How Did Frank Lloyd Wright Build The Robie House

Without a doubt, Frank Lloyd Wright was one of the greatest architects in American history and the greatest architect of the 20th century. Nature was his muse and his architectural structures embodied organic qualities. He took full advantage of the technological advances of the 20th century but redirecting the concept of space and employing new techniques; Wright was known for his modern and innovative designs. He believed that, “architecture was not just about buildings, it was about nourishing the lives of those sheltered within them”. Wright is not only one of the most well known architects in America but he is also thought of as one of the most influential architects in the world.

Frank Wright (1867-1959), is an American architect born on June 8th in Richland Center, Wisconsin (Biography.com n.d.). A modern design, he produced an organic and clear American style (Architectural Digest n.d.). Wright founded his own firm and developed the Prairie School- single-story homes with low, slanted roofs and extended rows on the windowpane, using the available materials from local business and clean and not painted wood (The Editors of Encyclopedia Britannica 2017). The Robie House (Figure 1) located in Chicago and Unity Temple placed in Oak Park (Biography.com n.d.). Wright was known mainly in Europe but not in the United States. In 1913, Wright designed his home on his maternal ancestors land in Spring Green, Wisconsin (Architectural Digest n.d.). This home was named Taliesin, sadly it got burnt down twice and he still remodeled it again (The Editors of Encyclopedia Britannica 2017). Wright wrote two books in 1932: “An Autobiography” and “The Disappearing City,” both are known as architectural literature (Biography.com n.d.). In addition, to publishing the two books, he

We can notice clearly in this house how Sullivan’s teaching and Japanese prints influenced Wright’s design. In general for the Prairie houses, Frank Lloyd Wright used all of those influences to had a radically different idea of the function and appearance of residences. The use of horizontal lines is crucial in this design because they define how the volumes and other elements of the house are displayed, making it look longer and lower than other type of dwellings. Sullivan’s idea about the importance of a building’s interior can be seen in this house design because Wright actually took that and extended the interior outside the house. Moreover, Wright started experimenting with materials that allowed him to materialize his

The speech was given in 1901 in the “Hull House” in Chicago to the Chicago Arts and Crafts Society, it was aimed into convincing the people who were involved with construction to create a community to sustain the sacred idea that the architects of the time called art (Patenting, 1). The speech was shown and given by Frank Lloyd Wright in the building, he was a major visionary and architect at the time so many looked up to him. He made the speech to explain his philosophy on the creation of his works and how he obtains the motivation and will to do so, he also wanted the community to understand the machine and how it was different from art.

In 1887, Wright worked with Louis Sullivan in Chicago, a well-known architect of the time who also wanted to separate from European style, until 1893. After Wright had stopped working with Sullivan’s firm, he made what is considered his first masterpiece, his home in Oak Park, Illinois known as the Frank Lloyd Wright home and studio. This structure was also his first work designed with his “Prairie” style. This style involved single-story homes with many horizontal lines, spacious living areas, and many casement windows. They were built with nearby materials and the wood used was not painted, expressing natural beauty. Wright later designed many more of his works in this styles, such as the Robie House and Unity Temple. In later years, he designed more well-known buildings, such as Taliesin, his home in Wisconsin, and Fallingwater, a building built on a waterfall in Pennsylvania. Later, he built public buildings, for instance, the Monona Terrace Civic Center, the SC Johnson Wax Administration, and the Guggenheim Museum. Wright also designed Tokyo’s Imperial Hotel in 1915, which he stated was “earthquake-proof” and, later, ended up being the only building involved in the 1923 Japanese earthquake to remain unscathed. Wright had also designed Usonian houses, which were the predecessors of today’s ranch-style homes. These homes had natural heating and cooling, and included carports, which were invented by Wright. All in all, Wright designed more than 1,100 structures. Frank Lloyd Wright died on April 9th, 1959, at age 91.

The House became the embodiment of the Greene & Greene design philosophy. Starting with consideration to climate. The design allows for cross ventilation by creating multiple windows in all directions, and connections to the outside porches, allowing patrons to sleep inside or outside comfortably within the heat of the city. According to Jeffrey Michael in Christie’s Arts and Crafts Style, the Greenes design every detail of the house, including the switch plates. The exterior of the house’s form was a shingle, bungalow style. It included sleeping porches, balconies and patios that act as an extension of the out-door in door relationship to the landscape. The brothers designed the structure around positions to maximize cross ventilation, and utilized materials such as stained class and wood fixtures in order to preserve the coolness provided by the cross-ventilation (Blakesley 2006). The facade of the house is mostly comprised by the wooden porches mentioned earlier. The porches utilize wood structure beams and floors that extend into the interior.

First off, one of the early leaders in the construction of micro homes was Frank Lloyd Wright. He wrote a book titled “The Natural House” in 1950. With the ideas from Wright, architects and construction workers began the Tiny House Movement in the 1980s. Micro Homes started to boom in the early parts of the 21st century. The housing market crash, a crash that forced homeowners into foreclosure, in 2007-2008 made it that where people had to pay outrageous amounts of mortgages. In the past few tears, Jay Shafer, the founder and owner of Tumbleweed Tiny Homes, became the new leader of the Tiny House Movement. Shafer has written several books that have the topic corresponding to micro homes and the downsizing of a micro home.

