How Did Japan Influence The Art Of The Western?

Each strove to maintain a centralized government. For Japan the leader was to be called an emperor or empress who could only be a part of the royal family if they were related to the Shinto sun goddess. As for Europe, the leader was to be called a king or a queen. Like Japan, not just anybody could become royalty. Kings and queens came from a long descent of an Imperial family. Tradition was that the first born son of the king would become the next ruler following the kings death. However, if no legitimate son were born then the daughter would become queen. In Europe, the royal family and institution was usually

Japan at the turn of the century was clearly trying to westernize and change is isolated society into one more intellectually and scientifically involved with the rest of the world. When the Japanese open their ports to the western civilization food and merchandise were not the only things being traded. When ports were open the western way of living was integrated with the Japanese culture which gradually changed the way the

In Japan, most of the Chinese influence was brought to Japan through Korea. Japan consists of four mountainous islands off the coast of Korea, and its early development reflected that of the mainland. There were several waves of immigrants that came to Japan. In about 10,000 B.C.E., the Jōmon people practiced hunting and fishing and made clay pots. People who immigrated from northeast Asia brought agriculture and Yayoi culture with them. Yayoi communities were distinguished by complex social organization containing rulers, soldier, artisans, and priests. Objects made in China and Korea could be found in Japan, which shows that people were traveling back and forth from Japan. More waves of immigrants came from Korea during the fourth through

It is deplorable how easily the American government faltered in its responsibility in upholding the rights of all American citizens, as well as how easily it was signed away. The United States influenced by the effects of racial prejudice and mass hysteria, which had been developing since the end of the First World War, lead to what were seen as reprimandable decisions in overruling the rights of Japanese-Americans. With the major influences of fear-mongering caused from a risen tensions of events in the East, beginning the Second World War in the Pacific, such as the Japanese invasion of Manchuria, and later, direct attacks in the United States at military base, Pearl Harbor in 1941, were all proponents into the development of an era of exceptions,

Yasumasa Morimura was born in Osaka, Japan 1951; before the end of the American Occupation and during the Korean War. It was at this time in Japan that society had become increasingly modernized and influenced by western culture. Subsequently, the foreign influence of Japan’s culture affected their culture, politics and education. With a westernized curriculum, much of the education focused on occident values, ideas, and art. Despite Japan’s rich history, much of the art history that was taught had originated from western culture.

China and Japan had similar but different experiences with the Western civilization. China and Japan reacted differently to the Western nations and it was China’s reactions to the West that would break the Chinese’s isolation leaving their traditions behind. The Industrial trade in Europe and the United States had created a gap between Asia and the West, This left china and Japan far behind technologically and they were not able to stand up against the western nations and although at different times China and Japan both ended up having to sign unequal treaties, and to open their ports for merchants.

The term Japonisme, refers to the influence of Japanese art on Western art (“Japonisme”). During the second half of the nineteenth century, there was an outbreak of admiration for all things Japanese; being that the hidden works of Japan had finally been unveiled to the Western population. In 1859, Japan opened its doors to the concept of overseas trade in turn allowing for Oriental art and household goods to come flooding into Europe. Japanese prints became an immediate hit amongst Western artists; being that they were significantly different from the works of art in which were prevalent within the West. The bright, exotic colors were immensely captivating and the Japanese notion of space opened the eyes of many artists.

China and Japan are two unique civilizations that went through similar, yet vastly different changes throughout their histories. Their growth and response to other nations differed in many ways in government, lifestyle, and general well-being. One of the main causes for such difference between the countries is the way the West influenced each region, and the way China and Japan responded to this influence. China focused more on the idea of being a "status oriented" society, while Japan was more "goal oriented" based. In China, anyone had the ability to better themselves and change their status through civil examinations given by the government. Western impact however slowly changed this old age system. Japan's caste system viewed

Men usually wear Western-style suits for work and out on the street. They also wear Western clothes when going out or relaxing at home

Westernization, which primarily spread in the mid to late 19th century, brought forth a profound change of ideas and cultures across the world. Both Japan and India were affected greatly as Western practices and ideologies seeped into the minds of individuals throughout various societies. Influential individuals, such as Thomas Babington Macaulay and Fukuzawa Yukichi wished to reform India and Japan by introducing Western ideas into these countries. Artists such as Honda Kinkachiro and Werner Forman showed the effects of Westernization on Japan. Through the writings and artwork of Macaulay, Yukichi, Kinkachiro, and Forman, we are able to understand that Europe’s colonizing mentality, as well as Asia’s acceptance of new ideas, were both supported by the belief that the West is superior.

Western Influence on Japan Japan, as a nation, is a continually changing society. Ever since western nations became involved with Japan, its changes over recent times have increased at a substantial rate. Japan now faces cultural, economical and social differences as a result of the western involvement. The involvement was initiated by the Japanese themselves, beginning during the Meiji Period1 through current times.

Throughout the course of East Asian history, Japan has been largely influenced by the Asian mainland. From ancient times to the medieval period, significant contributions to Japan can be seen coming from both Korea and China. Both of these countries diffused elements of their cultures to form the basis of Japanese society – namely China. These foreigners would influence various aspects of society including technology, philosophy, politics, and religion.

            Throughout history most of Asia has been viewed as strange and exotic by western cultures.  This is especially true for Japan, because, unlike other Asian nations Japan was isolated from western culture until around the year 1542 when the Portuguese landed at Tanegashima (Bryant 14).  There are several reasons for Japan’s solitude, most of them geographical.  One of the primary reasons is what the Japanese call kamikaze, or divine wind (Bryant 24).  These strong stormy winds blew across the waters surrounding Japan, making it quite difficult to approach the island.  Japan is also quite far away from most western nations, especially since the ships had to sail around Africa to get to it.  When the

Portrait of an Arhat (Rakan) was created in Edo period of the Japanese art culture. This period started in 1615-1868 when culture expression started to really blossom for the Japanese culture (Singer). From statues, lavish paintings, and religion the art speaks vibrant vibrations. This culturally diverse period gets its name from the city of Edo, known as Tokyo modern day. Which became the headquarters of the government when Tokugawa Ieyasu (1542 – 1616) unified the country (Department of Asian Art). The Tokugawa regime was started in 1603, when the emperor, in “recognition of Ieyasu’s supremacy on the battlefield”, appointed him shogun. Shogun is the highest military position you can carry in Japan (Singer). After this Japan had strict laws on not using motor vehicles were put into place. Going into the 1630s, contact with the outside world was stopped through “official prohibition of foreigners” (Department of Asian Art). Around 1720 Edo had a population of “more than one million residents having more population than London or Paris at the time” (Singer). According to Art of Edo Japan Kyoto, was city of temples and shrines. It was the leading center of arts and crafts production with a population of close to 400,000 (Singer).

Japanese landscape painting developed from a multitude of influences and incorporated many themes and ideas, from native beliefs in japan to influences from China and Korea and even from Europe all which gradually changed painting in japan. The main artistic influence in Japan up to the mid 19th century was China and and Chinese Landscape painting in Japan was brought over by traders and became very influential to academics, scholars and the aristocracy, far from merely copying Chinese painting japan was able to bring their influences to create a very unique type of painting.