How Ballet Has Changed Over Time

The history of ballet dates back to the 18th century starting with Baroque dance. Fabritio Caroso da Sermoneta was a famous Italian Renaissance dancing master. He was born around 1526-1535 and died around 1605-1620. His dance manual "Ballarino" was published in 1581, with a subsequent edition, significantly different, Nobiltà de dame, printed in 1600 and again after his death in 1630. In the 19th century there was the pre-romantic, romantic and the classical ballets. Anthony Tudor deserves an honorable mention for his choreography and teaching. Pre-romantic ballet occurred sometime circa ?? up to 1831. The romantic period covered the early to mid 1800's. This era also introduced the calf-length dress. A few of the great Romantic dancers were Marie Taglioni, Fanny Elssler and Carlotta Grisi. The tequnique became more developed, but the role

Dance is found in all cultures. It is considered a way to communicate without talking. During the Renaissance period, ballet was considered a Russian specialty. The highly qualified and sought after dance companies would tour the world performing in front of those who had never experienced ballet before. By exposing ballet to the United States of America, the Russians inspired and sparked a demand for legitimate ballet in America. It took place throughout the 20th century, currently known as the Russo-American Era.

For the history of Russian Classical ballet, it originated in a group of dance academies in Moscow and St Petersburg in the eighteenth century. At first the dancers were from poor backgrounds - usually from orphanages - but the Tsars were particular ballet enthusiasts and so the profile grew. However, in the nineteenth century some of the best French and Italian dancers and teachers went to Russia and ballet developed considerably more than in Western Europe where opera was preferred. It was under this climate that Russian ballet led the way in classical dance with such famous stars as Anna Pavlova, Mikhail Foskine and the legendary Nijinsky, who all trained with the Frenchman Marius Petipa at the St Petersburg Imperial Ballet.

Ballet was rooted in court life, and it was not as widely available to the common people. As such, it had to adapt in order to survive this particularly deadly and brutal period in time. The ballet’s that the court was accustomed to seeing were disconnected from the lower class, just like the actual courtiers themselves. Ballet is just one example of why exactly the French people rose up against their government. They spent massive amounts of money on an opulent lifestyle while the peasants could not even afford bread.

Ballet started in the late 1400s during the Renaissance. When Catherine de Medici who married King Henry the second of France know for throwing large parties. These parties would last for 8 hours straight of music, food, dancing and other entrainment. These

The Empress Catherine the Great brought ballet to Russia, founding the Imperial Ballet (the KIROV) in St Petersburg.

Something I found interesting is that Ballet was actually FIRST introduced during the Renaissance time and Modern dance history in Europe actually started with Renaissance (http://www.ducksters.com). There were also several new dances that were invented at the time (http://www.dancefacts.net). Music and dance were actually the main forms of entertainment (http://www.ducksters.com). However, dance quickly rose to importance among art and science (https://socialdance.stanford.edu). Unfortunately, no choreographic descriptions of the dances survived from the 14th century, the Renaissance time (https://socialdance.stanford.edu).Most dances were actually a passionate form of flirting. The actual true purpose of the dance steps were flirtations (http://dance.lovetoknow.com). Dance was considered as much a part of education as reading or eating with a knife or fork (http://dance.lovetoknow.com). Dance was mainly to socialise (http://www.streetswing.com). These are some interesting facts I learned about the past of Renaissance

After the Romantic-era ballet had died out in Paris and Russia became the new focus. In 1738, the opening of the Imperial Ballet School in St. Petersburg attracted many great dancers and choreographers such as Marie Taglioni. This school was controlled by an aristocrat named Czar. The most well known 19th century choreographer, Marius Petipa, became the ballet master of the entire school, shaping imperial and classical ballet. Ideas such as increased focus on technique, formulaic choreography, mime and gesture, and lengthy ballets can be seen in Petipa 's most famous ballets. These famous ballets include The Sleeping Beauty, The Nutcracker, and Swan Lake. In the 20th century, Sergei Diaghilev introduced a traveling ballet company called Ballet Russes. Starting out in Paris, this company brings together Russian and Western ideas with a spark of modernism. This company brought together revolutionary collaborations between choreographers, dancers, composers, artists, and fashion designers. Through the development of Russian ballet, there has been rejection and embracement as well as changes in structure and choreography.

