How Do You Think Watteau Painted The 'La Gamme D' Amour?

There is a man relaxing and laying on the ground smoking a pipe with a red cut off shirt and a blue hat. Next to him is a man in a suit and a top hat sitting up. And between them and behind a little is a woman in a navy blue dress with a nice sun hat. The people in this painting all seem to be different in many ways. The clothing is the most obvious. Their clothes show the class difference amongst the people. There are people in suits and others in jeans. It's good to see people of all classes mixed together in one painting. There are plenty of animals too there is a solid black Great Dane type dog. Toward the middle of the piece is a woman with a red blouse and a pink skirt holding an umbrella and holding a little girl’s hand. They seem to be mother and daughter. The little girl is in a white hat and dress. To the left and slightly behind them are two people sitting beside a tree both are women, one with an umbrella. Behind them are more people laying and a man looking to the right with a telescope. The man could possibly be trying to look at the people on the boats. There's a lovely couple with the man standing and the woman kissing his cheek. Everyone must be having a good time. The amount of color and slight and subtle detail put into the painting really gives it life and movement.

Henri Rousseau, born in May 21, 1844, was a self-taught artist who started his artistic career when he was forty. He began his life working as a clerk, then he joined the French army after being accused of stealing money from his employer. He later moved to Paris and obtained a job working for the French Customs Office, and it was there that he began painting part-time. It was really this background of his that allowed his paintings to be original and uninfluenced by traditional painting techniques. Since he was a self-taught artist and had no significant experience with painting, he had the freedom to paint as he perceived and as he imagined. Henri Rousseau was a man who liked to exaggerate his life to make himself seem adventurous and exciting. He made up stories about his time in the military and overstated his importance in the Customs office where he worked. This was also reflected in his artwork where manipulated the painting to emphasize beauty and excitement.

The painting depicts suffering people, animals, and buildings wrenched by violence and chaos. On the far left, there is a bull standing over what appears to be a woman grieving over a dead child, held in her arms. On the far right we see a figure entrapped by flames. The shape of his hand suggests that of an

painter and is said to have been active as an artist himself from his early teens, from

The instrument that are playing when I look that the painting is guitar, drums, vocals, piano. I feel that this instruments are playing because this style of music that I am think of is country.

Jean-Antoine Watteau brought the rococo era into new hights beyond, architecture,furniture and sculpture into paintings All because of the variours inpiration that gave him the extra spark to emerge and break away from the norm. Earning him title as the main figure that started the rococo era.

Jacques Louis David was born in France in 1749, when he was nine years old his father was killed in a dual, his mother then left him with his two wealthy uncles who raised him for the following years. At a young age he was gifted in basic art skills and styles with an imaginative mind full of ideas. Despite opposition from his Uncles he was able to pursue his dream of painting. He was given the opportunity to learn painting skills from François Boucher who was a French painter of the Rococo style, and a leading painting of the time as well as a family friend. Boucher noted the change in times from Rococo period to the neoclassic style and noticed

Antonie-Jean learned his first lesson about painting from his father who was a painter. In 1785 he went to the studio of his father’s friend Jacques-Louis David and seen the difference between the ways David painted was different from the way he painted more towards the romantically passionate side. In 1793 with the help of David,

This painting draws from classical and modern ideas. It portrays both classical portraiture and the classic female nude. The strange part, however, is that in this portrait the head is a womans torso. On an elongated neck, topped with a full head of hair, there is a face that contains nipples for eyes, a bellybutton for a nose, and a woman's groin where the mouth and chin would be located. The shape of the neck and head also suggest a phallic representation of some kind. Behind this woman lies a desolate landscape and blue sky to complete a complementary color

In the painting you see a young lady looking behind her as if she was startled by something or someone. The young man appears to be looking in the same direction as if he is scared of whatever is there. The two seem to be sneaking around and meeting each other in secrecy and must have been caught by and elder. The painting has many different colors and reflect great detail with the sculpture, clouds, trees, pots and flowers. Looks like a beautiful place for two lovers to meet and enjoy one another’s

Ladies and Gentleman, Rococo, a whole new style of art is in, and this show will be a weekly how-to teaching you to paint yourself. Follow the artist Jeane Antoine Watteau, known for revitalizing

It was an oil painting that was applied to a wooden canvas. This piece was actually inspired by Leonardo Da Vinci’s Mona Lisa (Young women with Unicorn , n.d.). The subject in the portrait has been identified as Saint Catherine of Alexandria. The painting was attributed to Raphael when he restored it.

The main figure shown in the painting is an obscure dark figure, one that represents the Christian God. The figure is murky, and melancholy as it shadows over the town below. It watches the village and everyone

A well known artist of the 20th century is Georges Braque, born on May 13th, 1882, in Argenteuil, France.(1) Braque took after his father and grandfather in house painting.(1) He studied painting from 1897-1899 at the Ecole des Beaux-Arts.(1) He took his love for artistic painting to the next level where he then moved to Paris.(1) From 1902-1904 he continued to paint at the Academie Humbert.(2) In 1910 a close fellow artist and friend Pablo Picasso introduced Braque to model Marcelle Lapre which he then later married in 1912.(2) Braque also served in the French Army during World War I and sustained wounds to the head.(3) With his failing health that prevented Braque from creating any large-scale commissioned projects he still continued with his artwork in 1917.(3)

The forefront and the centerpiece of the painting is the girl. The girl sitting upon the marble garden bench dressed in a medieval styled white silken dress accompanied by an gauzy, classically-draped loose sleeves. Her pale brown wavy hair is centrally parted and neatly dressed behind her back. Balanced on her lap lays a blue covered book with a metallic clasp, while the book rest on her lap her rests her right elbow in her left hand and holds a sprig of blossom up to her neck as she