How Did Michelangelo Change The World

    Michelangelo's plays a huge role in the way that art was created during the Renaissance and well into today's society. His painting allow historians to grasp on to many more ideas that were expressed during the Renaissance. He is still one of the most talented human beings to walk this earth. There has been very few that have accomplished what Michelangelo di Lodovico Buonarroti Simoni has accomplished in the short life of a human

During this painting, Michelangelo didn’t have the drive he usually did, but when his greatest enemy, Perugino started to work on it with him, that drove him to another level. Michelangelo’s interest in portraying the human body, reflected how the people in this time period felt, and that made the people who viewed his art interested in his work. Also, his sculptures reflect how dramatic of a shift it was to the Renaissance Period from the Middle Ages, and shows how the

173) Michelangelo’s art brings out these humanistic ideas in human figures. He learns anatomy to show the beauty of the human form accurately even though it was forbidden. He says, “all forms that exist in God’s universe can be found in the human figure” (Stone Book 5, p. 291). This rebellion of the church’s views makes him great because he refuses to see humanity as evil. This portrayal allows his paintings to stand apart from many others. Also Michelangelo wants to create perfection in life through the arts to perform Gods will. He says to Spina, “I am fulfilling the law of Moses through an art form, to compensate for the spiritual degradation of Allesandro and his bullies” (Stone Book 9, p. 656). Michelangelo integrates the nobility of classical art by showing a form of Christian humanism by not replacing God but rather glorifying him: “If my soul is to be saved, it can only be through sculpture. That is my faith, and my discipline” (Stone Book 3, p. 170). In peoples search for God freedom of thought plays a huge role. Michelangelo’s soul searching to interpret the figures, his striving for originality of vision, and in the way he executes his work is practicing this freedom. It is said that

Catholicism by suggesting the certain standard of religious art capture the beauty of divinity and

Michelangelo is viewed as a person who is unlikely to complete any commissions. He is described as a character that has difficulties when it comes to relationship and love to engage in sexual relationship with the male counterparts (Michelangelo & Leonardo, 29). His character is tortured and shows the emotional burden associated with being different from the rest of the society or having genius creativity. The unique personality of the character is always celebrated but the society always views the person as an outsider. Leonardo’s character is portrayed in similar manner. He is a genius whose ability in painting, mathematics and engineering earn him a good reputation in the society. Like Michelangelo, he is also a bisexual and an opium addict. Despite his genius nature, the society views his superhuman abilities as strange and therefore sees Leonardo as an outsider (Michelangelo & Leonardo, 30). The master

Michelangelo contributed many things to our society, especially to us Catholics. He painted to roof of the Sistine chapel, created the ‘Madonna of the steps’ carving, ‘Madonna and child’ carving, ‘angel’ carving, and many more works of art. To name a few from the Sistine chapel, there is the most famous ‘creation of Adam’, ‘the first day of creation’, and ‘ the prophet Jeremiah’. He also helped to create some amazing works of architecture, for example: laurentian library, and saint peter’s church. Without him, we wouldn't have many beautiful works of art!

Both men lived lives full of art, intrigue, and philosophy, devoting themselves to the betterment of mankind. Doctors, engineers, poets, architects, and artists alike have all drawn inspiration from these Renaissance men. While many today will simply call them artists, I believe they were much more than that. Men of conviction, honor, and dignity that always challenged the best from themselves. As men, though, they suffered from weaknesses that many others have fallen to. Leonardo had a poor attention span, and often would put off a project to work on other things. Michelangelo was known to have a short temper, and would become extremely aggressive any time he was tested. Sometimes we like to look past the weakness of those we look up to, as a way of making them out to be a god. To do this only taints the legacy of men like Leonardo da Vinci and Michelangelo. As strong minded people, they both understood their own humanity and weaknesses, and used these weaknesses to propel themselves forward. Leonardo though unable to stick to a project, always wrote down any ideas he had, knowing that they could be used for more than just blank space. Michelangelo concentrated his aggression to always finish his projects, and do so to the best of his ability without flaw. They never let their weaknesses stand in their way to greatness. Nowadays, we can take more inspiration from them than just their art and inventions. We can continue to live like they did, never letting a weakness stop us from reaching our goals, but using that weakness. Using something meant to cause us to stumble, and creating something else out of it. Creating something absolutely beautiful, and new to this

