How Did Poe Go Back Into His House

Poetry has long been an art form that has entertained readers for many years. Edgar Allen Poe, a poet from the 1900’s, is known for his deep dark poems. He wrote many poems that are now considered classics. One of his greatest works, “The Raven”, was written in 1845; just two years before his wife Virginia Clemm died of Tuberculosis. The entirety of “The Raven” is confined in a man 's chamber. It is a December winter and it is midnight. The narrator, the person who resides in the chamber, is reading a book: glooming over the recent death of his wife Lenore when he hears a sound at his door. After finding no one there, he hears a whisper that says “Lenore.” He returns to what he was doing, but a bird flies in. The bird is a black raven, a bird one would typically find menacing. He is inquisitive and begins to ask the bird questions : “What is your name” to which the bird responds “Nevermore.” Near the end of his questioning he asks, “Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore - Clasp a rare and radiant maiden, whom the angels name Lenore?” This questioned if he ever get to meet Lenore again and the bird replies “Nevermore.” Finally, the man asks the bird if he will ever leave and once again the bird replies “Nevermore.” Throughout the poem, Poe uses literary elements to produce an aura of wackiness and despair.

paralleled with Poe's own grief regarding the death of his wife. Confined in the chamber

Through the use of an un-named narrator in his poem entitled “The Raven”, Poe darkly conveys feeling understood by many: hopelessness, lost love, and death. The poem follows the un-named narrator, as he reflects on, as well as struggles with, the realization of his lost love, Lenore. Like many, he tries to detract his overwhelming feelings for Lenore by investing his time in studying books. Despite his greatest efforts, he is unsuccessful. Much to his surprise, his solitude is interrupted by an unanticipated visitor. Throughout the poem, Poe uses imagery, tone, symbolism, and rhyme as a means of conveying his overall themes of undying devotion and lingering grief.

“But evil things, in robes of sorrow, Assailed the monarch’s high estate;” Poe’s palace has suddenly been invaded by the “evil things,” that can easily stand for macabre thoughts and unpure desires. He then pauses to “mourn” over the “desolate” landscape that’s never to return to its once “stately” place in the first stanza. The “glory” soon disappears from the palace, that is now nothing more than an old past memory that is “entombed.” The mind has now become troubled and amoral to the narrator a place that can never regain its past life.

The narrator could distinguish fantasy from reality. This is visibly true for the narrator, because the he states, “When the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept” (Poe, 1843, par. 3). This demonstrates that he was fully aware of what he was doing at night, even being bold enough to ask the man he was stalking how his night was. His attitude also shows that he

The poem, “The Raven,” written by Edgar Allen Poe shows the deep depression and confusion that the narrator is experiencing since the death of his beloved wife. The gloomy setting of the poem predicts the visit of the Raven, whom is a sign of misfortune, darkness, and death. Throughout the poem, the narrator is continually mourning his wife, Lenore. He secretly hopes that the Raven will bring good news regarding his wife and his future; however, the Raven informs him that he will forever remain depressed. Furthermore, Poe uses setting, strong word choice, and symbolism to illustrate the Raven as the messenger of darkness and explain the narrator’s emotional state.

One night, as the narrator is lying in his room, he finds himself incapable of falling asleep. Edgar Allan Poe writes, pertaining to the narrator, “I struggled to reason off the nervousness which had dominion over me.” As the narrator lay there, he found that he felt he should try to sleep no more. A moment later Roderick Usher

Lenore’s absence also furthers to another absence that mimics the human’s incapability to know and understand what is happening (Freedman). Along with darkness, Poe uses a vivid language to achieve his single effect. Poe arranges time, place, and other details rapidly and clearly. He chooses each word carefully and requires that its meaning relates to the poem as a whole. Stanza 2 enhances and distinguishes the vivid effect Poe has already made (“Edgar Allan Poe” 52). “The Raven” is narrated from a first person tone which has a tone in the language of sorrow, weariness, and self-destructive thinking (Edwards). The contradictions of the poem and also the reflections that haunt the speaker are mostly unavoidable circumstances of the language that Poe chooses. Poe uses phrases such as “dying embers,” “Midnight dreary,” and “in bleak December” to agonize and satiate the reader’s view of the setting. These carefully chosen words assume intriguing and fascinating shapes and forms in the poem. These opening pictures help draw the readers into the speaker’s deteriorating mind. The tone of the poem is appropriate and well chosen for the subject, and the rhythm is also exquisite. Poe, with this tone and rhythm, uses wild but also tender melancholy in his lines. Mr. Willis claims “It is the most effective single example of fugitive poetry ever published in this country, and unsurpassed in English poetry for subtle conception, masterly ingenuity of versification,

The main themes of Edgar Allan Poe’s works are death, perversity, revenge and destruction. The settings he employed in the given short stories, especially in The Fall of the House of Usher and The Black Cat are Gothic. Therefore, naturally the mood of these stories would be dark and sepulchral. However, this is not a trivial employment undertaken to put the reader in a certain kind of zone.

