How Did Eldridge Johnson Make Music?

The turntable, also called a record player, was invented in 1877 by Thomas Edison, who called it a phonograph. Later versions were called gramophones and Victrolas. By the late 1940s, high-fidelity and stereophonic sound were introduced, along with the vinyl LP. In the 1950s, because of these improvements, consumption of record players and records had sharply increased.

Scott Joplin helped to shape music, in the past and in the present. Joplin’s works were composed with both classical and African-American techniques, which showed a new type of music the world had yet to see. Joplin helped to not only develop ragtime music, but also laid the foundation for the future of jazz music.

A very popular consumer item was the phonograph. It was first invented in 1877 but it was so expensive it took a while for the homes in america to get ahold of it , by the time of the 1920’s 7 million homes had their hands on one but they were still pretty expensive. The phonograph was a music recorder and to the people of america it was important because that's where most of their music came from either that other radio. It was referred to by many names like “talking machine” or “music machines” or its proper word “phonograph”. The most popular phonograph was called the “victor victrola”. Its inventors were Thomas Edison, Emile Berliner,Eldridge R. Johnson. The newer version of the phonograph that was produced in the 1920’s didn’t have

The history of music players dates back to November 21, 1877 when Thomas Alva Edison invented a device for recording sounds and then playing it back called the Gramophone. It was patented on February 19, 1878. The Gramophone looked like a cylinder that was smaller at one end and bigger at the other. Even today, at the annual Grammy Awards the awards that are given out are miniature versions of Edison’s invention.

After reading "History Of The Cylinder Phonograph",by , it becomes obvious that the phonograph was made,but didn't work well,so it had to be refined,patented then marketed then sold and still in use today. I Know it had to be refined because in the article it states''Edison was working on a machine that would transcribe telegraphic messages through indentations on paper tape.'' "He experimented with a diaphragm which had an embossing point and was held against rapidly moving paraffin paper.The speaking vibrations made indentations in the paper.Edison later changed the paper to a metal cylinder with tin foil wrapped around it." Then after he refined it, he filed for a patent.The patent on the phonograph was issued on February 19,1877.

J.J. Johnson transformed the way his instrument, the trombone, was played. He was born on January 22, 1924, in Indianapolis, IN and died in February 4, 2001, Indianapolis, IN. J.J. Johnson, with his new execution and imagination, was the musician who brought bebop into the trombone. However, after battling cancer and a muscular-skeletal disorder, J.J. Johnson passed away, leaving behind a legacy of groundbreaking work that he had done accomplished with the trombone.

After the Great Awakening, a religious and spiritual revival in the colonies, the unofficial United States aggressed a revolution against Great Britain, which won them a new government, freedom from an oppressive monarchy, and most importantly, their much earned independence. Eventually, slavery, a practice that had been used for decades before, became questioned. Congress was split sectionally on the issue, and soon the Civil War stuck. The north prevailed, and in 1865, the fight for abolition was over. Soon, reconstruction and industrialisation began to sweep the U.S. into its pre-war thriving economic condition, and new inventions popped up everywhere. Such inventions were one thing to improve the way we listen to music in the U.S. It empowered the citizens, changing tremendously in terms of genre

During this time the recordings that the machine produced weren't all that great. In later years the audio cassette player made it possible to play music and bring your music in the go. After that the sales increased by 80%. The audio cassette player was one of the greatest inventions during this time period.

The displaced beat caused the listeners to feel hyperactive as well as evoked strong associations with so-called “low-class” music of the Negroes (“History of ragtime,” n.d.). Although ragtime was composed for a piano, modern chronicles mention a significant role of the banjo in the development of this musical genre. In 1881, a writer Lafcadio Hearn noted that the blacks used the piano as a banjo, producing new ragged rhythms, later called banjo figuration (“History of ragtime,” n.d.).

Charlie Parker’s Ko-ko and Bunk Johnson’s Panama offer contrast in jazz style. Although the pieces were both recorded in the 1940s, the clear contrast between the two pieces indicates that jazz was experiencing changes and going through an innovative process.

It is amazing what one person claims he would do in order to be famous and talented. Fame can push a man to make a deal with the devil especially if the man does not have talent. In 1936, a man by the name of Robert Johnson wrote the song “Crossroad Blues”. Many believe this is one of many songs that influenced the creation of rock and roll. Robert did not really receive the recognition for his music until after his death (A&E Television Network).

Additionally, to make an argument in favor of Starr Piano’s preservation, I explore the unique characteristics of early American vernacular sound recordings produced by Gennett and their historical and cultural importance. Gennett Records led the development of the modern recording industry the 1920s and was amongst the industry’s most successful and innovative companies. The music recorded by Gennett and at its Richmond, Indiana complex not only influenced popular culture in the 1920s, but led to a dynamic shift in American music culture. After Gennett’s founding, American vernacular music went from ignored to mainstream and influenced subsequent generations of popular music performers.

Growing up, Buzzy was absorbed into the musical world and loved performing and listening to music. The history of recorded music started long before Buzzy was born in 1870. It was essentially the first non-print form of mass communication for the public. In 1877, Thomas Edison invented the phonograph, which allowed people to record telephone messages. Later, Alexander Graham Bell and Charles Tainter upgraded Edison’s creation by inventing the graphophone, which instead of using tinfoil like Edison, used beeswax to record sound. Soon after, companies began forming, such as The Columbia Phonograph Company that sold records on wax cylinders and the Victor Talking Company, which used the gramophone invented by Emile Berliner. Then, in the 1950s,

Suzie Berndt states in her “Musical Time Periods: The Modern Period” that the technology and industry of the modern time period facilitated much of the music

phonograph in 1877, people have felt the need to create and record music. People have different