How Does Agatha Christie Use Suspense In The Mousetrap

Suspense is defined as the author withholding information or when the unexpected happens, leaving you guessing and wanting more. In the story “The Most Dangerous Game” by Richard Connell, he has inserted much suspense in this short (long) story, for the reason that it makes the reader want to know more and having to mindset of excitement or surprise. Another reason he added many suspense is so that it wouldn’t be so blunt, it wouldn’t just tell us what happened it would give us details and how he got or how he did that and more.

Have you ever read a book that continued to keep you interested in what's going to happen next? You get lost in the book trying to figure out what's going to happen before reading on. This happens often in novels that have a lot of suspense like Richard Connell’s “The Most Dangerous Game” or Tobias Wolff’s “Hunters In The Snow.” The fact that they both have suspense is often the only similarity people can think of. There are many similarities and differences in them both that get ignored such as similarities and differences in the plot, theme, and characters.

Agatha Christie uses the technique of foreshadowing to help the reader make predictions. When Mr. Blore exits the train in Oakbridge Station, he is greeted by an old man who gives him a message that a squall is coming. “He’s nearer the day of judgement than I am! But there, as it happens, he was wrong…”(Christie 17). This quote helps the reader make a prediction that death could possibly be in the near future. I learned that while reading books, mystery novels in particular, making predictions is necessary to form a connection to the text.

Suspense is a detail that many horror writer use to catch the attention of many readers and keep them holding on till the end. Just as W.F. Harvey does when creating suspense in his story August Heat. Mr. Harvey used three methods to create his suspense for his story, foreshadowing, withholding information, and reversal. With these three methods he is able to make the reader feel like, “ We may even hold our breath without realizing it as we read on eagerly to find out how the story ends”(Source 1).

Tension and uncertainty caused by the unknown is the meaning of suspense. In “The Monkey’s Paw” by W.W. Jacobs suspense is found. During “The Monkey’s Paw” by Jacobs suspense is created through setting, irony, and foreshadowing. Much suspense is caused by these story elements.

Ever wonder what’s going to happen next in a story? Suspense is that literary element and it’s used in almost all cases of writing. Some authors use a lot of it to build up their stories, others, not so much. Ray Bradbury, an American author and screenwriter was one of those authors who used suspense to build up the tension and develop the plot of his stories. From beginning to end, genre to genre, suspense can be found all over his work. “A Sound of Thunder”, “The Veldt”, and “The Pedestrian” are just three examples of Bradbury’s work where he uses suspense all over the text to keep the reader on the edge of their seat and wondering what’s going to happen next.

In the sources the authors talk about suspense in stories they write. The suspense in the story could be how the author doesn’t give full detail or description on one or more characters. In the source “How do horror writers create suspense” by Percy D’Aco it shows that many horror stories often revolve around mayhem and the stuff in nightmares, and that great horror story often reflects a person’s biggest fear. Often authors like to keep the readers in suspense to scare them or make them want to keep reading and see how the story ends.

At first glance, Kate Chopin’s “The Story of an Hour,” Susan Glaspell’s Trifles, and Henrik Isben’s A Doll House seem to have nothing in common. However, the short story and plays have many similarities. Particularly, five women from these tales— Louise Mallard, Minnie Wright, Mrs. Peters, Mrs. Hale, and Nora Helmer—make drastic decisions that appear to be motiveless. Without context, any reader could be confused by Louise’s death, Nora’s departure, and Mrs. Peters and Mrs. Hale’s unanimous effort to cover up the murder that Minnie Wright committed, which also seems to lack serious motive. However, all of these women’s settings, situations, and lives have connections that make their motives similar. Emotion motivates all five women—not just

By using descriptive words and phrases to help us imagine the characters and setting the readers are drawn further into the suspense. Beginning with the descriptions of the carnival, usually a joyous time, it is not so joyous but mostly dark with the vision of “[dusk] one evening during the supreme madness of the carnival

Suspense is an important trait in many works of fiction. In David Montrose’s novel The Crime on Cote Des Neiges, he uses narration, digression and secondary characters to create suspense throughout the novel.

