How Browning Presents the Idea of Love in The Laboratory and My Last Duchess

Robert Browning wrote the two poems, "My Last Duchess" and "Porphyria's Lover." Both poems convey an thoughtful, examination profound commentary about the concept of love.

Robert Browning provides a critical view of gender and power relations in his dramatic monologues “Porphyria’s Lover” and “My Last Duchess.” The dramatic monologue, as S.S. Curry has written, "reveals the struggle in the depths of the soul” (11). Browning delves into the minds of characters to show their conceptions of women and ideas of power. He explores the mental processes of the characters, and invites readers to question societal ideas of power and gender. The mental pathologies of the speakers is emphasized, which forces readers to examine the sanity of their own notions of gender dynamics.

“My Last Duchess” by Robert Browning and “ The Rape of the lock” by Alexander Pope are two poems that convey a theme of love and objectification towards women.For instance, both poems are similar in their use imagery and metaphors to grasp their audience attention. For example, in “My last duchess” the author shows the wife in the poem as an item controlled by her husband and uses his love for her as an excuse to abuse his power. Her life is ruled by him and she would have to deal with his insane jealousy because his obsessiveness is dominating his reality of his relationship . In this poem the male role has many characteristics one of them being paranoid and not helping him reflect on reality by him owning shrine of items that belonged to all his earlier wife’s. His late wife is shown as a piece of imagery where she is kept on a wall trapped not able to leave his sight or be allowed interact with others. (Browning,1-2) In “ The Rape of the Lock “ the poem starts off with Belinda,the main character, in a dream sent to her by her guardian Sylph. The dream sends a message to Belinda that she must be careful with all men in her life once she has received the message she awakens to a love letter at her sight and forgets the dream in its entirety. Throughout the course of the poem Belinda’s Sylphs are required to protect her chastity and help her contain her purity.. The man in her life is using her as an item and not as a human being.Pope encourages these characteristics

The Holocaust can be seen as one of the most devastating genocide that occurred in history and that is well known in many places worldwide. One may assume that those who played a part in the acts done by the Nazis in Germany may have been mentally disturbed and/or sick, evil people. However, the novel Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland by Christopher R. Browning provides another alternative to this statement. Browning provides the reader with the idea that anyone is capable of becoming a murderer, especially when the opportunity presents itself. In his book he attempts to prove this statement through multiple ideas and theories and also provides events which took place to analyze some of those ideas.

"There are no extraordinary men... just extraordinary circumstances that ordinary men are faced to deal with" (William Halsey). The same can be said about volatile men. This is the quote Christopher R. Browning thought of when he named this book. The men of the 101st battalion were rarely faced with decisions. Even if it had been proposed by Trapp the morning of Jozefow that "any of the older men who did not feel up to the task that lay before them could step out" (Browning, chapter 7, pg. 57), he didn't actually allow them any time to truly think about it. He brought it up moments before they were about to go out to the slaughter. They were blind-sided and the men who didn't want to risk the future of their jobs as policemen or the men

Race plays a big part in this poem. He speaks on Harlem and its culture and this environment but also about mutual interest with people

In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.

In every society each gender’s behavioral response is often a reflection of the societal influences that have been instilled since birth. In every society each gender is subjected to certain roles. Males having to suppress their emotions while women are able to be emotional beings. Women being shunned for exhibiting characteristics of the opposite sex. Although, we live in a society that harps on individuality and self-expression, it is clear that this only applies when individuals do not feel inferior. Additionally, self-expression is only situational and accepted based off of certain agendas. In the following story, Porphyria’s Lover by Robert Browning, we are able to analyze how a male reacts to feeling inferior to a woman. In The Yellow Wallpaper, which is written by Charlotte Perkins, we are able to analyze how her husband’s lack of understanding and inability to communicate with his wife ultimately leads to her insanity. In each of these stories, gender roles are being depicted in a negative and positive way. Through the character’s actions were able to learn how society views each gender in the time in which the story takes place.

Elizabeth Barrett Browning's "How Do I love thee?" This poem by Elizabeth Barrett Browning is one of many she penned for her husband Robert Browning. Using the basic form of an Italian sonnet with its fourteen lines and strict rhyme scheme - she manages to produce a surprisingly passionate poem.

Elizabeth Barrett Moulton-Barrett was born March 6, 1806 in Durham, England to Edward Barrett Moulton-Barrett and Mary Graham Clarke. She was the eldest of twelve. Her father made the family fortune from a sugar plantation. In 1809, the Barretts moved to an estate called Hope End in England. Elizabeth Barrett’s childhood was spent happily at the family’s home in England. She had no formal education, learning solely from her brother’s tutor and from her continuous reading. She managed over the years to learn Greek, Latin, Hebrew, French, Italian, German, and Spanish. She learned rapidly and began writing at an early age.

In this poem, we find six individual characters. There is the duke himself, the person he is speaking to (who is servant to a count), the count, “Fr Pandolf”, “Claus of Innsbruck” who has “cast in bronze” a statue of “Neptune…Taming a sea-horse” for the duke, and the duchess herself. There are also some other people that are spoken of, such as the “officious fool” who brought the duchess a “bough of cherries” and the people who are waiting for the duke and the servant.

The Duke takes control of the situation entirely as he is the only speaker throughout the poem and his way of speaking leaves no scope for interruption, by the listener. The way he addresses his listener, “That’s my last duchess”, calls attention to the peculiarity of his designation which he indicates in a very proud manner. The apparent pauses throughout the poem, shown by dashes, indicate hesitation as the Duke considers what to say. This clearly suggests his manipulative attitude. As soon as he points towards the standing portrait of his last wife, he asks his listener to sit down –“Will’t please you sit and look at her?” His way of asking is not very polite and is more of a command which shows the psychology of a man with power.

During the nineteenth century people were under a strict patriarchal rule, especially the women. In those times, women were seen as ornaments “a momentary toy of passion” to the society and properties to be traded within marriage, therefore, Victorian moralists repressed female sexuality. As a result, for a woman to admit she even had sexual desires was considered sinful, let alone acting on those desires - like Porphyria did - was borderline criminal. Moreover, when Porphyria “glided in” she “untied her hat and let her damp hair fall”. Victorian moralists referred to female fornicators as ‘fallen’ women. Additionally, committing adultery was also a sin as it went against one of the Ten Commandments “Thou shall not commit adultery”, therefore, Porphyria ‘letting her hair fall’ could symbolise the boundaries she had willingly chosen to overstep by coming to meet her lover.

Robert Browning was an English poet and playwright who mastered dramatic poems, which made him one of the most influential Victorian poets. Browning was born in Camberwell, United Kingdom and died at the age of 77 in Venice, Italy. Throughout his life he wrote many poems including “My Last Duchess” and “Porphyria’s Lover”; he also wrote some plays including “The Pied Piper of Hamelin” and “Pippa Passes”. Robert Browning was a much underappreciated poet until later in his life; he wrote very dark and dramatic poems that people did not give credit to until after his death.

An English poet named Robert Browning who was born on May 7, 1812 in England. Robert Browning had extremely dramatic monologues, which later in life portrayed him as one of the best Victorian poets in the world. His father who worked as a bank clerk and mother who was a pianist, both collected books and pictures. “Porphyria’s Lover” and “Soliloquy of the Spanish Cloister” are one of his best examples expressing his dramatic monologues and verses.