How Did Paris Change Throughout The 19th Century

In late 19th century Paris, cafés-concerts (best described as “glorified beer halls” (Clark 206)) were a very popular destination for the people of Paris. Cafés-concerts became an integral part of Parisian social life, as they were visited by hundreds of people each night, regardless of class. A bar at the Folies Bergère became the topic of Edouard Manet’s last painting, as Manet tried to portray the new, “modern” Paris, and the introduction of mass production during this time. A Marxist art historian, T.J. Clark finds this particular painting important because it revealed a lot about the new, modern Paris, and Manet’s intentions with the painting. Clark focuses more on the emergence of the new social class during this time, and how this affected the role of women in Paris. The painting, A bar at Folies Bergère, has historical significance because of how it depicts modernity in the context of the emergence of a new social class (the petite bourgeoisie), the introduction of mass production, and the changing role of women.

France during the 18th century, was a country of great progress of society and established Paris as an urban powerhouse. When talking about the causes of the French revolution, many will point to a variety of factors that they believe to have been the root cause of the ordeal. Some might focus on the growing number of the farm employees who were contracted to keep order in areas of business, some might focus on the blurring of class lines that occurred in France as new venues of income transformed every portion of society, and some might point to implementation of these unfair taxes that were placed on the people to repay debts that had been occurred in previous administrations. The ideas previously mentioned played a key role in the development of revolutionary Paris and many other topics that weren’t mentioned also played a critical role in the changing of France, but arguably the most significant of these causes was that of the desacralization of the French monarchy and how aspects such as literature and secularization would lead to the eventual downfall of the once great colonial power.

In the late eighteenth to the early nineteenth century, France was undergoing major changes. Before the French Revolution, France was experiencing political, social and economic problems. During this time period France was unstable, and wasn’t able to keep up with the new arising Enlightenment ideas. In addition, there were high taxes, unequal power distribution and social inequality. The French Revolution not only impacted the citizens of France, but people from other countries as well.

The article did not contain much information and did not go into detail about each topic mentioned. The information was not very organized and some parts included extraneous details about the status of the building or landmark in modern times. It also included details about France’s modern industry. These again were irrelevant and unnecessary details that did not aid in the research of the topic. The database itself was difficult to navigate. The articles it presented for the topic were irrelevant and the content of the articles did not provide adequate information. The article was taken from Funk and Wagnall's New World Encyclopedia. This encyclopedia is used in many different databases and is considered to be a reliable source. It contains over 25,000 different records of various subjects. However, there are many others websites and sources that provided the same information in a more organized, detailed manner. Overall, this source was not beneficial to the research of eighteenth century France and is not recommended for other

During the nineteenth century, Paris further developed into the entertainment capital of the world. Alistair Horne, the author of the Seven Ages of Paris, vividly illustrates several historical moments that occurred in Paris. Through the horrors and triumphs, Paris was able to endure through it all for ages and still emerge greater than before. In comparison, Vanessa R. Schwartz, the author of Spectacular Realities: Early Mass Culture in Fin-de-siècle, demonstrates how the explosive popularity of the boulevard, the newspapers, wax museums, panoramas, and early cinema led to the creation of a new culture in Paris. Driven by consumerism, a cultural revolution was happening, who’s new culture transcended gender and class divisions. Both authors

During Flaubert’s lifetime, the Revolution of 1789 and the autocratic reign of Napoleon were recent memories. With the revolution came the end of the feudal system and a rise to a new group: the bourgeoisie. This group was made up of merchants, capitalists, and other professionals who did not inherit their fortune and were not born into the nobility. Emma and her husband belonged to this group. Her disappointments in life stemmed from her dissatisfaction with the lifestyle of the French bourgeoisie. She aspires to be a part of the aristocratic lifestyle of the nobility; a lifestyle more sophisticated, refined and glamorous than her own. The bourgeoisie craved the same treatment as the nobility, and were constantly attempting to exhibit their wealth creating tastes that were often characterized as gaudy. As a member of the educated elite with inherited money, Flaubert despised the moral conservatism, rough manners, and unsophisticated taste of this new class. Frustrated by the mediocracy of rising middle class, Flaubert uses Emma’s disgust with her lifestyle to convey his own dislike for the bourgeoisie. Emma felt the full suffering of the middle class as "the appetites of the flesh, the craving for money, the melancholy of passion, all blended together in one general misery” just like France’s

