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How Did The Beat Generation Influence Counter Culture

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Eleanor Wellik Hour 5 11/21/2014 Beat Generation’s Effect on Music Many years from now counter culture through the ages Cultural movements serve as massive forces of change for not just the members of those movements, but entire nations. The counterculture movement of 1960s America was a drastic shift in ideals among the youth of the U.S. that paved the way for breakthroughs in American culture. These waves would ripple through the next decades with the young adults and their music as the main carriers of the counterculture message. However, the spark that ignited this giant flame began in the 50s with The Beats: a group of non-conformist poets based in New York. With their unconventional notions about life, sex, and substances, they inspired …show more content…

The rejection of societal norms and the “squares” who were praised by parents, teachers, and the government was fueled by the raw self-discovery promoted by the Beats. This new generation of youth sought to step away from conformity, something the writing of the Beat poets advocated greatly. Later on, this movement moved towards specific areas of the counterculture, such as the movement to end the war, which Ginsberg saw as part of the political and societal machine. The youth of the 60s sought to come together to enjoy their time on Earth in a state of peace, love, and higher truth. These ideals were brought together strongest than the music festivals of the time, where people gathered in crowded, dirty spaces to enjoy music, drugs, and the company of fellow hippies. Ginsberg himself attended similar events, such as the Human Be-In in 1967: an exploration of the Summer of Love and a coming together of the musical and political hippies of the …show more content…

The new emphasis on peace, harmony, and ‘tuning in’ became grounds for experimenting with new belief systems. The Beats used Zen Buddhism in this way to reach a more enlightened or open state of mind. Kerouac especially utilized Buddhist teachings in many of his works, including The Dharma Bums and Mexico City Blues, which recount many Buddhist lessons, such as those of Sunyata (nothingness) and other teachings he picked up in his fascination with the religion. Ginsberg’s poetry stylings were even affected by his Eastern religion pursuits, and his writings suggest hints of haiku-like pauses from early on in his career, and later Hindu-like chants. Ginsberg’s Indian retreat for spirituality indeed seems very similar to what the Beatles would set off to do in 1967 when they flew off to. This spirituality made its way into much of the Beatles’ later work. The Doors can also be cited as being influenced greatly by the Beats, with Ray Manzarek stating “If you're working with words, it's got to be poetry…If (Kerouac) hadn't wrote On The Road, the Doors would have never existed. That sense of freedom, spirituality, and intellectuality…that's what I wanted in my own

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