How Did Gilgamesh Change Over Time

The Epic of Gilgamesh and Beowulf contain everything we can expect from a great epic literature. It portrays fantastic geographies, exotic characters, exhausting quests, heroic battles with monsters, supernatural beings and natural forces. Most important of all, they are two outstanding stories of a great epic hero who is compelled to meet his destiny and who rises to every challenge with courage and determination.

This story has been one of my favorite readings of all time . This epic poem was about a young god who is two-thirds god and one-third man by the name of Gilgamesh, mighty king of Uruk-haven whom is known for his arrogance, Strength who is later challenged by another molded creation Enkidu, referred to by the god Anu as “zikru,”. Who played an important role in Gilgamesh’s life. They have gone through many challenges and have overcome many obstacles together like the ferocious “humbaba” and “Bull of Heaven”.

The story of “Gilgamesh” depicts all of the heroic triumphs and heart-breaking pitfalls a heroic narrative should depict to be able to relate to today’s audience. However, “Gilgamesh” was once considered a lost and forgotten piece of literature for thousands of years, so there is a tremendous gap between the time it was created and the time it was translated into language that today’s audience can understand. That gap in history makes several aspects of the story of “Gilgamesh” strange and unfamiliar because what we now know about ancient Middle Eastern cultures and languages is a lot less than what we know about the cultures that prospered after ancient Middle Eastern cultures. Much of the content in the story of

The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.

When reading The Epic of Gilgamesh, my goal was to try and figure out what the central theme was for me. Granted that stories like this one have many ongoing themes, but the one that kept reoccurring to me was love. Not so much in the beginning with Gilgamesh pretty much torturing his people; whether it was getting rid of all the men and boys, keeping everyone awake all night, or raping all of the women. However, the theme of love and how it can change even the worst of people is what I enjoyed most about the book. But it wasn’t just that love is what helps change Gilgamesh or Enkidu, it was that love was a motivating force that pushes Gilgamesh to keep moving forward or rather to “just keep swimming.” The first time you begin to see a change in Gilgamesh is when Enkidu stops him from lying with the bride.

The Epic of Gilgamesh is the oldest epic known to date. It is an old Babylonian tale first written down in Sumerian. The first known copy of the epic is dated to around 2100 to 2000 B.C.E. However, it is believed to have originated many years earlier passed along though oral story telling. The epic was used in Babylonian schools to teach literature to students (Puchner 36). In ancient times, the Epic of Gilgamesh was widely read from Mesopotamia to Syria to Levant and Anatolia. The epic was also translated into non-Mesopotamian languages such as Hittite (Puchner 34). The story we know today was expanded upon around 1200 B.C.E. by a Babylonian priest. “The eleven-tablet version may be said to have assumed its present form during the latter part of the second millennium”(Abusch 618). It was then written down again and stored in the library of an Assyrian king named Ashurbanipal (Ziolkowski 55-56). It was thanks to this act that

There once lived a king, the great king of Uruk in Mesopotamia. This great leader was Gilgamesh. His preserved epic is of great significance to modern day culture. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed. In the Epic of Gilgamesh, it is a great love, followed by a lingering grief that cause a significant change in the character of Gilgamesh.

Gilgamesh expresses sorrow to Ur-shanabi over losing the regenerative plant, truly opening up his human self at the end of the journey. Gilgamesh’s loss of his “bounty” to the “Lion of the Earth” brings out the main shift in his identity (XI 313-314). The key to understanding the shift is the symbolism of lions. Prior to this event, Gilgamesh had been dominant over the wild and once killed lions for clothing. Now, Gilgamesh lost his regenerative plant to a snake, the lion of the earth. The contrasting relationships with the wild highlight Gilgamesh’s changing status. His vulnerability to the wild becomes an aspect of himself that he must confront. A human side is breaking out of the prison that was once the godly Gilgamesh and taking over. Human Gilgamesh “ha[s] done a favour” to “the “Lion of the Earth”” which Gilgamesh hates and would take back (XI 314). However, in the end, the benefit may have been to Gilgamesh because he is now on the path to becoming wise by facing his mortality.

