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How Did John Williams Too Much To Learn

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“I think also, especially for practicing musicians, age is not so much of a concern because a lifetime is just simply not long enough for the study of music anyway. You're never anywhere near finished. So the idea of retiring or putting it aside is unthinkable. There's too much to learn.”
—John Williams
John Williams was born in New York City on February 8, 1932 After serving in the military for three years he studied at Juilliard, a prestigious fine arts college in New York, New York, to become a concert pianist. His dream was to follow in his father’s footsteps. His father was a musician who taught John how to play the piano at a young age. At Juilliard, John studied under the musician, Rosina Lhevinne. He later decided to become a composer when he heard that musicians like John Browning and Van Cliburn were also studying under Rosina Lhevinne.
John then became a movie studio musician after moving to Los Angeles, California. His work as a pianist can be heard in movies such as, Some Like it Hot, a movie from 1959 starring Marilyn Monroe, and To Kill a Mockingbird, a movie featuring strong racial themes from 1962. He also played piano for the theme of a television show called Peter Gunn, A show about a private detective that solves crime. After that, Williams began composing his own music for shows. These shows include: Wagon Train, …show more content…

The first movie to ever contain a John Williams original was in 1959 in the movie Daddy-O, a black and white drama about a signing trucker driving a group of hoodlum’s getaway car. Williams received his first Academy Awards Nomination for his work in the movie Valley of the Dolls in 1967. Though he did not win, this was a big step for his career. In 1972, John Williams got his first Academy Award for his compositions in Fiddler on the Roof, which has become a classic in the movie industry. His score for The Poseidon Adventure, also in 1972, earned him an Oscar

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