House on Mango Street Theme

As the book progresses, Esperanza witnesses the emerging sexuality of her peers and begins to encounter her own sexuality, too. This is a confusing state to be in, and Cisneros captures the confusion by blending these moments of sexual exploration with the brutality of gendered violence. Men beat their wives and daughters, and in most cases the sexual encounters in The House on Mango Street are unwanted. The boys and men of this book tend to take things, while the girls and women deal with the consequences. Esperanza knows all this already, and it contributes greatly to her desire to

This elucidates how the figurative language builds Esperanza's character because it helps the reader better understand her views on life. It explains how she feels about herself and future; she wants to free with no one controlling her to go where she wishes and free of other burdens weighing her down. This also proves that Esperanza feels like she does not have a lot of freedom and opportunities because if she already had freedom, she would not write a poem about it. This is not the only example of figurative language that Cisneros adds into the book. Later, Esperanza explains how she is an ugly daughter and how her mom says that she will become more ladylike as she gets older, and men will start to like her.

In the vignette “Beautiful and Cruel”, Cisneros uses syntax to help establish the insecurities and lack of self-confidence that Esperanza has about herself. The vignette is toward the end of the book, from this we know how much self-confidence Esperanza is lacking. Cisneros starts to Establish Esperanza’s character by how insecure she is by comparing her to her sister. This shows that Esperanza is a little jealous of her sister and is shown when she talks about how Nenny is the pretty one and can get away with allot of things. Nenny wants to pick her husband and she can say that because she looks the way she does. Esperanza has decided that she doesn’t want a husband because she thinks that because the way she thinks because of the way she

The vignette “Beautiful and Cruel,” conveys the impact it has on Esperanza. In this vignette, Esperanza feels that she is “an ugly daughter” and “the one nobody cares about” (Cisneros 88). She does not need, or want, a man to lead her life, unlike the women she knows. She does not need, or want, a man to make decisions for her. Unfortunately, she still feels the pressure to look gorgeous and stunning: “Nenny has pretty eyes and it’s easier to talk that way

Personal changes within a person are caused by the major and minor decisions and events that affect their lives. In the collection of short stories, The House on Mango Street, by Sandra Cisneros, she focuses on a young Hispanic girl named Esperanza Cordero who grew up on Mango Street. As she is changing and maturing, she writes down her experiences about discrimination of gender, sexual orientation, and more. Esperanza 's transformation from a young and innocent girl to a mature woman is displayed through her self-realization and experiences that help Cisneros reveal how one 's own experiences can lead to the discovery of their identity.

In conclusion, we know that Esperanza’s negativity of herself begins to slowly change as she slowly experience what accepting means and how she began to accept where she was from . Throughout this book, Cisnero showed us accepting is an important part of growing in life as well as determining the true you. In the beginning she hated her life always wanted to escape out of Mango Street versus the end she says she is going to come back. From the beginning to the end, Esperanza finally accepted where she was from and how Mango Street has developed who she became

In the novel,The House on Mango Street, Cisneros uses a powerful collection of imagery however, one of the strongest examples would be in the chapter My Name, which displays Esperanza’s insecurities in a land who struggles to accept her. “In English my name means hope. In Spanish it means too many letters. It means sadness, it means waiting,” (Cisneros pg.10). Esperanza explains the meaning of hope for Hispanic people in a few simple words: sadness and waiting. For millions, it represents the wait of a new life, a better life for them. It’s sadness, knowing many reject them in a land they were promised opportunity. This motif of repudiation and racial discrimination appears frequently throughout the novel which greatly affects Esperanza’s life.

Along with the metaphor of balloons, Cisneros employs a second non-human object as a representative of Esperanza’s evolution of thinking. The metaphor of trees represents Esperanza’s progression of change and hope for the the future, no matter the circumstance. Appearing in both the beginning and end of the novella, trees are the building blocks of who Esperanza

The House on Mango Street emphasises the importance of being oneself in order to grow and reach one’s full potential. The novel contains many advocates of remaining loyal to one’s morals. Esperanza, a poverty-stricken girl growing up in a barrio,

The author conveys the theme identity through the point of view. Since the point of view is through Esperanza’s eyes the reader can see how she is affected by everything she goes through. This was the author can demonstrate how Esperanza’s internally developing. During the novel, Esperanza had to get a job at a young age to help pay for the private school she went to. She felt very out of place and uncomfortable throughout the experience. “...I wouldn’t have minded it except that you got tired after a while and I didn’t know if I could sit down or not…” (House on Mango Street p.54) The audience can see from her point of view how she is feeling. For example, she felt so uncomfortable that she didn’t know when it was acceptable to sit. She would only sit once the other ladies would. This is showing how she is feeling because it’s an example of her

The House on Mango Street by Sandra Cisneros is a coming of age novel of a young Mexican-American girl developing in a working class Chicago neighborhood. The author is much like the main character Esperanza in many different ways. One being that Cisneros was also a Mexican-American girl growing up in a Chicago working class neighborhood. Esperanza is a foil of Cisneros’ beliefs and opinions of her Mexican culture and heritage. While Esperanza is embarrassed of being a Mexican-American around white Americans, Cisneros is proud to be a Mexican-American girl. In Sara Rimer’s article, “San Antonio Journal; Novelist’s Purple

Symbolism is key in this novel as Cisneros expresses a lot of information through symbols The concept of the high heels that the girls; Esperanza, Lucy, Rachel, and Nenny had received showed one of their first tastes into their sexual maturity. Beforehand, Esperanza believed that boys in girls live in separate social spheres as shown in the vignette “Boys & Girls” where she discusses how her brothers are best friends and that she wants another friend, specifically a girl, to talk about her feelings and share her secrets with. This is also where Esperanza talks about another key symbol in this story.

In The House on Mango Street, by Sandra Cisneros, a little girl from a Latino heritage is given birth to. Not literally, but in the sense of characterization. Esperanza is a fictional character made up by Cisneros to bring about sensitive, alert, and rich literature. She is the protagonist in the novel and is used to depict a female’s life growing up in the Latino section of Chicago. Cisneros creates the illusion that Esperanza is a real human being to communicate the struggles of growing up as a Latina immigrant in a modern world, by giving her a name, elaborating her thoughts and feelings, and illustrating her growth as a person through major events.

Cofer is apprehensive of her soon to come, future. Cisneros uses diction, “ a muddy color” and to show that Esperanza’s future isn’t clear to her. She is ashamed of her name, and the future that comes with it. Furthermore, another way the authors portray their tones is through members of their family.

Everyone has challenges in their life, their feelings behind their actions make them who they are. In the novel The House on Mango Street by Sandra Cisneros there are many conflicts which explore the characters, to get to know them closer. The internal conflict is used to discover the identity of the main character, Esperanza.