House 124 Beloved

In her novel Beloved, Toni Morrison spins an intricate web between names and numbers for the reader to unravel. The deep connection that lies between names and numbers is a direct correspondence to the identity and worth of black people during slavery. Beloved begins with the identity of the house which is characterized by a number. The house is given a temperament as if it is a living, breathing entity and yet it still referred to as a number. The significance of this is symbolic to the plight of the black slaves. Regarded as little above the common animal, slaves were defined by their selling price, essentially they were reduced to a number. Viewed as nonbeings they nevertheless feel and suffer their place in the south. The character Beloved is similar in this regard as well. All that defines her is an age and a name that remains unfluctuating through time. In an insufferable and cruel world, names and numbers play a critical role in understanding the identity of black existence in the South. To uncover the implications and nuances that names and numbers play will be instrumental to delving into the lives of black slaves. Beloved contains a vast amount of names and numbers and the connections between them deepen the novel and provide mammoth insight into understanding and interpreting Morrison’s work and purpose for juxtaposing such elaborate bonds between names and numbers.

is a firm believer that too much love is bad for a person. In order to keep his brutal past behind him, he believes that one should only love a little. After Sweet Home, Paul D. attempts to kill his new owner and is forced into a chain-gang in which he is performs oral sex on white men. He realizes that even a rooster has more importance than him to white men. He has trouble committing to a woman who offers him shelter and eventually finds himself at 124, where he discovers Sethe’s overwhelming love and madness and Beloved’s presence. He keeps his memories and feelings in a rusted tobacco tin. When Beloved has sex with him, possibly in a vision or dream, the past comes rushing back to him. “He didn’t hear the whisper that the flakes of rust made either as they fell away from the seams of his tobacco tin. So when the lid gave he didn’t know it. What he knew was that when he reached the inside part he was saying, ‘Red heart. Red heart,’ over and over again” and then wakes himself up with his screaming (138). Beloved is both Sethe’s daughter and a symbol for the past generations of slaves. She opens Paul D. to love again, a cruelty in an already cruel world. Keeping love at bay has helped Paul D. and others like Ella feel safe from their pasts. At the end of the novel, when Beloved is gone, Paul D. goes back to 124 to help Sethe. Morrison shows the human capacity to love after so much has been taken or removed from the human

A review of the house itself suggests that an architectural hierarchy of privacy increases level by level. At first, the house seems to foster romantic sensibilities; intrigued by its architectural connotations, the narrator embarks upon its description immediately--it is the house that she wants to "talk about" (Gilman 11). Together with its landscape, the house is a "most beautiful place" that stands "quite alone . . . well back from the road, quite three miles from the village" (Gilman 11). The estate's grounds, moreover, consist of "hedges and walls and gates that lock" (Gilman 11). As such, the house and its grounds are markedly depicted as mechanisms of confinement--ancestral places situated within a legacy of control and

reader feel a sense of dread and despair because unlike the house the reader knows the owners

The story gives absolutely no hint as to how Beloved feels or why she does what she does. It only describes what she does and says. All events in the story are consistent with the possibility that 124 was subject to earthquakes for a while (perhaps because of coal mining in the vicinity), and then a tramp who had almost drowned in the river and had high fever wandered up to the house, stayed there a while, and ran away when she saw the

     Toni Morrison's Beloved - a novel that addresses the cruelties that result from slavery.  Morrison depicts the African American's quest for a new life while showing the difficult task of escaping the past.  The African American simply wants to claim freedom and create a sense of community.  In Beloved, the characters suffer not from slavery itself, but as a result of slavery - that is to say the pain occurs as they reconstruct themselves, their families, and their communities only "after the devastation of slavery" (Kubitschek 115).  Throughout the novel, Morrison utilizes color as a symbolic tool to represent a free, safe, happy life as well as involvement in community and

Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house

Toni Morrison’s Pulitzer Prize winning book Beloved, is a historical novel that serves as a memorial for those who died during the perils of slavery. The novel serves as a voice that speaks for the silenced reality of slavery for both men and women. Morrison in this novel gives a voice to those who were denied one, in particular African American women. It is a novel that rediscovers the African American experience. The novel undermines the conventional idea of a story’s time scheme. Instead, Morrison combines the past and the present together. The book is set up as a circling of memories of the past, which continuously reoccur in the book. The past is embedded in the present, and the present has no

Toni Morrison brings another surprise to the story of Beloved. The addition of character Beloved conceals whole meaning Morrison tries to conduct to the readers. So far, character Beloved is portrayed as an innocent, pure, yet egotistic girl. Beloved also presumably the incarnation of Sethe’s dead baby, whose tomb is engraved Beloved. Morrison offers supernatural element in the story to create mysterious and spooky atmosphere, which raise curiosity and excite readers even more.

