Clarisse and Mildred both have similarities and differences. The first similar point between them is that they are female, and they catch Montag’s eye on some level. He marries Mildred, but later becomes good friends with Clarisse. The second one is that they all significantly influence Montag a lot in the novel. It is Clarisse that prompts the man to question his profession, his state of happiness and life as a whole. Montag then begins to read books and think, he sees the world from a new angle and he wants to fight for change. Mildred, on the other hand, reminds Montag of how shallow and empty the world has been turned into because of the brain controlling information conveyed by the walls to which the majority of people are slaves. Mildred’s
Montag’s Wife, Mildred, is a negative influence on him, trying to push him away emotionally and physically. She does not know who she really is and lives in an illusionary world with her obsession of television shows and believing they are real. He is so confused because she tries to ignore it ever happened thinking about all the bad things; “fire, sleeping tablets, men disposable tissue, coattails, blow, wad, flush...Rain. The storm. The uncle laughing...The whole world pouring down..." (19). After this incident he looks at Mildred in a different light and is someone who he can’t relate to. Another way she separates herself from Montag is through her "family", which is a television show. Montag constantly asks Millie “[if that] family loves [her]… love [her] with all their heart and soul" (83). Her world isn’t based in reality; they are clearly on different paths. Hers is one of illusion and his is becoming that of a totally self-aware person. She blocks everything and everyone out that is around her and lives within the show. Mildred opens Montag 's eyes to the real world and shows him that most people are uncaring and narcissistic.
A difference between Mildred and Clarisse is their polar opposite personalities. Throughout Fahrenheit 451, Mildred is a very selfish, conceited woman. This is shown when she talks about herself to Montag. “He opened the book. ‘That Favorite Subject, Myself’ … ‘I understand that one,’ said Mildred.” (Bradbury 72). Mildred's comment exemplifies her conceited attitude toward herself. She dislikes books yet chooses that one to relate to. In contrast to Mildred, Clarisse is a selfless, caring girl. There’s a lot of examples of Clarisse being selfless, but a big one is when Montag talks about her to Mildred. “But Clarisse’s favorite subject wasn’t herself. It was everyone else, and me … She was the first person I can remember who looked straight at me as if I counted.” (Bradbury 72). Montag explains Clarisse's selfless side very well. He knows from experience that she loved others more than herself. These two contrasting examples prove that Mildred and Clarisse have different personalities. But, personalities aside, they have differing values as well.
It’s also stated that “Clarisse has no taste for the advanced technology her society has come to depend on, and thus represents the antithesis of Millie, Montag's wife” (Fahrenheit 451 Characters).” Clarisse being a social outcast and different from most individuals he associates himself with causes him to become interested in her as an individual, in return bringing upon change within Montag as well. A pinnacle moment within Ray Bradybury’s novel was when right after Guy Montag and Clarisse spoke in regards to if he was in love, he came upon the disturbing realization that he and his Mildred Montag (his wife) could not remember where it was they first met. This in return caused Montag to feel grievance in the fact that he considered the possibility that he did not love Mildred like
Clarisse is eccentric to this particular time; shes vigilant to what others are not, such as “There’s dew on the grass in the morning,” (Bradbury 9), to which Montag was unaware of before she spoke out. Mildred comparatively, notices next to nothing, and the few times in which she does, her observations usually depict only the most visibly obvious things, as in “You acted funny last night,” (Bradbury 49). When Clarisse observes with great meticulousness, she delves into great depth and detail about it, never pausing for a breath, whereas Mildred analyzes something and soon after almost involuntarily disregards the idea.
Clarisse is one of the characters who influenced Montag by showing her own world. Clarisse remind Montag the fireman’s real job. Clarisse said ‘”strange. I heard once that a long time ago houses used to burn by accident and they needed firemen to stop the flames”’ (pg 8). Clarisse is the one of character who read a book in conflict read society. She confused Montag on
Montag is sick, physically and emotionally. Realizing his wife would rather watch TV than care for him; that the world is an empty, cruel place; and that there are things out there which are worth dying for makes him even more so. Technology starts to become a main influence on the actions of the people in society. Montag’s wife, Mildred, is said to have “lost herself in technology”. She confines herself in the living room of the couple’s house to three life-sized television screen walls. These walls speak to her and hold conversations with her more than actual people do. Mildred yells at Montag for turning off her “family”. Montag is her husband, but Mildred relates fictional programmed characters to her only family. The issue of technology technically brainwashes the people of this science fiction society. People believe that if technology gets more advanced it would end society because people would probably forget about everything. Bradbury thinks that with technology surrounding us, people will stop reading books. If people stop reading books they will forget about things that are extremely important, which include history, how and why people act in different ways, how life began, and other things that are important today but with technology they are going to fade away. Another thing that could happen if
Montag desperately tries to convince Mildred that books would be the start to end their internal suffering, but she is unwilling to alter her view on her lifestyle. He tries to show her that how they are currently living is not good for either of them. When Montag is convincing Mildred, Mildred’s inability to realize the positive change books would have on her causes her and Montag’s relationship to end. “See what you’re doing? You’ll ruin us!
