How Did Giambologna Influence Michelangelo

“No painter can paint well without a thorough knowledge of geometry” (qtd. in Butterfield 27). The Italian Renaissance is famous for its art which includes unique style of painting and sculpting, however, the Renaissance made significant remark on the use of scientific techniques which also can be considered as the influence of classical ideas. Although, classical ideas were not advanced like in the Renaissance, it provided the foundation for the Renaissance to revive it again. The Italian Renaissance transformed the manner of viewing the arts. Before, most people in Italy were bounded by religious thoughts and beliefs. Renaissance helped people to shift their mind and behavior towards the secular ideas, instead of vague ideology like

Created in 1489 this masterpiece is made out of pure marble. This sculpture is located in the Vatican City. At first glance this sculpture looks like child dead in a mother's arms, which is correct but there is more too it. The sculpture represents the crucifixion of Jesus Christ. Its shows his mother Mary holding him and he lays there dead. A very little detail that usually goes unnoticed is that Mary is not touching her son directly, but a cloth is between the two. This signifies the Higher Renaissance belief in Neoplatonic, that the beauty on earth signifies God's beauty. This masterpiece is not only amazing by the meaning but the glorious detail that Michelangelo was able to go into with practically a hammer and chisel.

During this painting, Michelangelo didn’t have the drive he usually did, but when his greatest enemy, Perugino started to work on it with him, that drove him to another level. Michelangelo’s interest in portraying the human body, reflected how the people in this time period felt, and that made the people who viewed his art interested in his work. Also, his sculptures reflect how dramatic of a shift it was to the Renaissance Period from the Middle Ages, and shows how the

From the late fifteenth century to the genesis of the sixteenth, a new movement influenced art in Europe, expanding the bleak limits of past art and created some of the most memorable masterpieces in history. The creators of these artworks during these decades of the Renaissance include Leonardo da Vinci, Michelangelo Buonarroti, and Raphael Sanzio. Influenced and sometimes driven competitively by each other, these artists share differences and similarities in their life, art style and techniques, and interests.

We all know the famous Ninja Turtles, Leonardo, Michelangelo, Donatello and Raphael, but what do these names have to do with the Renaissance Art Movement? These famous names were all part of the great masters of early Renaissance art. Their talents included sculpture, painting, architecture, music and drawing, while also diving into sciences and literature. Throughout this time individual expression and worldly experience became the main themes of the century inspiring many budding artists to come.

Many famous artists, such as Leonardo da Vinci and Michelangelo, contributed to the revolutionary art of the Renaissance. Unlike in

One of the most famous painter and sculptors of the Italian Renaissance, the age of renewal and cultural achievement circa 1500, was the artistic genius Michelangelo Buonarroti. The man that desired nothing but perfection often reached it in his work. He captured the motion of the human figure and the anatomy of muscles in a way that was increasingly beautiful and startlingly realistic. Whether because of one of the most famous sculptures in history, “the David” or the paintings on the ceiling of the Sistine Chapel, that became the textbook examples for the art period of High Renaissance, Michelango’s art changed the world and he will continue to be studied with awe throughout history.

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

The Bronze David by Donatello of the Early Renaissance shows a subtle transition through style and form to the High Renaissance when compared to the marble David by Michelangelo. Yet a similar Renaissance interpretation of the character of David is seen in both pieces. Donatello’s David embodies the humanism and classicism of the Italian Renaissance, and pioneers styles that would influence a generation. The perfection of David by Michelangelo creates a similar allusion to humanism and classical form while indicating Donatello’s lasting influence and inserting neoplatonic ideas of the High Renaissance.

The pieces of art I will be comparing and contrasting are the three statues of David, by Donatello (Donato di Niccolò di Betto Bardi), Michelangelo (Michelangelo di Lodovico Buonarroti Simoni), and Bernini (Gian Lorenzo Bernini). The statues are modeled after the biblical David, who was destined to become the second king of Israel. Also most famously known as the slayer of the Philistine giant Goliath with a stone and a sling. The sculptures are all based on the same biblical hero, but differ from one another. Each David is unique in its own certain way.

In the early years he had worked in Rome with Fillipio Brunelleschi studying in this ancient city. In the work of the early renaissance sculptor Donatello’s life seems to come out of metal and stone. Donatello’s great pieces of art includes the marble of Saint George in the Orsanmichele museum, located in Florence; the figure of David, and the beautiful equestrian statue of Gattamelata that goes back into ancient Roman art. Donatello’s use of sinuous forms which encouraged the eye of the statue to move around this figure, influenced generations of Italian sculptors mostly and notably who was Michelangelo in the sixteenth

Michelangelo Buonarroti was a sculptor, architect, painter, and poet. He was, perhaps, the most potent force in the Italian High Renaissance. His work exerted a tremendous influence on his

The Italian Renaissance was a rebirth in culture and ideas. This rebirth led to the accomplishments of many artists. Many of these accomplishments were influenced by Catholicism. The Catholic faith was portrayed in many artists work. One artist particularly that portrayed Catholicism in his work was Michelangelo.

The Renaissance was a period of cultural movement and the introduction of cultural heroes, is known as “Renaissance Men”. One of these men was Michelangelo Buenarroti. Michelangelo was a world-wide known painter, sculptor, architect, and poet, who was of great Importance and had a great impact on our modern day culture.

Before analyzing Giambologna's use of diagonal lines to create various focal points and energy in the work; first, the most compelling aspect of the sculpture must be examined which is his utilization of implied textures. For instance, there is an implied texture of thickness and body to each character's hair which is achieved through fine grooves to show individual locks as well as deep grooves to create shadows and thus the idea of the hair's volume. In comparison, a similar concept is seen in the beards of the two men where the deep grooves and shadow give the appearance of a thick beard in the