In the modern Paris, society is divided into different classes of people, different jobs, and different features of modern life. The Belly of Paris, written by, Émile Zola is about a man named Florent who was wrongly put in prison from Louis-Napoleon’s coup-d’etat. He escapes from prison and returns from the countryside to find an unrecognizable Paris. The Belly of Paris describes the class differences in the 1870s - there is the bourgeoisie, which is defined as the middle class, typically with reference to its perceived materialistic values or conventional attitudes; the capitalist class who own most of society's wealth and means of production contrasted with the lower working class. By portraying and describing characters as the food

In many point of views the French Revolution is one of the greatest events in world history. In a matter of speaking, it is a turning point especially for French society, but the contested question is what was it like to actually live in the French Revolution? Peter McPhee, the author of the book which the article of this review derives Living the French Revolution 1789-1799, which was published in 2006, discusses what life was like in the French Revolution from 1789 to 1799. McPhee describes an expansive history that explores the experience of the people of France's villages and country towns, revealing how the revolution had a dramatic effect upon their lives.

This book is divided into nine chapters, from the Ancien Regime to the Thermidor and the Director. There are essential maps with the years and the page number, such as France in 1789. France were divided between Pays D’états such Rennes or Toulouse and Pays d’élections such as Ile-de-France or Normandy. Also, there were seat of parlement all around the coast or borders. Neely gave us a list of important figures in the French Revolution such as the Jacobins Club or Robespierre.

“Le Cygne” is a poem by Baudelaire, published in the “Tableaux parisiens” of “Fleurs du Mal. Between 1853 and 1870 the city of Paris underwent vast amounts of renovation by order of Napoléon III. It included the destruction of many poor and unhealthy old neighborhoods to be replaced by avenues, parks, squares and large boulevards. Many of the writers at the time where unhappy with these changes and “Le Cygne” can be read as Baudelaire’s reaction to these changes which make him feel alone and lost in this new city. In my commentary, I will suggest that Baudelaire attempts to create a virtual encyclopedia of exiled individuals, and thus have felt similar emotions to that of Baudelaire’s response to the changing city. The poem is also dedicated to Victor Hugo, who at the time of the poem was in exile on a channel island. I will first try and explore the meaning behind the different stories in the open. I will then try to understand how each of these stories share a certain type of parallel or similarity in the terms of the emotions felt, and finally what the main themes of the poem are altogether.

Despite Henri IV’s assassination in 1610, Paris continues to build urban forms that exemplify Paris as the unified head of France and the role model of French standards. The land along the edges of the Seine is revitalized, which, in turn, promotes the building of bridges

exhibition of his longing for the familiarity of Paris and the sanctity of his past, a

In Charles Rearick’s book, Paris Dreams, Paris Memories, he describes the various ways in which Paris is “represented” through various images he identifies as the City of Light, Old Paris, the Capital of Pleasures, and Paname. Rearick further writes how and why these images of Paris came of importance and how they shaped the geographical layout of the city we know today. All of these images together have likewise produced the city of Paris while also providing the framework of Parisian events and experiences.

Post-revolutionary Paris should be an entirely different society than pre-revolutionary Paris. In many ways it is, but the result remains the same: the innocent man is still “proven” guilty. The common people have the power now, but that power does not result in good reasoning. In the socialistic society of Paris, there are two ways to rule. In the first way, the people rule themselves with a mob-like mentality. In the second a ruling elite rises to the top by taking a populist approach and manipulating the people. A

In the 18th century, European society put an emphasis on social standing; each social class was expected to act differently, thus affecting the way one would get treated and the amount of opportunities available to them. In Flaubert’s Madame Bovary, food imagery and the way each character acts towards food reveals the distinctions between the various social classes and, more importantly, the mediocrity of the French bourgeoisie. However, Flaubert chooses not to focus on all of the social classes, but solely on the characteristics and mannerisms surrounding the middle and the high classes. Revolving the novel around middle-classed characters who represent the middle class, Flaubert criticizes the bourgeoisie through their desire to escape