Louis Armstrong influenced Billie Holiday because when she was growing up the voices that she heard from the Blues and Jazz players and those voices influenced her way of singing. If you listen to her singing her vocals are so close to that of Armstrong’s, you can clearly hear the influence that he had on her style of singing. During her early of years Ella Fitzgerald listened to jazz recording by Louis Armstrong. In 1942 Ella left the Benny Goodman Orchestra and began her solo career, staying under the contract to the label Decca who she had worked with while still being a part of Goodman’s Orchestra. In the year 1945 her scat recording of “Flying Home” was named as “one of the most most influential vocal jazz records of the decade” by
The collaborations between Ella Fitzgerald and Louis Armstrong demonstrate some of jazz’s finest performances. One of their duets is, “You Won’t Be Satisfied”, in which they share a hopelessly romantic moment. After the brief instrumental introduction, the pair take their turns singing the same chorus for followed by a collaborative effort with a short solo trumpet performance between the second and third sections. Fitzgerald starts off the first chorus singing to Armstrong very casually but quickly allows her classic sassy and emotional vocal tone to shine through by the end of the third line. The chorus sings out about how the singer tries so hard to please the other but the companion does not reciprocate the same feelings; the other side
He brought a different approach to vocal jazz. His constant writing and recording helped having a big influence on the jazz scene. While making his mark on may parts of the industry he was best known for his singing. He experimented some with scatting and chromatic vamping, which showed in “Lulu’s back in town.” He pushed the crooning style further until in 1950’s when it died out as rock and roll became more popular. This caused him to grow into a more Jazz style of singing although he believed that there were no pure jazz signers it all depended on their influences.
The Harlem Renaissance was an African American cultural movement specifically in creative arts such as music and literature. Jazz represented the flavor and zest of African American culture in the 1920s-1940s. Billie Holiday had a great impact on the Harlem Renaissance because she was one of the most influential jazz singers of all time. She performed with other great jazz musicians such as Louis Armstrong, Teddy Wilson, Jo Jones, and Henry Allen. Her career as a jazz singer was an incredible and thriving one, however, it was shortened because of her battle of substance abuse. Despite the drug use and the loss of her mother, the only thing she could turn to was her music. Billie Holiday's legacy will always live on when the discussion of the Harlem Renaissance is present.
Aside from the typical cultural, social, and political factors influencing any musician’s style, an early life filled with poverty and hardship also shaped Louis Armstrong’s musical development. Some even theorize that it was Armstrong’s difficult upbringing that made his music so wise, so unique, and so revolutionary. Armstrong was an African American child growing up in the slums of New Orleans, close to abandonment, impoverished, and with too few constant people, resources, or homes. However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. When Louis Armstrong was placed in a boys’ home as a young boy, he was presented with the opportunity to play the cornet. He took up work in Joe (King) Oliver’s house, doing chores in exchange for musical lessons, developing into a
If one was to go out into the street, walked up to a random stranger and asked them if they knew who Louis Armstrong was, chances are that they would be able to answer you correctly. Louis Armstrong (Aug 4th, 1901 - Jul 6th, 1971) was an American trumpeter, composer, singer and occasional actor who became one of the most influential figures in jazz. His career spanned many decades, from the 1920s to his death in 1971, and many different eras in jazz. He first came to prominence in the 1920s as a trumpeter and cornet player with no technique as well as being very skilled in scat singing, Armstrong was a foundational influence in jazz, influencing many later jazz artists as well as shifting the focus of the music from collective improvisation to solo performance.With his very well-known and recognizable gravelly voice, a technique that was later named “crooning”, Armstrong was an incredibly influential singer, demonstrating great dexterity as an improviser by bending the lyrics and melody of a song for expressive purposes on demand. Renowned for his charming and incredibly charismatic stage presence and voice almost as much as for his trumpet and/or cornet playing, Armstrong 's influence extends far beyond jazz music, and by the end of his career in the early 1970s at his death, he was widely regarded as a deep and profound influence on popular music in general. Armstrong was one of the first very popular
Many people knew Louis Armstrong as the “first real genius of jazz”(Shipton 26). He was born in New Orleans, Louisiana on August 4, 1901. Louis was the illegitimate son of William Armstrong and Mary Est “Mayann” Albert. He was abandoned by his father, a boiler stoker, shortly after his birth and was raised by his paternal grandmother. Then, at the age of five, he was returned to the care of his mother, who at the time worked as a laundress. Together with his mom, they moved to a better area of New Orleans. This is where Armstrong first fell in love with music; he would listen to people playing any chance that he would get(Tirro). He would attend parades, funerals, churches and go to cheap cabarets to be able to hear some of the greats play
His contributions “ended one jazz era and started a new one” (Louis). Armstrong contributed to jazz by incorporating his own style of music. He was a soloist who played the cornet, trumpet, and sung. He created the Blues scale and incorporated a new feeling called the “Bleusy” feeling to Jazz. Bleusy was different from of music because it was being expressed more than the music itself. His work was also improvised, which means that he did not have a planned piece to play if he was performing. The pieces he played were made up on the spot which makes his pieces more expressive and in the moment. He turned jazz into an individual improvisation which did not break away from the ensemble. While swaying from the standard jazz form, he also transformed jazz from polyphony to solos. One of his most famous songs “Hotter Than That”
Louis Armstrong's diversity and adaptability is widely recognized as one of the most influential aspect in jazz music. Louis Armstrong's musical influence is still the fundamental base for modern jazz today. "Louis Armstrong is jazz. He represents what the music is all about.” — Wynton Marsalis perfectly sums up his contributions. His diversity sets him apart from other jazz artists because he managed to stay relevant throughout different musical eras like, the ENOJ era, The Swing Era, Blues etc., until the end of his career. The accomplishments he has achieved throughout his life and the hardships he has gone through has shaped his persona, contributing to how he will become as an artist. His instrumental style, singing, career throughout musical eras, accomplishments, and etc., contribute to how adaptable and diverse he is.
