House I Research Paper

In A Home Is Not a House, Reyner Banham starts by arguing that the main function of the typic American house is to cover its mechanical structure. In fact, he states that the use of mechanical services in architectural practice varies constantly because mechanical services are considered to be new in the profession, as well as, a cultural threat to the architect’s position in the world. To show his argument, Banham states that American houses are basically large single spaces divided by partitions inside that give a relative importance to the use of internal mechanical services, causing a threat to the need of architectural design. Similarly, American cultural characteristics, like cleanliness and hygiene, also foster the use and need of mechanical

Firstly, Bradbury describes the home with human qualities and actions giving a personality, with “mechanical paranoia,” and a “hissing sigh” (Bradbury 287; 284). Next, the house is granted human-like parts as well. One example of this would be an “attic brain which directed pumps” (Bradbury 290). Also, the house is able to identify feelings as a human would, whom are unlike any other animal on this planet: “[Humans] depend on insights from personal experiences to determine that some mental states have certain ‘feelings’ associated with them and others do not, which we call ‘emotions’” (Welsh). An example of this would be when the house says, “Sara Teasdale, as I recall your favourite,” (Bradbury 289). This displays the idea that the house has knowledge of one’s favourite poem, something that a dog or stereotypical robot does not know, and exhibits a sense of affection. For these reasons, this is influential because it demonstrates that the house itself is a human, showing the lack of need for real humans and that a planet without them would have no great

“House” and “home” are two terms that are often seen as one and the same. They are concepts that hold a vital part in one’s good life. In order to understand their importance in the good life, one must understand why it is deemed to have any value at all, and how they are each severely different. Answers to these matters can be found in the following resources: Sonia Nazario’s Enrique’s Journey, Dr. Shehan’s lecture on Governing the Good Life, and Miranda Lambert’s The House That Built Me.

Rameau provides homes to families by identifying the empty homes that have longest time available before legal repercussions. Rameau essentially creates time for the family to obtain financial stability to move on to a stable (and lawful) living situation. Rameau’s approach is secretive as he calculates the response of the lending agencies and property managers against the benefits to the family and community.

Mrs. Dashwood is noticeably conflicted about leaving the family home, Norland. On one hand, “she was impatient to be gone,” even though “to remove far from that beloved spot was impossible” (Ch. 3 pg. 12). Clearly it is a struggle to relive the grief of losing her husband in the house where they spent their life together, but at the same time it is very difficult to leave the only house that her and her daughters have ever called home. This inner turmoil reveals that the sense of home can be both loved and hated. When it comes time for them to finally leave the house, “Many tears were shed by them in their last adieus to a place so much beloved.” (Ch. 5 pg. 25) The middle daughter, Marianne, says, “When shall I cease to regret you! —When learn to feel a home elsewhere!”

The reading by Robert Rakoff explains that there is a conflict in the meanings that we experience in our lives. He mentions that how these meaning are institutionalized by our culture and institutions. Rakoff in his article points out how a house is a multivocal object and produces meaning through its symbolic entity. He further explains, people try to resolve the conflicts of the meanings of a house through ownership. The link below is an example of how certain ideas and values are attached to a house.

Home is more than just a place to most people, it is a different set of values and behaviors. Joan Didion, in her personal essay “On Going Home,” reflects on the difficulty of combining one’s adult life with one’s values and experiences from the place one comes from, the troubles of being home. In contrast, the article in Quartz by Corinne Purtill raises awareness for those who are refugees, who had to abandon their homes, and for Better Shelter, a company trying to “give a more dignified home for displaced people.” Despite the differences in aforementioned purposes, the texts share a subject of the struggle to find that place one can call home and feel secure in. Although these two texts are linked in terms of subject matter, they differ in terms of their varying purposes, context, and syntactical and stylistic features.

In the novel Housekeeping by Marilynne Robinson, the theme of loss and the transiency of life is exemplified by the irony of housekeeping. Housekeeping is society’s way of trying to maintain order in a world fill of chaos. Despite human efforts to maintain their possessions and the status quo, nature repeatedly steps in and reminds us that you cannot contain order in a world that is unpredictable.

When someone visits a home they often notice many details, including possessions, cleanliness, or even organization. At a glance, this may seem fairly insignificant, but, truthfully, a home can reveal a person’s current feelings or hints of their personality. Oscar Madison and Felix Ungar from The Odd Couple are complete opposites that have very unique personalities and feelings that are reflected through their living spaces. Oscar, with his large house and terrible organization, and Felix, with a perfectly clean home and lovely furniture, both find individual personality in their homes. Oscar has a large house with beautiful furniture, matching his feelings at a specific moment in time. Being the only man in this large, immaculate house reveals that he is truly lonely. He has an endless amount

Manzo (2003) reviews literature regarding emotional relationships with places. He notes how the metaphor of the home representing a comforting place of belonging and safety has complicated how negative feelings surrounding the home can be understood. By having no recognition of these negative feelings towards the home, Manzo explains how this has the potential risk of research only investigating a panglossian home. Moore (2000) has also proclaimed that there needs to be a refocus on how research into emotional relationships towards the home. This includes examining the way the home confines and disappoints us as well as how it comforts us.

House", on the other hand, sets a new direction for the medical drama formula. Despite a fairly classical episode construction, which usually closes in the schema "patient of the week", the program presented a fresh perspective on the doctors. This is no longer an idealized missionary in white coat, but a full-blooded hero full of imperfections. However, it is not about highlighting ordinary human vices – House appears to be far from a mere mortal. Not only is he genius, but also cynical and nasty.

We see the lives of the two extreme classes of people. Men and women did have different chores and worked from different parts of the house. While Dr. Many travelled to treat patients, Sally took care of the house. In the next generation, Adaline acted as an entertainer for the notable visitors. I wasn’t able to gather much information on Lewis Maney. Another significant aspect is that the house documents the opposition parties of the civil war; diverse political minds have lived here at different

The final angular segment, House X, receives the ambitions of House IX and propels them to fruition. Overall, House X represents the prestige a person desires publicly; the polar axis to House IV which mulishly embraces the security of an individual’s private existence.

Mutable to the extreme, House XII prepares for self-undoing and self-renewal; in fact, this area specializes in transformation and virtually remains in flux. Conversely, House VI, the axis of House XII, exists as a world of practical thoughts and dutiful actions; however, wispy dreams and impulsivity enchant House XII.

“Human houses should not be like boxes, blazing in the sun, nor should we outrage the Machine by trying to make dwelling places too complementary to Machinery. Any building for humane purposes should be an elemental, sympathetic feature of the ground, complementary to its nature-environment, belonging by kinship to the terrain.”