The epic of Gilgamesh is the earliest primary document discovered in human history dating back to approximately 2,000 B.C.E. This document tells a story of an ancient King Gilgamesh, ruler of Sumer in 2,700 B.C.E. who is created gloriously by gods as one third man and two third god. In this epic, Gilgamesh begins his kingship as an audacious and immature ruler. Exhausted from complaints, the gods send a wild man named Enkidu to become civilized and assist Gilgamesh to mature into a righteous leader. However, Enkidus death causes Gilgamesh to realize his fear of immortality and search for an escape from death. On his journey, Gilgamesh learns that the gods will not grant his wish and that he must

The Epic of Gilgamesh is the greatest surviving epic poem from Ancient Mesopotamia. The original author is unknown, since the epic was passed on orally for many generations during the second millennium B.C.E before being written down in clay tablets. However, the definitive fragmented revision of the epic is accredited to Sin-leqi-unninni, a Babylonian priest and scholar. The Epic of Gilgamesh follows Gilgamesh’s quest for immortality, remarking the question of what it means to be human. The story starts with King Gilgamesh of Uruk in Southern Mesopotamia, an arrogant and oppressive ruler who is two thirds divine and one third human. The citizens of Uruk, tired of Gilgamesh’s behavior, plead the Gods to stop him. In response, the Gods fabricate Enkidu to confront Gilgamesh, but before he does that, he needs to become civilized first. In the act of turning into a civilized man, Enkidu, like all human beings, loses his innocence, as well as his deep connection with nature.

The Epic of Gilgamesh, a Mesopotamian epic poem with no known author, is the story of the brute King of Uruk, Gilgamesh, who was two-thirds divine and one-third human, which teaches readers the unstoppable force of death, the wrath of the gods, and also the power of friendship, which are illustrated to readers through the characters journeys, and those encountered along the way. The poem, which is divided into twelve tablets, starts off with Gilgamesh being a vicious tyrant, one who “would leave no son to his father… no girl to her mother”(Gilgamesh 101), and as for newly married couples “was to join with the girl that night”(Gilgamesh 109) transitions to by the end of the story an entirely new man.

The earliest surviving literary work, dating from 2100 BC in the Sumerian city of Uruk, The Epic of Gilgamesh tells the story of a hero’s journey to immortality. The Epic of Gilgamesh, written by the Sumerians in their akkadian text and translated by George Smith in the early 1870s, follows the main character Gilgamesh, the unjust and cruel king of Uruk, and his friend Enkidu on their journey to achieve greatness in which Enkidu dies, prompting Gilgamesh to seek immortality. In the story, Enkidu’s character serves as a foil to show and exaggerate Gilgamesh’s immorality and bravery.

The Epic of Gilgamesh was a story completely written in cuneiform. The author for this Epic poem is unknown and remains a mystery. According to, Spar, “Some time in the twelfth century B.C., Sin-leqi-unninni, a Babylonian scholar, recorded what was to become a classic version of the Gilgamesh tale (p.6).”

Origins and Potentially Flawed History. The primary and most significant trait that both epics have in common is the origins. Before the stories were written down, they were told orally and passed down as oral histories. Griots serve as the primary form of verbal translation and histories; playing major roles in passing down the Sundiata Epic (Miller 342). The Epic of Gilgamesh is later written down on sun-dried clay tablets in cuneiform. Miller describes cuneiform as “a written script of wedge-shaped marks” (Miller 29). Moreover, both stories carry flaws in their histories. It is likely that points are left out of both historical tales. In western

The Epic of Gilgamesh is one of the oldest pieces of literature known to man. Written in 2700 B.C.E this epic poem centers in on an ancient king of Uruk in present day Iraq. When we are first introduced to Gilgamesh, the king of Uruk, we see that he is a tyrant ruler which is one-third human, two-thirds divine and in endowed with immense strength. Instead of serving his people he suppresses them and engages in immoral behaviors fit for a king. The behaviors result in a backlash from his citizens and the nobles began to complain bitterly about these behaviors. The gods eventually intervene and in order to tame Gilgamesh’s wild spirit they create his equal, Enkidu, whose purpose in this epic poem is to help guide Gilgamesh in becoming a better person and a better king for his people.