How Design Can Fall Into Two Categories : Affirmative And Critical Design

In conclusion, for this Prownian Analysis Project the object of choice was Michael Jackson’s “Off the Wall” cassette tape to discuss a breakdown in a detailed description of its cover art, the cassette tape itself, and also, it’s many working components. In addition, I briefly touched on some of the design elements, colors, and textures used in the design of this

While Nighthawks is this artist’s most recognized piece of work, a similarly named artifact leaves his audience pondering with a feeling of mysteriousness and somber. In Night Shadows, Edward Hopper creates an etching of a man walking near a building. The artifact, which was created in 1921, has a man approaching the corner of a lit-up street in a long black coat and hat. Casted across this corner is a shadow, presumably from a streetlight (Slater 143). Viewers receivs a bird’s-eye view of the anonymous man whose back faces towards the them, and in the upper half of this etching is a small building shaped like a pub, which appears no taller than three stories. With the historical context and background of the artifact and artist, Night Shadows portrays the imminent challenges of urbanization that occurred in the United States during the early twentieth century.

In “Ways of Seeing”, John Berger, an English art critic, argues that images are important for the present-day by saying, “No other kind of relic or text from the past can offer such direct testimony about the world which surrounded other people at other times. In this respect images are more precise and richer literature” (10). John Berger allowed others to see the true meaning behind certain art pieces in “Ways of Seeing”. Images and art show what people experienced in the past allowing others to see for themselves rather than be told how an event occurred. There are two images that represent the above claim, Arnold Eagle and David Robbins’ photo of a little boy in New York City, and Dorothea Lange’s image of a migratory family from Texas; both were taken during the Great Depression.

Contemporary art has a long history of appropriating material into new work such as Duchamp’s ready-mades where he recontexualizes found source material, the photo collages of Hannah Hoch and today’s remix culture. In Remixthebook, Mark Amerika (2011) argues that in Postproduction art, “the artist takes what has already been produced in culture and, through creative postproduction means, expresses a new cultural configuration that both speaks to contemporary culture as well as the source material that has been remixed”. Traditional crafts such as patchwork and quilt making have also contained ideas of transformation of old collected materials into new forms. By the frugally collecting and repurposing of these waste materials, Gower critiques

The Teleological Argument defends the proof for the existence of a God, it is also called The Design Argument. It discusses the intelligent design in the universe. The supporting theory behind this is that the universe is so vastly complex and well balanced that only a creator could have designed it. All of the sophistication and detail could not have occurred by chance. When examining the immense universe and seeing the complexity, intricate detail, and unique order there are a variety of explanations for how it may have come to existence, however because of these complexities and order only a designer could have designed it. The basic idea of the teleological argument is that the world does have intelligent purpose, by looking at nature and seeing its order unity and designed complexity. If one is to look at all living creature, the existence of DNA shows intelligent design. Someone or something had to design the information imprinted in the DNA. There is no absolute way this could have happened by chance.Therefore, there must be an intelligent designer . There must be a God. Even if we apply scientific theory; I.e. The Big Bang theory, The teleological argument supports the existence of a big banger. This big banger has always existed; not requiring a beginning or an end.

As a critic interacting with this “thing” I deduce that it reflects my values and aspirations as a designer because as stated in my ethos, it challenges the viewers to reflect and to act upon them. It allows for individuals to think about what object creates meaning in their lives by seeing examples provided by my work. The Heildberg project was created using artifacts that contributed to the history and value of the city of Detroit. My project also allows for individuals to explore their creativity and encourage a stronger connection of the community.

As William Paley once wrote, “There cannot be design without a designer; contrivance without a contriver; arrange without anything capable of arranging.” In our world today, the ultimate designer, contriver and arranger would be considered God to many. Although the existence of God has consistently been debated throughout the course of time, the cause of debate has almost always returned to science. Considering the Design Argument and the Anthropic Principle, science can be seen to simultaneously support and go against the existence of God depending on one’s own perception of the topic.