It was everyone else, and me. She was the first person in a good many years I’ve really liked. She was the first person I can remember who looked straight at me as if I counted. (68.)” I think that this quote means that Montag and Mildred don’t have a lot in common and he liked Clarisse better. I also think that it showed that Clarisse is different from others. Through Clarisse, Montag has learned things about himself that he didn’t know.
In conclusion, Montag and Mildred is very different in not only one way it is way more than just one
Mildred Montag is the prime example of a conformist in the dystopian society portrayed in Ray Bradbury 's book, Fahrenheit 451. She thinks in the simplistic manner that people like her are conditioned to, and she 's married to a fireman, who plays the largely important role of burning books in this society. She spends her days watching the television screens in the parlor and her nights with Seashell Radios buzzing in her ears. At first glance, her life of all play and no work might seem relaxing and blissful. However, it eventually comes to mind that all of her bliss is derived from her use of technology in order to escape from reality. Even then, it will become apparent that Mildred is not actually blind to reality and that her happy
Therefore, through books, Montag becomes conscious of the monotony of his previous life, and now rebels against the very foundations of his society. Due to this intellectual illumination, Montag begins to acknowledge the details of the world around him, details he had once ignored: ‘”Bet I know something else you don’t. There’s dew on the grass this morning.”’As enlightenment dawns on Montag, he finally begins to realise the power within books (i.e. they hold the key to power through knowledge) and this is his ‘crime’ against society: ‘There must be something in books, things we can't imagine, to make a woman stay in a burning house...’ Despite his newfound interest, Montag is still struggling to understand the concept of literature. Once again however, Montag is pushed in the right direction by Professor Faber. Under Faber’s guidance, Montag recognises that ‘There is nothing magical about [books] at all. The magic is only with what books say, how they stitched the patches of the universe together into one garment.’ This quote exemplifies the fact that although books are the combination of mere ink and paper, it is the beliefs and the knowledge within a book that are so incredibly powerful.
Clarisse says, “I tell them that sometimes I just sit and think”(21). Finally, Montag is made aware of this simplicity. When he is trying to find happiness himself, he remembers that Clarisse finds contenment through siting, observing and thinking. Montag begins to notice that his wife is a foil as she had never done either one of those things. Bradbury supports Jameson’s quote of happiness by showing how Mildred is suicidal and has no connection with people and her only connection is with her “Family” in the walls on Television. Montag begins to find himself and starts to realize that he really doesn’t care about Mildred, that she is an empty vessel. Later in the book Montage feels a stronger connection to a girl that he has only spoken to a handful of times versus his own wife whom he is suppose to have a strong connection. When Montage almost died by getting run over he says, “I wonder if they were the ones who killed Clarisse! He wanted to run after them yelling. His eyes watered.” (114). Montag knew Mildred for years yet he realizes that when she leaves him she will never miss him or mourn him; Montag feels closer with Clarisse as marvels at her idea of happiness. Montag starts to develop deeper feelings about thoughtful people like Clarisse. He would cry for this girl he barely knew more than he would for his own wife whom he felt no connection to.
Montag feels at the begining of the novel that the communication is greatly lacking in society. People are becoming very ignorant and turning reallife realationships aside. They now turn to their "tv families". One victim of neglecting real life realtionships is Mildred, Montag's wife. Montag truley hates this. "Nobody listens any more. I can't talk to the walls because they're yelling at me. I can't talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk long enough, it'll make sense. And I want you to teach me to understand what I read." (2.125). Montag hopes that his wife and him can rejoin their connection through the books, but is sadly wrong and must find some one else, Faber.
Clarisse tells Montag this, and it makes him wonder if anyone really does care. Montag realizes that he lives in a world of conceited people. He realizes that he does not really care about anyone, including his wife Mildred. People in his society don't think about others feelings when acting. From this, Montag learns the meaning of caring. He learns what a terrible place it is to live in, where no one cares about anyone but themselves. This only changes Montag for the better. At one point, Montag and the other firemen go to a house because a lady has books concealed in her home. The lady, not concerned about being burned to death, is determined to stay with her books. Montag is stunned by her decision, and cares very much about her safety. “Montag placed his hand on the woman's elbow. 'You can come with me'” (Bradbury 39) This is a turning point for Montag, in which he starts to care about everyone and their feelings.
First of all, Clarisse has a major impact on the development of Guy Montag. Clarisse is a young high school girl who enjoys nature. She happens to be neighbours with Guy Montag and his wife, Mildred.