Known as a successful painter, sculptor, architect, and poet, many believe that Michelangelo was the most famous artist during the Italian Renaissance. Michelangelo was born Michelangelo di Lodovico Buonarroti Simoni in Caprese, Tuscany, on March 6, 1475. His mother and father had five sons and he was the second child. Michelangelo’s father was in the banking business and realized when his son was only 13 that he was not interested in education and was continually watching the painters at nearby churches. (Bio.com)

Augustine, who played a primary function in Michelangelo’s very own improvement as a writer. “Of Michelangelo’s major assets it's far Petrarch who most encouraged him in his critique of neoplatonism as well as of the schematic idealism of the scholastics.” (Mussio, 347) Mussio describes how those two unique authors triggered conflicts in Michelangelo’s ideals because of their very distinctive writings. Michelangelo turned out to be incredibly exceptionally intrigued by the standards of the neoplatonic devotees of the age. He advanced a strong interest in Petrarch’s writings given that they have been so heavily centered on this philosophical perception.

Therefore one of his grammar school friends Domenico Ghirlandaio realized this and introduced him to the painter Domenico Ghirlandaio, his father soon realized he had no interest in becoming a banker, therefore agreed to apprentice him to the fashionable Florentine painter's workshop. Only after a year Michelangelo was offered an extraordinary opportunity to study classical sculpture in the Medici gardens.Michelangelo fled to Bologna after the death of Lorenzo the Magnificent’s death, where he continued his study.In 1495 he moved back to Florence in 1495 to begin work as a sculptor, modeling his style after masterpieces of classical antiquity. In 1498 he moved to rome where he got commissioned by Jean Bilhères de La Graulas, a representative of the French King Charles VIII to the pope, where he did the statue pieta. Upon completion he moved back to Florence where he was now seen as a prominent figure in the art industry, soon after he moved back he started work on the statue of david.After this he really blew up getting asked to do works such as decorating the ceiling of the Sistine Chapel and the creation of adam. After a brief illness, Michelangelo in 1564, coincidentally he is one of the only artists during this time to see the popularity of his art during his lifetime. Even though these two have different ways of achieving the point they are today, there's

Contrastingly, Michelangelo’s figures all seem unified as if their concern was not only for themselves but for all of mankind. Michelangelo’s rising figures generally look toward Christ in redemption and salvation.

In addition Michelangelo had deep faith in god, which he saw in the human body. He therefore was disinterested in sculpting anything but the human body. (Hartt 609) He would try to capture the human spirit in his sculptures, and try to make them look perfect, which even he could not fully comprehend. However he rarely ever finished his sculptures.

MichelAngelo is one of the most famous Renaissance artists in the world. But where did he get this brilliant mind? Did MichelAngelo hate his mentors for some of the things they did? MichelAngelo’s early art pieces explain much of his relationships with the Medici.

All of Michelangelo’s artistic manifestations, be it strict artistic creations or poems, shows us what he intended and believed as a whole. For Michelangelo you could not separate the fact that he believed in God from the images he had to portray, but this was also a product of his time as he lived in a territory ruled by the Vatican. The work done by Michelangelo during all these years are a testament of his own resilience, and this he also wrote about in a veiled manner when he depicted himself as stone that was transformed by fire: “So friendly to cold rock is the inner fire That if, drawn out therefrom, it circumscribes, Burns it and breaks, in some way it survives, Itself a bond for others, fixed forever.

Though Michelangelo had a brilliant mind and a tremendous amount of talent, he also had a belligerentious personality and a quick temper. This not only got Michelangelo into trouble but it also created a dissatisfaction in his perspective for the artist, who constantly strived for perfection. This caused him to occasionally