During the reign of James VI, Reginald Scot wrote a book detailing his opinions on the witch hunting craze. The book was ironically titled The Discoverie of Magic despite what the content of the book. In his book, Scot explains how unrealistic he believes witches are. His whole book explains why he did not believe in the existence of witches. One quote from his book states his key argument: “If witches could do any such miraculous things, as these and other which are imputed to them, they might do them again and again, at any time or place, or at any man's desire: for the devil is as strong at one time as at another, as busy by day as by night, and ready enough to do all mischief, and careth not whom he abuseth” (Scot). Scot found it very strange …show more content…
The first time The Tempest was performed was in front of James VI and his court. This performance has significance because it already creates a connection between James VI and The Tempest. This also showed that Shakespeare was willing to have his play performed, where there the protagonist was royalty that recreationally used magic, in front of someone who was known for having people accused and killed for witchcraft. Since Shakespeare was usually commissioned by royals to write his plays and was an English citizen, he more than likely had an inkling that the play would first be performed for James VI’s court. This is not the only coincidence that proves Shakespeare based The Tempest, if only partly, off of James VI and his crimes against his own citizens. The first performance of the play was actually presented as a part of James VI’s daughter’s wedding ceremonies. “It was performed at court during the marriage celebrations of James I’s daughter Elizabeth, the future ‘Winter Queen’ of Bohemia, in 1613” (Cavendish). This is significance is in the fact that the two main characters in the play are an exiled king and his daughter. More than coincidently, Shakespeare’s main characters were a father-daughter duo. The Tempest was also one of Shakespeare’s comedies in that it involved little to no death and ended with a marriage (in this play’s case an engagement). The choice of a comedy that ended in an engagement for James VI’s daughter’s wedding ceremony proves that Shakespeare had more reason for choosing the play to perform to James VI than simply deciding to perform it because it was his latest creation. Shakespeare made a statement by performing The Tempest before a paranoid ruler who had ordered the murder of at least
Witchcraft was defined for the masses by the publication of the Malleus Maleficarium also known simply as the Handbook. Written by two Dominican friars in 1486 it’s purpose was to be used as a handbook to identify, capture, torture, and execute suspected witches. Opinions stated as facts and written in the Malleus Maleficarium, “handbook”, were based their faith, church doctrine, and the Bible. No doubt a religious masterpiece in it’s time this handbook is a neatly woven together a group of beliefs, experiences, wisdom of ancient writers, religious ideas, and God inspired writings that justify it’s purpose. Written by and used by Catholics this handbook proved useful for Protestants as well. Based on biblical interpretation and ideas the handbook provided Protestant Church leaders biblical authority to prosecute witchcraft as well. Translated into today’s vernacular phrases such as, “everybody knows that women are feeble minded” or “everybody knows that women are more superstitious than men” and “all women have slippery tongues” are included in the handbook and presented to the reader as foregone conclusions. Specific
Witch hunts blazed across Europe over the fifteenth to eighteenth centuries not just killing innumerable innocent people, but stripping women of much of the power they had once held, and changing society's perceptions of women all together. The economic hardships, religious rivalries, and troubled politics of the time made accusing your neighbors of witchcraft convenient. Where there was war and poverty, or merely bad luck, peasants would assume witchcraft and rush to blame an old, defenseless woman in trials which involved unbelievable cruelty and horrible sadism. As religion and the Catholic Church began to complement and perpetuate the increasing hysteria, European society as a whole could do nothing but
The evidence of witchcraft and related works has been around for many centuries. Gradually, though, a mixture a religious, economical, and political reasons instigated different periods of fear and uncertainty among society. Witchcraft was thought of as a connection to the devil that made the victim do evil and strange deeds. (Sutter par. 1) In the sixteenth, seventeenth, and twentieth century, the hysteria over certain causes resulted in prosecution in the Salem Witch Trials, European Witchcraft Craze, and the McCarthy hearings. These three events all used uncertain and unjustly accusations to attack the accused.
Were the witch-hunts in pre-modern Europe misogynistic? Anne Llewellyn Barstow seems to think so in her article, “On Studying Witchcraft as Women’s History: A Historiography of the European Witch Persecutions”. On the contrary, Robin Briggs disagrees that witch-hunts were not solely based on hatred for women as stated in his article, “Women as Victims? Witches, Judges and the Community”. The witch craze that once rapidly swept through Europe may have been because of misconstrued circumstances. The evaluation of European witch-hunts serves as an opportunity to delve deeper into the issue of misogyny.