Internationally, Frank Lloyd Wright was a prominent figure in mid-century modern architecture (as was Mies van der Rohe, Walter Gropius and Le Corbusier)

The most rewarding part of a Hero’s quest is the Ultimate Boon that the hero leaves behind. This is what the hero’s quest is all about it’s what the hero is after when he or she embarks on their quest. Frank Lloyd Wright’s Ultimate Boon is the building he left behind. Noticeably “FallingWater” dubbed “The most famous house in the world today” by House and Home magazine in 1958 (Stungo 20) Located in Mills Run Pennsylvania is one of the most famous house designs that Wright created. It is here that Wright was able to incorporate nature into his building like he always wanted to. This is the first home he built using this style. Wright’s creation of the Martin House in Buffalo, New York is also one of his boons. Wrights Creation of the Usonian

The prominent and imaginative Wisconsin born American architect, interior designer and author, Frank Lloyd Wright hit his architectural milestone in the mid-1930s when he designed his world-renowned master piece in Bear Run, Western Pennsylvania, “Fallingwater” also referred to as Kaufmann Residence. Owing to his unique perspective in architecture which he refers to as “organic”, the structure looks as though it sprung naturally amidst Bear Run's trees and water. Frank Lloyd Wright’s complete body of work was so broad that till date he still remains highly recognized as the greatest architect of all time. His career which lasted for approximately seventy two years was apostrophized with global fame, artistic conquests as

A non- arbitrary architecture is an architecture incorporate nature and culture to define the life of a human being. Karsten Harries mention that the needs of human comfort in a building does not meet the tenants comfort since they are illogically made instead of emphasising the design to standout to meet the requirements of people, places and landscape in a real world. The implantation of building design by Frank Lloyd Wright's and Aalto's Villa Mairea has shown the world that design is not only to enhance but compliment God's creation. Frank Lloyd and Aalto's Villa design manifest mainly on the non-arbitrary of architecture, emphasising qualities of direction, of weight, of materiality, of light and so forth. Thus, understanding non-arbitrary architecture, design will be seen in different perspective as the two architecture, Frank Lloyd and Aalto's Villa

Many of those buildings were being developed in his mind while he was growing up and spending summers on his uncle’s farm. It was during this time that he developed his love for Nature, to be a part of it. His love for Nature is dominant in his earlier works dubbed the “Prairie Houses”, but can also been seen in his later works such as Johnson Wax and the Guggenheim Museum. When Frank Lloyd Wright was just sixty-eight years old, he was commissioned to design a house for Edgar Kaufmann. Wright and Kaufmann went to the property to survey the location for the house. Kaufmann liked to spend time at the water falls on his land so that is where Wright decided to build it. Wright figured if Nature could place the boulders over a waterfall, than he could build a house over one. It took Wright only three hours to draw the plans for the house. The house consists basically of concrete slabs balanced on the boulders above the stream, and the walls are slabs of the natural rock surrounding the house. The house includes a pool that is built under the house and is fed by the passing stream. Every aspect of the house embraces the Nature that it co-exists with, and the house appears to fade into its surroundings.

For Wright, the church was meant to be a temple for man to worship god, which coincided with Wright’s decision to abandon the typical New England Unitarian, white steeple, architectural style for a more modern concrete aesthetic. Also the church 's budget was relatively low for a project of this scale, approximately $40,000. In harmony with Wright’s philosophy of organic architecture, the concrete was left uncovered by plaster, brick, or stone. Wright’s sensitive handling of materials was a defining feature of his architecture from early in his career. “Bring out the nature of the materials, Wright insisted, let their nature intimately into your scheme. Reveal the nature of wood, plaster, brick, or stone in your designs, they are all by nature friendly and beautiful. No

Wright created the philosophy of "organic architecture," the center principle of which maintains that the building should develop out of its natural surroundings. From the outset he exhibited bold originality in his designs for both private and public structures and rebelled against the ornate neoclassic and Victorian styles favored by conventional architects. Wright believe that each building should have its own identity and it should be determined in each case by the particular function of the building, its environment, and the type of materials used in the structure. He used various building

Frank Lloyd Wright was born in the year 1867, in Richland Center, Wisconsin. Both an architect and writer, he is considered a genius of the American architecture (Kaufmann 1). Wright went to the University of Wisconsin at Madison for a few terms where he took engineering courses (Kaufmann 3). He finally left Madison after a few years and found work with J.L. Silsbee, in architectural detailing. After a few years he opened his own architectural practice. One of his styles that became the residential design of the 20th century in the United States was the Prairie Style. The Prairie architecture was known for its revolutionary approach to the building of modern homes. Wright built about 50 prairie houses in ten years. Two of his major works that stand out is the Guggenheim Museum located in New York and the Marin County government Centre located near San Francisco.