How Did Maggiore Church Survive?

The high-class life in Palladio’s buildings became a standard and was not viewed as anything peculiar or out of place. The reason why this way of life was widely accepted was that Italy in 16th century was not spiritual nor moral, it was political and

One of the world’s most famous architects and engineers was born in the Italian city state of Florence sometime in 1377. Although he had a huge influence on building design and construction, and on art, we don’t know a lot about Filippo Brunelleschi’s early life. Nonetheless, he left buildings and artwork that still exist today, and he had two biographers who provided information about his work, from these we can learn a lot about this Renaissance genius. His most important work, the ll Duomo di Firenze (the Dome of the Florence Cathedral), was finished in 1436 and remains as one of the greatest symbols of the period. Before he started building this revolutionary structure, Brunelleschi studied the architecture of Roman buildings and monuments.

Michelangelo Merisi; also known as Caravaggio was a historical painter that can be traced back to Northern Italy. He was born on September 28th, 1571 in a town called Milan. At an early age, Michelangelo would flee with his family to Caravaggio to escape a plague that devastated their hometown. This was a major aspect in his life as he would soon be known by that name. Both his father and grandfather would pass away there just a few years later, coincidentally on the same day. It is believed that his family had close connections with the Sforzas which were a ruling class group in Italy at the time. They ended up playing a major part in the following years. Merisi was a man filled with intersecting personalities. During his early ages, he was a well trained painter.

Andrea de Pozzo, born in 1642 in Trento, Italy, was a famous Italian Jesuit painter, architect, stage designer, and art theoretician of the late seventeenth century. Pozzo specialized in ‘quadratura’and ‘di sotto in su’ techniques; a system of perspective where the focal lines start from the corner and meet each other at the center of the piece. At the age of 17, his father sent him for artistic training under Palma il Giovane. In 1662, he trained under an unrecognized painter from the workshop of Andrea Sacchi, who taught him the techniques of Roman Baroque art. As devoted Pozzo was to his art, he was just as devoted to the church. In 1675, he designed frescos for the church of San Francisco Saverio in Mondovi. Some of his contribution to the church also included ceiling paintings. Pozzo established a strong reputation ceiling he painted in the Church of St. Ignazio which was known as the Glorification of Saint Ignatius (or Nave Fresco).

The Church of San Vitale is an historical building that should be considered to be turned into an art museum. The building itself is very beautiful on the outside and having replica of this building would bring beauty and individuality to Stillwater. This oddly shaped church that was built in Ravenna, Italy over 1,000 years ago, should be considered to be used as an art museum.

When he was young, he worked as an apprentice to a local sculptor. As time went on, he eventually left Padua and moved to Vicenza where he got a job as a mason. It was while Palladio was living and working in Vicenza that he eventually met Gian Trissino, who later was the one who took him on his first trip to Rome. Andrea Palladio gained most of the inspiration for his future works from his trips to Rome. The Roman style that Andrea admired so much can be seen when looking at the work that he did reconstructing Vicenza. Every villa and public building had some aspect of the classic structure that Rome was known

Andrea Palladio was one of the most distinguished figures in western architecture.  Palladio was born in Venice, Italy into a prominent family. His parents wanted him to go into politics, but from an early age Palladio shifted to architectural interests. He began to sculpt as a preteen then became a bricklayer for a stone mason. As a young adult he became a stonemason and specialized in monuments and decorative sculptures. His first big break was when he worked with an renowned architect to renovate an Italian villa. Over time he became trusted by his superiors and eventually became promoted into bigger jobs until he became the lead architect in the project. Because Palladio was respected by all, everyone would listen to his ideas with an open mind. What made Andrea Palladio’s work so influential was that he connected the past with the present and his buildings were in synch with nature. Palladio wrote a

Every king, queen, knight, serf, and soldier lived and died under the influence of the Catholic faith. The Catholic Churches in Rome played a huge part in the Middle Ages because Catholic Churches were the only churches in Europe during that period of time, they had large amounts of help from the Popes, Bishops, Saints, and the Cardinals, as well as the formal structure of the church.

In 1516 Titian worked on his first huge project for a church named Santa Maria Gloriosa dei Frari in Venice. Titian's style was Renaissance, Italian Renaissance, and High Renaissance.

During the middle ages the power and the influence that the catholic church had was very big, and like always, too much power without control leads to corruption.

The early church started after Jesus had resurrected and ascended into heaven. There were three specific things that made the churches different. First, separation from the world. Second, unconditional love. Third, childlike obedience to the teachings of God. here are the differences from the Early church and the Modern Day churches.

He uses a mature and symmetrical design in his work. All these great trades he is capable of, give him a high advantage. Not only does he build with a creative a mind but physically has attained the skills to put them to life. Some of his most influential and famous designs were Villa Rotondo, The Convent of Carita, San Giorgio Maggiore in Venice and the Palazzo Chiericati. Palladio was also brain behind the Theatro Olimpico, who is of impeccable design. His sleek and simple designs appeal to people around the globe. Andrea is also the author of two famous books. One of them was The Antiquities of Rome, for the next 200 years it was of use for a standard teaching book. After that he wrote his second called Palladio’s Four Books on Architecture. This book informs readers on Andrea’s theories on

Again, this town was like stepping back in time with its ancient architecture and countryside views. It was also very rewarding to be able to visit it since it is a UNESCO world heritage site. One of the first sites we explored was the Duomo of Pienza. It it both traditional to that of renaissance architecture and nontraditional. It is divided into three sections which is a traditional facade but it has a Germanic style bell tower attached to it. Aeneas Silvius Piccolomini who later became Pope Pius II spent a lot of time in Germany and was inspired by their architecture. Of course the church is also beautiful within as well. There are five altar paintings within that were created by varying artists of the time. Also within the piazza there is Palazzo Vescovile and Palazzo Comunale. Palazzo Vescovile has a very plain facade with two rows of windows and was created as a place for bishops to stay who were visiting Pope Pius II. Palazzo Comunale is thought to be designed by the renaissance architect Bernardo Rossellino, who designed many of the town’s buildings, but was remodeled in the 1900’s. On top of the city being beautifully preserved, there was a celebration of Carnival going on in the main piazza. Pienza being such a small city, it was such an authentic experience that I am glad to say I

During the seventeenth century the church was still a dominating force in Italy’s society. This presence created an artistic style centered on religious works of art designed to teach and draw people into the church. This desire to inspire and draw on people’s emotions manifested in increasingly elaborate church decorations and paintings. This dramatic movement, or the Baroque movement was seen throughout the art scene not only in Italy but the north as well. Most agree that the Baroque movement can be perfectly demonstrated in the sculptures done by Bernini at the church of Santa Maria Della Vittoria in Rome. His dramatic marble statues of angles, saints and biblical characters captures your attention and imagination.

In 1498, Michelangelo relocated to Rome, where he caught the attention of another cardinal, Jean Bilheres de Lagraulas, who was also a representive of the french King Charles VIII to the pope. Michelangelo during this time created his “Pieta”, which is now presently in the St. Peter’s Basilica, in Vatican City