In the 1680’s and 1690’s there was mass hysteria in New England over supposed witchcraft. The most famous outbreak was in Salem, Massachusetts, hence the name Salem Witch Trials. In Salem, there were young girls who started acting strangely, and they leveled accusations of witchcraft against some of the West Indian servants who were immersed in voodoo tradition. Most of the accusations were against women, and soon the accusations started to shift to the substantial and prominent women. Neighbors accused other neighbors, husbands accused their wives, etc. and it kept going on for a while. There was this nature of evil and the trials didn’t end until nineteen Salem residents were put to death in 1692, more importantly before the girls
The Tempest was Shakespeare’s last play that was written shortly after England colonized Virginia in 1609. Throughout the play, there are many different references to imperialism and colonialism within the characters. The Tempest analyzes the imperialistic relationships between England and America but applies it to personal human interaction between the central characters. The island gives newcomers a sense of endless possibilities like claiming the land for themselves because of the belief in the Great Chain of Being and the seventeenth century being an age of exploration. The idea of ruling a colony lured many people into the idea that having that kind of power over a large group of people is attainable. Master-servant relationships are
The 1486 Malleus Maleficarum set up the precedent for the witchcraft craze, which came to its prime in the mid 16th century, during the Renaissance period. Though the Malleus was not the only factor in this craze, as Margaret Sullivan notes, ‘it made no discernable impact… for nearly half a century’ , it, with a number of other social factors, provided a wealth of information to witch hunts and hunters. This treatise further established several of the basic ideas essential to the identification of witches such as the identification of witches as largely women; through the treatise’s continual argument that women were of gullible and carnal nature the text further advocated ideas of fear and hatred in regards to women.
There are countless different assumptions about witches. The majority of individuals in the sixteenth and seventeenth century presumed that God and Satan were real (Lambert 1). They also assumed that “witches” were in allegiance with Satan and made a vow to bow down and serve him (Lambert 1). Furthermore, another common belief was
In response to The Hammer of Witches and the papal bull issued by Pope Innocent VIII, major witch hunts broke out in Europe. Moreover, these were aided by new technology, the printing press, which helped to spread the mania, even across the Atlantic to America. It is not surprising that the witch hunt started around the13-15th century. During this time, Europe was overpopulated and in a poor condition with dirty streets, crime and diseases everywhere. There had to be a scapegoat for all of the mess which the church decided was witchcraft. A complex social matrix was created once an accusation was made: the accusers would try to prove the source of what had been troubling them, and ideally to gain control over that source by forcing her to back away and remove the
Before the 1500s, prosecution of witches was rare. Trials were conducted against those who were seen as suspects of “practicing harmful magic and occasional mass trials" (Bever, 2009, p. 263). These accusations were often made by children and that of their imagination. The decline; however, occurred not through the prosecutions but through its “suppressing roles” and the overall “decline in witch beliefs” (Bever, 2009, p. 285). The title of the article is “Witchcraft Prosecutions and the Decline of Magic” and it is written by Edward Bever. Bever is the Associate Professor of History, SUNY College at Old Westbury.
Due to these debates, it’s possible that Shakespeare has contemplated on the different views on colonization and decided not only to create the setting of the play on an island, but uses the storm in the first act as way to create excitement and danger and also to reference to the perils of the struggle of exploration. Also the title of the play is The Tempest which also hints how powerful the storms of the ocean are, that it can determine the fate of many people as seen in the play; and is relatable to real life events such as the one described earlier. The Tempest also reflect the concerns of the times such as the exploration of foreign lands and struggles for power and the colonization of lands as seen in the role of the characters in the play.
The century of 1550-1650, encompassing a portion of the reign of the Stuart Dynasty, has become known as “‘The Burning Times’ – the crazes, panics, and mass hysteria.” This time period has been recognized as the peak of “witch-hunting” and persecution of witches within early modern England and as well as Europe. By accusing certain outcasts of witchcraft within the villages, it often provided the common people of England a “logical” reason when trying to rationalize unexplainable events, such as a premature death or a bad harvest. This paper will display what sorts of people, mainly women, were being persecuted for witchcraft and the reasoning behind why these women were accused. Women at the time were viewed as more susceptible to evil,
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.
The island of magic and mystery that Shakespeare creates in The Tempest is an extraordinary symbol of both the political and social realities of his contemporary society, and of the potential for a reformed New World. Shakespeare’s island is a creation which allows the juxtaposition of real and idealised worlds, and shows his audience both what they and what they ought to be. The seventeenth century was a time of ideological upheaval in Europe, with Medieval ideas of a hierarchical and ordered society being challenged by Renaissance thinkers. For the dynastic powers, including England under Elizabeth I, colonialism was an important opportunity to realise territorial ambition and prove religious
The second difference between the play and movie “The Tempest” is the time that it’s written and the time shown in the movie. The play takes place during Shakespeare’s time, the early 1600s. When Shakespeare was writing “The Tempest”, “people still believed that the sun went round the earth.” (Shakespeare 115-121) England was a Christian country and was educated by the Church’s education and, grammar schools taught Latin. The setting of “The