How Did Henry Matisse Use Of Color

In order to demonstrate these specific characteristics, Leger incorporates many different types of elements into this piece. In this painting, color plays an important role. The shapes of the blue squares contrast altogether with the other shapes and also, with the mutated beige background. Leger uses numerous colors such as the neon yellow, red, blue, black, and green in order to reveal that the colors are free and therefore, these colors exist in space. As mentioned earlier, this painting included a variety of different shapes; there are two different types of shape that can be seen in this painting. The first type is geometric or regular shapes such as the squares, circles, and rectangles. The second, on the other hand, are organic and freeform shapes such as the feet, hands, and face. Next, Leger incorporates many lines throughout this portrait. From curved lines to a single horizontal line, Leger includes each different type to develop a sense of movement, or rhythm. The curved lines makes the viewer’s eyes circle around the piece to further realize the symbolism. For space, Leger leaves many of the corner as negative space. However, the corners of this painting are not the only ones Leger leaves as space. Because the shapes and colors are kept simple, there’s also quite a series of distance between the shapes even throughout the whole entire painting. Again, because of the simplicity of the shapes, even the texture of this painting can be seen as smooth. The painting does not involve any harsh or rugged lines, and is

Henri Matisse is a well-known French painter that was born 1869 and later dies in 1954 at the age of 84 years old. Being well known and famous for several paintings, he was given a charge by a well-known Russian Sergri Shchukin. He was charged to produce three canvases to decorate Sergei mansion staircases in Moscow. On incident, the painting now recognized as Dance I was just a sketch that Matisse had created. The initial sketch and final version of the painting is quite similar in concept. Matisse did use the idea of another famous painting Bonheur de Vivre. The idea he used was the motif. A motif is a distinct decorative pattern or design.

The first thing you notice in Matisse’s painting is the purple coat that Lydia Delectorskaya, his lover of many years, is wearing. This coat, an exotic Moroccan costume, with its bold and vivid color, jumps right out at its viewers. While Lydia reclines for her pose, the vase of flowers and fruit on the table in the foreground become apparent to the audience. As do the bold shapes and patterns that are on the walls, with their incredibly bright colors, outlined with thick lines.

Study showcases that Post-Impressionism inspired Matisse. Like Cézanne, Matisse described the landscape with the same functions. And like Cézanne, Matisse joined the figures and the landscape. Matisse also cited Ingres's odalisques and harem fantasies, and Titian's Bacchanal of the Andrians. Matisse repeatedly used and played at mythic paradise. It is an indication of the inspiration by Post-Impressionism. However, Matisse broke the ancient rule, interest in myth. He thought it could be possible to express his emotion with colors, particularly expressive, bright, clear colors, and wildly sensual forms. Matisse's painting understood Cézanne's challenge and did farther. In a different manner from the paintings by Cézanne's The Large Bathers, he didn't delineate forms that decrease in the background and diminish in scale. There are incorporating shifting perspectives. Their scale is stringent distort especially from a symmetrical form and grand. Some are marked by extraordinarily great size proportion. This is a face to face

Henri painted people in places he knew and in situations that were from realism. He was known to paint ladies in a loving light but as people, not as just symbols

Artists use colour as a form of expression, this has become a common aspect of contemporary art. Colour today in art is not usually regarded as an embellishment for form but rather as the essential material from which form is created. This changing role of colour has keynoted a general revolution in human thinking, leading to greater visual perceptions. (Sloane, n.d.) Early as 1966, Gerhard Ritcher has created paintings purely based on colour charts, to some this was a complete “indifferent composition” to produce, however it was seen to perform like a “great classical masterpiece” (Lubbock, 2011)

not occur with Cézanne's work. Another difference is that Matisse used bright colors that did not

Henri Matisse and Boucher share a passion for the erotic view of their figures , Matisse have carefree flowing style figure in vivid bright colors in park scene while Boucher has a group of five being half man half beast figure , two nude women and nude Cupid babies in a woodland scene. Each used cherry landscape, vivid colors, and distinct brush work which is considered bold and dramatic which was a inspired by Impressionism and light hearted subject matter.

I never understood Art until viewing Andy Warhol’s portrait of Marilyn Monroe. His The subject matter remained the same in this portrait and he only varied the colors. Each piece was the same and yet so different- each shade of color transformed Marilyn and provoked a different reaction. The vibrant colors seemed to scream to be noticed while the soft undertones highlighted her beauty. The darker shades seemed to reveal new side of Marilyn- a darker, hidden side. On the other hand, the lighter shades conveyed a light-hearted mood. I wondered how the simplistic element of color could transform the image and evoke such varying emotions from the observer; I realized the beauty of art lies in its interpretation. In this image, Marilyn embodied

Matisse is one of the best artists at surrounding a background around the viewer. His paintings are the most realistic compared to other current artists, as he uses a feel of a soft wind as a landscape and the smell of fresh citrus fruits to compose his still life arts. "The Casbah Gate" contains vivid colors that describe a gate.

Perhaps this can be most easily discerned in Matisse’s, “Bonheur de Vivre.” This painting featured a sensual image complete with kissing and bright, bold colors. By reviewing Cèzanne’s “The Large Bathers” we can see numerous similarities. For instance, the use of trees to form a stage, the varying perspectives, and the way he meshes the figures and the landscape together (Harris, n.d.). However, this work is not a carbon copy. Perhaps the most notable anomalies are the way that Matisse chooses to portray the varied perspectives. While looking at Bonheur de Vivre, we can see that on the same horizontal plane, Matisse uses varied perspectives. This means that from the perspective of the canvas, the people in the center would be giants in size (Harris, n.d.). While the blending of figures into the landscape resembles the techniques of Cèzanne, the disproportional perspectives is certainly a departure from the model that Cèzanne laid

One piece of art that caught my interest the most was a painting of a man with part of his face dissolving, like it was being faded away. It caught my attention because I perceived it as if he was slowly

What makes an artist work so unique that it captures an emotion or spark to viewers? The avant-garde artist was a unique group of people who wanted to do something different to their work. Around the 1900s, an artist that stand out from the crowd was Alexander Rodchenko. He sought to push people to rebuild society in a Utopian model rather than the one that had lead to the war. This movement focused on carrying the fundamental analysis of the materials and the form of art. His photographs, on the other hand, made a different approach. The founder of the constructivist art movement, Alexander Rodchenko, created work that was engaging, innovative, and asymmetrical. His strange angular shapes and photomontage gave a psychological stir to the public

As for what I learned during this unit, Cézanne was a father of cubism when cubism was unknown! Therefore, as he uses geometric shapes, we can find a same draw style in Matisse’s paint and Picasso too. Of course, Picasso had influenced from that style, but he used to exaggerate more these geometric shapes!

Most of his drawings during that year are for him to learn how to draw lithograph, a drawing based on water and oil. The only thing that distinguishes between the earlier version and this art piece is in this picture it has colors which, the same old man with the same pose wears a strikingly blue color of attire with a brown pair of shoes while sitting on a bright wooden chair. The old man and the chair have a sheer color while the surrounding like the flame and the floor are vaguely painted. This allows the paintings to draw all of the energy and make it entirely focused on the old man’s sorrowful