How does this piece of art/artifact or its artist deepen the understanding of the culture, political, and historical time it was

My paintings give material form to the human tendencies to compartimentalize, and desegregate, both nature and our built environments. In each two-dimensional work, I start with an impression ---a feeling, a memory, a childhood friend, a family member, or a location---and build the forms using patches of color, showing my own habit of separating parts of the world around me into smaller, consumable parts. For example, in L.A. Bus Routes, I utilized my frustration with the pervading image of Los Angeles’s car-riding culture by making a largely unspoken bus-riding culture take center stage. I drew lines with colored pencil representing the L.A.’s city blocks defined by bus routes surrounding my East Hollywood home. Fluidly, colors bled into others where watercolored shapes met, representing the permeable borders of neighborhoods in L.A. My work questions the fabric of social dissonances using a patchwork of watercolor, gouache and pencil marks that suggest a human need to compartmentalize aspects of our surroundings, our selves, and

In the past hundred years, a great debate has shaken the foundation religious and scientific beliefs of society. Philosophers have been arguing about such a debate for hundreds of years, but there does not seem to be any consensus on whether on the existence of god and the universe. The ancient world never battled over such questions, rather they had accepted the fact that the natural world was created by some being. However, as society made major advancements, the question about god 's existence and his creation arose causing many debates and arguments to come about. The design arguments are a popular example of such debates, which is very prevalent amongst philosophers and society at large. “Simply put, the design argument, or the argument from design, states that the order and purpose manifest in the works of nature indicate that they were designed by an intelligent being” (Velasquez 251). The greatest proponent of the design argument was philosopher William Paley, who formulated the argument. As a student of philosophy and avid proponent of god 's existence, I support the design argument and philosopher William Paley. I would like to argue against the beliefs of atheism and agnosticism while supporting the design argument as a means of god 's existence. I believe that god is the creator of that which surrounds us and science and nature is a means to prove the existence of god, not rebuttal it. Also I will support the design argument with the

Therefore, the museum can thrive. She explains that “identities are performed ideologies interrogated and cultural symbols reinvented” (Autry 60). The author is trying to say that certain items are displayed in a museum for a reason by trying to send a certain message. When she talks about how cultural symbols are reinvented it shows that museums is trying to change the people’s perspectives by creating a new meaning for a certain symbol. Another problem that the author has noticed is that some parts of the African American culture are disappearing because for example there was a “city’s decision to invest in a new commercial enterprise, rather than supporting smaller, more locally-oriented museums.” (Autry 75). The government does not support the local museums than it causes issues because some of the history is lost. The memory is lost from the local regional area, which could have added a new perspective towards a certain standpoint. While the new museums don’t necessarily tell the entire story and focuses on a specific issue that is selected by a group of

A display of public art is not a random act of expression encapsulated across a large canvas overnight but a formulated piece of culture for society to witness and experience. Each piece we have seen this semester has embodied the time and effort it takes to not only create a piece of art worth seeing but giving it a story and meaning more powerful than the piece itself. These pieces have given its audience a glimpse into the known, what the cameras and media neglect. Pieces like the To Protect and Serve, Vietnam Memorial, and Bus Poster all go deeper than the surface to deliver a compelling message that outlines a serious issue.

There is a lot of evidence for God. Just three of them are the cause and effect argument, the design argument, and the moral argument. The cause and effect argument explains that everything that has an effect has a cause. The design argument is about how every design has a designer. The moral argument explains how the morals we have required a Moral Lawgiver. Many people often state that there is no evidence for God so God does not exist, but if he or she looks at these three arguments, the cause and effect argument, the design argument, and the moral argument, they will be able to see just some of the evidence there is for God.

The elements of design were created by Arthur Wesley Dow to help people see, describe, and create visual qualities in a systematic way. It consists of 7 elements: line, shape, form, colour, value, texture and space.

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.