To begin with, Poe is the speaker in the short story, he tells the story as if he is proud. For instance, the speaker states,” But you should have seen me. You should have seen how wisely I proceeded - - with what caution - - with what foresight - - with what dissimulation I went to work.” (Poe 1) A

Solitude has made the speaker so uneasy that he is even "uncertain" about the "rustling of each purple curtain" (line 13).  Anyone who has spent time alone in a house at night knows this feeling.  His heart pounds as the curtains move, and now that some unknown force is knocking on the door he is even more terrified.  He tries to calm himself down by repeating that it is only "some late visiter" at his door and "nothing more" (lines 17-18).  The speaker has to gather all his courage just to investigate and greet his guest.  When he greets nothing but a dark space beyond the door, his mind races to conjure frightening "dreams no mortal dared to dream before" (line 26).  In his fright, he might have imagined it to have been a ghost, or someone with ill intent lurking in the shadows and waiting to catch him in surprise.  According to Edgar Poe in "The Philosophy of Composition," the character even possessed "the half-fancy that it was the spirit of his dead mistress that knocked" (1677).  This is seen as the speaker calls out the name of his beloved Lenore (lines 28-29).  That is the only positive possibility considered, and others, such as a caring and concerned friend, are not considered at all.  His isolation and depression have left him with nothing but negative feelings in every aspect.  These feelings include paranoia - the feeling that something or someone is out to bring one harm, as seen in the thoughts swirling in the

This man suffers, as many have, from the pangs of a pierced heart. He has been left alone after the death of his only true infatuation and has undoubtedly found that, contrary to the old adage, it is not better to have loved and lost than to never have loved at all. The “rare and radiant maiden whom the angels name Lenore” (95)- in fact a type and shadow of Poe’s own young bride, who at the time of this poem’s publication was suffering from fatal attack of tuberculosis- was no longer at his side, and our story-teller wonders if, however impossibly, he would ever clasp her to himself again.

It shall clasp a sainted maiden whom the angels name Lenore.” In other words, Poe is asking if he will ever again be able to his wife. From a depressed person talking about another depressed person, everything takes on different meaning when someone is depressed. Pictures, places, smells, sounds, voices of loved ones; they all remind us constantly of what was lost and will never be found again. It feels like random occurrences happened just to remind, torture us of the pain. The narrator heard the raven say “nevermore” frequently and interpreted it differently until he settled on the belief that it was referring to Lenore. Perhaps the “raven” symbolizes how Poe must deal with the day to day realities of someone suffering a great loss.

Although now seen as the father of the modern horror story, Edgar Allan Poe was previously viewed as a drunken failure. Within Poe’s writings much of his own life riddled with guilt, anxiety, alcohol, depression and death shines through resulting in works that appear unrelated yet once dissected prove similar. This is true for Poe’s works “The Raven” and “The Black Cat”. Poe’s examples of gothic fiction share the use of the color black and a rapid digression of the narrator 's sanity while seemingly unveiling Poe’s internal pain. Despite these similarities, Poe’s works also differ immensely. “The Black Cat” focuses around death while “The Raven” is fixed around discovering the reasoning for a bird 's arrival. Moreover, gothic themes seen within “The Raven” do not necessarily remain constant when compared to “The Black Cat”.

The setting presented in this story has a very dark and gloomy atmosphere which has been used as a technique to help outline the scene. It is set in the one location; a bedroom. Poe describes the room as being “black as pitch with the thick darkness,” which deepens the effect of terror. The night setting gives the text an eerie feel as it focuses on the horrors of night time. This horror creates a noticeable impact which is recognisable when the victim cried out “who’s there?” against the backdrop of frighteningly still silence. Ultimately, the way in which Poe’s story is set builds anxiety and fear in the reader.