Ballet is the art form that generated the movement by human body. It is theatrical which performed on a stage with elaborate costume, scenic design and lighting. Ballet can tell a story, thought and emotion through the dance. In addition, ballet can be charmed, exiting or provoking.

King Louis XIV was a well known king in France who had a major or rather a profound influence in the development of ballet. He was born September 5th and he was extremely interested in ballet at an early age. He got support as well as encouragement by Cardinal Mazarin who stressed ballet lessons. (Jack Anderson, 1993, pg 29) Louis was as young as thirteen when he started appearing in various ballets and became quite accomplished. It was in 1653 when there was a fundamental moment in the development of ballet. It was in this year that King Louis XIV introduced Giovanni Baptista Lulli (Jean Baptiste Lully) as a composer to his (Louis XIV) court balls. “Jean Baptiste Lully was an Italian musician, composer, dancer, mime and musical administrator. As the supervisor of the ball in the court of Louis XIV he required unified ballet productions instead of a string of dancers.” He composed the music to all the ballets and soon “the French choreographer Pierre Beauchamp was hired to create the dances. Beauchamp defined the five positions of the feet that we know today. This was the beginning of ballet as an art form that could be passed on from teacher to student.” (Wish Upon a Ballet, 2015) Beauchamp put a lot of emphasis on the technique of ballet by not

Dance is one of the most beautiful, expressive forms of art known to mankind. It expresses joy, love, sorrow, anger, and the list truly goes on for all the possible emotions that it can convey. Dance not only can express how one feels, but it can tell a story or even be used to praise a higher power. Dance has intricately played an important role to every culture over the course of time. Two forms of dance that have not only stood against the test of time but have influenced the development of other various styles of dance is none other than Classical Ballet and Modern Dance.

Dance critic Théophile Gautier states, “Nothing resembles a dream more than a ballet...” (Anderson 77). The effortless technique of the ballerina paints most ballets as exactly this. Consequently, there is more to a ballet than technique and dancing. Different types of ballets and their structural components separate one ballet from the next. It is important to understand the difference between the two main types of ballets: Romantic Ballet and Classical Ballet. Romantic ballet in the 19th century differs from Classical ballet in the 20th century structurally, technically, and socially. The two dance forms also vary in costumes and narrative. However, with all of those differences, they both use ballet technique for a specific purpose.

The history of ballet is rich, complex and full of powerful meanings depending on the time period. Ballet in the 15th century was seen as something that only select individuals could do, whereas, the 20th century ballet can be preformed by anyone. By thinking about how ballet performers have changed, a question may be thought is, have the people attending these ballet performances changed as well as the performers themselves? Today, children from ages two and up start taking ballet and family members come and watch their final recitals. National ballet companies are also an event and often draw attention to the higher-class individuals who have a taste for ballet. The ballet world could be seen as to having a quite array of attendees, events and functions, but that might not have always been the

French Ballet began in the 17th century. It was a flamboyant entertainment presented in front of the aristocracy and royalty in the courts. French Ballet was also performed when they were celebrating marriages and showing off the wealth and power of the ruler. Besides, Ballet was called “la belle danse”, and it means “the beautiful dance.” In order to help the audience to recognize the characters in the story, dancers usually wore extravagant costumes. Moreover, the idea of different ballet movements was based on the social dance of royal courts, like beautiful arm and upper body movements and floor patterns were included. Also, in the beginning, only men were allowed to dance ballet, and women played the first ballet with parts until 1681.

The Russian National Ballet was founded in 1989 by Sergei Radchenko, former star of the Bolshoi Ballet. Radchenko and his wife, who run the company together, decided to tour in smaller groups, to reach audiences in smaller cities around the globe and bring beautiful ballet to everyone. Founded when Russia was known as the USSR, the company was government owned, but allowed Sergei, an honored artist, to start and operate the company. Sergei and his wife, Elena found success with this company, and opened The Moscow Festival Ballet, allowing them to tour and perform all over the world. Some of their repertoire includes “Don Quixote,” “Cinderella,” “Coppelia,” and of course, “Sleeping Beauty,” performed March 4, 2017 at the State Theatre of New