For example, when Angela Wexler a perfect child who would not do anything harmful bombed her own face only to get caught by her mother, who cares so much about her. In the story it states that “ Angela glanced at her watch and reached for the tall, thin carton wrapped in gold foil.”this quote shows us that Angela knows when and where (it was in the parcel) the bomb in the Wexlers apartment will explode (Raskin 112). The reason why this part of the story shows suspense is because we don’t know the intentions of Angela, until the clues we find later in the story shows us Angela’s actual intention was to get caught by her mother and be an actual normal being. Another example of suspense is the cliffhangers. The reason why cliffhangers are suspenseful because they leave the reader dangling with questions, and want to read on to know more. A good example of a cliffhanger is after Turtle finds the answer to the game, we think Angela and Dr Deere are getting married, but it is actually Crow and Otis Amber’s wedding, which is very awkward moreover, we never knew what happened between them, like you don’t know what is happening when you are absent (Raskin 207). All of these are good examples of suspense which a good mystery novel

In recent decades, Cormac McCarthy has staked his claim as one of the all-time titans of American literature through publishing masterpieces like Blood Meridian, Suttree, and The Road. In his works his advanced level of technical mastery becomes apparent through his expertly harmonized coordination of literary elements toward certain narrative ends, such as the generation of suspense. In this light, McCarthy’s literary style is a practical one, in that he organizes literary elements in his works toward actualizing particular goals. In The Road, for instance, McCarthy directs his style throughout the text so as to maximize the feeling of suspense that readers experience throughout the book. This kind of stylistic maneuvering is expressed on pages 105-110 and pages 118-123 of the the text. But, it must be noted here that the generation of suspense in these passages does not result from similar stylistic approaches. McCarthy uses style in differently in Passage A and Passage B but ultimately toward the same end, namely generating suspense for readers of The Road. Passage A relies on dialogue to develop its suspense, whereas the style of Passage B relies on narrative action for its suspense.

Before I go for watching the drama called “The Mousetrap”, I searched a little bit history information about this drama to help me understand more clearly. The Mousetrap is a very famous drama in the world. At first, Agatha Christie, who is a famous author of detective novels, wrote “Three Blind Mice” as a novel in 1950. And then, she recomposed the novel as a drama, called “The Mousetrap”. The first time, “The Mousetrap” shows to audiences was in 1952, and enormous implications. After premiere, every night has the show in different city and different country. Until now, it is showing more than twenty thousand times. Therefor, I really looking forward for this drama, and it is really great when I finish to watch

Every well-written murder mystery does not have fixed features because the writers of detective story always want to give their readers a unique feeling, but suspense and surprise are essential and indispensable. (Alewyn 184) In Agatha Christie’s And Then There Were None, she fully combines suspense and surprise through the omniscient point of view and poignant plot. Therefore, And Then There Were None is a well-written murder mystery. The omniscient point of view means a method of storytelling in which the narrator knows the thoughts and feelings of all of the characters in the story. (Abrams 233) Plot is the series of events that form the story of a novel, play, and film (Abrams 294). I will show the suspense and surprise through the analysis of narrative, rising action, climax, and falling action as well as use specific textual evidence from this fiction novel to prove it.

Adrian Flynn’s playwright “The Valley of the Fear”, adapted from the novel by Conan Doyle, demonstrates how the writer uses techniques to convey an impression of suspense and mystery through scenes with a high level of anticipation and uncertainty. Suspense is achieved through the use of literary devices and events that stimulate the viewer’s moods. Readers wait with anticipation for the next secret to be revealed in strong, sudden scenes. Furthermore, Doyle creates a sense of tension by never giving the reader an entire answer so they can make up their own mind about what’s happening.