In the book, Beloved, the author, Toni Morrison, writes about the memories of the past effecting the present. The masters of the slaves thought for the slaves and told them who to be. The slaves were treated like animals which resulted in an animal-like actions. Furthermore, the shaping of the slaves,by the masters, caused a psychological war within themselves during their transition into freedom. The beginning sections display how savage and lost a person can become due to the loss of their identity early on in their lives as slaves.

Sethe and her friends and family both witness and experience the atrocious institutionalized wrongs and unethical societal norms of slave culture. However, Sethe eventually escapes Sweet Home plantation, hoping to provide a better life for her and her children. She finds a home at 124 Bluestone Road with her mother-in-law, Baby Suggs. Like Sethe, Paul D escapes Sweet Home, but he subsequently suffers jail time and further mistreatment. Morrison explains how slavery destroyed Paul D’s ability to love and express himself, “Saying more might push them both to a place they couldn’t get back from. He would keep the rest where it belonged: in that tobacco tin buried in his chest where a red heart used to be. Its lid rusted shut” (Morrison 86). The metaphorical replacement of Paul D’s heart with a rusted tobacco tin illustrates how slavery removed a human quality from him, almost giving him attributes of a machine rather than a person. Slave owners, Mr. Garner and Schoolteacher, reduced Paul D to a worker without a heart. However, Paul D finds an escape from this with Sethe at

Beloved, like many of the other books we have read, has to deal with the theme of isolation. There was the separation of Sethe and Denver from the rest of the world. There was also, the loneliness of each main character throughout the book. There were also other areas of the book where the idea of detachment from something was obvious. People’s opinions about the house made them stay away and there was also the inner detachment of Sethe from herself. The theme that Toni Morrison had in mind when the book was written was isolation.

Both mothers were able to communicate their feelings to the other moth and then could then find a compromise, how much they cared and loved for the children, which aided to give them a close emotional relationship. Baby suggs and sethe both experience loss making their bond stronger. Baby suggs had already lost her children to slavery except for halle. Sethe did not want this for her children especially with all the rape, torture, and dehumanization that comes with slavey. Both Sethe and Baby suggs had to deal with society rejection in their town, and are ostracized and made outcasts. Baby suggs throws a huge feast because eshe is so happy that Denver came that she doesn't even notice how extravagant the feast is. Sethe is ridiculed by the community for her act of murdering Beloved. These two acts only strengthened the bond between Sethe and Baby suggs. and both could support themselves. Both had to make

First, she “moves” him to the rocking chair in the kitchen, then to Baby Suggs’ old room, then to the storeroom, and then finally to the cold house. Her “moving” of Paul D meant that he wasn’t physically near Sethe as much as he once was, fulfilling Beloved’s selfish intentions to have Sethe for herself. For Paul D, the fact that Beloved was “moving” him meant that he was being controlled once again, as shown in the passage, “he had come to be a rag doll—picked up and put back down anywhere any time by a girl young enough to be his daughter” (Morrison 148). Being controlled like this, much like he once was by the hands of the schoolteacher, was a source of shame and humiliation for Paul D, for “there was nothing he was able to do about it” (Morrison 148), making him feel like he was back at Sweet Home and a “slave” once again. In addition to moving him, Beloved also requests that Paul D, “touch [her] on the inside part” (Morrison 137) and to call her by her name. For Beloved, this is sexual action symbolizes Paul D’s betrayal of Sethe and shows that he does not truly love her, perhaps giving Beloved the idea that the relationship between the two will eventually end and she will have her mother to herself. Paul D, on the other hand, wants to believe that the requests mean absolutely nothing. However,

In Beloved, Toni Morrison frequently alternates between telling stories from Sethe's past, to telling events in the present. Morrison introduces Beloved, who serves as the link between Sethe and Paul D's past at "Sweet Home" as slaves, and the present, living in Ohio as a free family of three: Sethe, Paul D. and Denver. The character of Beloved allows Morrison to explain the experiences and characteristics of the three characters, and how they are reactions to their pasts. Up to Beloved's arrival, Sethe and Denver lived in a "spiteful house.", which created a state of uneasiness. The ghost of Beloved had driven off Sethe's two sons, yet the mother and daughter continued to live at 124. With the arrival of Paul D., some of Sethe's