Louis was born in New Orleans where he grew up and learned to play the trumpet. He also learned to sing. Because of his long improvised solos, he inspired jazz so that long solos became an important part of jazz pieces and performances. (Cayton, 462) Armstrong was the king of jazz trumpet players. The new style that he created gave a voice-like quality to his horn. (Hakim, 58) Although Jazz was very popular itself, a majority of the fans and listeners were younger people. Flappers were commonly known during this time. They danced to the jazz music with a whole new style.
Joss Stone all show signs of Ella's influence. Ella is also credited with inspiring the great Frank Sinatra, Tony Bennet and Mel Torme to some extent. Although Ella's influence through style is great, perhaps her greatest achievement can be noticed in her career as a whole. Ella Fitzgerald was an influential woman with many followers around the world, of all races, religions and nationalities.
Louis Armstrong learned at a young age, not to let negative views direct your life. At the age of seven he worked for a Jewish family, and noticed how the whites treated them. It was not just the blacks in the early 1900’s that dealt with racial issues. But Louis saw one thing that left a long time mark on him. Many of the Blacks wanted Pity, but this family of Jews he worked for, did not, they made their way. This was something Louis would carry with him the rest of his life. Louis Armstrong’s influence was the style, structure, and joy of his art. It is something that can be seen in many musicians that listened to him. Listen to a Miles Davis cd, and you will hear the Great Satchmo. Yes it is Miles Davis, but the influence of Louis is there to be heard. Many of the musicians today you will also hear Louis’s influence, and not only in Jazz, Swing, Blues, but in any form. Louis Armstrong’s influence is one of the most powerful that has ever been, and may ever be.
Nps.gov states that some of the greatest musician in America History has come from the jazz side of the world. Artist such as Louis Armstrong, Billy Holiday and Jelly “Roll” Morton, pave the way for jazz to reach its height as it did in the early 20’s with the upbeat tempo and smooth classical sound. These artist brung a unique sound to jazz that was not there. Louis Armstrong contribute to jazz is so remarkable, he played the trumpet like no other. His sound was so soothing to the ears. When you think about jazz, Louis Armstrong is one of the first names most people relate to jazz. Jelly “Roll” Morton was probably the most influence artist there is. An innovative piano stylist and composer, began his odyssey outside of New Orleans as early as 1907. He continue his work throughout the 1920’s and was mainly consider the reason of the swing era.
At the mention jazz music, that person will first think of is likely to be a great figure with a clown image, nicknamed Satchmo. The man was Louis Armstrong. He is a husky singer, often with a trumpet in his hand. He played dramatic works of simple structure in Orleans jazz style and with the accompaniment of Dick jazz music. Each of the books on jazz music will mention his name. Louis Armstrong was to jazz music what Bach is to classical music, Presley is to rock music (Berrett 230). This essay will have an introduction of the king of jazz music -- Louis Armstrong and his great influence on jazz history.
Louis Armstrong was the greatest of all Jazz musicians. Armstrong defined what it was to play Jazz. His amazing technical abilities, the joy and spontaneity, and amazingly quick, inventive musical mind still dominate Jazz to this day. Only Charlie Parker comes close to having as much influence on the history of Jazz as Louis Armstrong did. Like almost all early Jazz musicians, Louis was from New Orleans. He was from a very poor family and was sent to reform school when he was twelve after firing a gun in the air on New Year's Eve. At the school he learned to play cornet. After being released at age fourteen, he worked selling papers, unloading boats, and selling coal from a cart. He didn't own an instrument at this time,
There are a revolutionary of unique voices before the music formation in the contemporary art music. The feeling of the new art music has its foundation on a progression of works and spirituals of the past musical legendries including Billie Holiday. Before her demise, Billie is noted to have had a flourishing career as a jazz singer. Meanwhile, she is still known as one of the singers who has had a significant influence on the history of Jazz music. Her legacy is re-stated in the music landscape in ways that prove her as a reflection of the foundation of the major transformations in jazz and the whole American music.