How Does Amanda Lohrey Use Distinctively Visual Images In Veertigo

A composer can create images dependant on the form of the language of texts to shape a responders understanding of the ideas and themes prompted by people and their experiences. The German film, ‘Run Lola Run’ written and directed by Tom Tykwer, focuses on the experiences of the protagonist Lola to explore the themes of the inevitable force of time, and the issue of freewill verses determinism. Similarly, Dorothea Mackellar, in her poem ‘My Country’, relies on her experiences of the Australian landscape to convey her love and passion for the country using the language of the distinctive visual.

The film techniques used in this film changes the entire landscape and changes the mood during the scene. The colour reflects on a charters feelings and the camera angles and

Images can have a powerful effect on the way a person perceives a story. It can be the line that connects two dots together and adds a visual emotion to just a plain text. Matt Ottley’s multimodal text, Requiem for a Beast, uses illustrations, music, text and changes in point of view to highlight the major themes that develop throughout the text. Themes such as reconciliation and the Stolen Generation are explored and the hardships that the Aboriginal people endured are present as well. The Stolen Generation is interpreted as a time when Aboriginal children were forcibly removed from their homes and then taken under custody of the Australian Government.

Through distinctive images composers develop interest, drawing the responder in and thus providing insight into the experiences of others. This is demonstrated in Amanda Lohrey’s novella ‘Vertigo’ as Luke and Anna find themselves in a new and disorientating environment as they attempt to build a new life and in the ‘The Red Tree’ composed by Shaun Tan, through the nameless girl’s journey as she attempts to find herself and her place in the world. Meaning created by distinctive images creates interest thus permitting the responder to gain a greater understanding on how the experiences help shape one’s self.

Cole has no restrain in describing the beauty of all the elements found in the American scenery. He talks about the mountains, the sky, the streams, the sunset, waterfalls, all of which are overflowing in richness, full of magnificence, and unsurpassed by any other. For Cole the scenery and nature are subjects which must be present in the souls of every American. While he considers himself and even others underserving of “such a birthright”, he is thankful for the beauties given to us by nature. Cole suggests to his audience that the reason behind him painting natural scenes relates to the experiencing of a particular emotional response while doing so. This is a response which can only be compared to a “calm religious tone”, full of “tranquility and peace.” Witnessing the beauties of the American scenery, anywhere one goes, makes one realize how “the sublime and beautiful are bound together in an indissoluble chain. In gazing on it we feel as though a great void had been filled in our minds.” Cole places great emphasis on the importance for all members of society to learn how to cultivate “a taste for scenery.” This can be achieved by appreciating the physical beauty of nature and the ability of said beauty to provide mankind with a different perspective about life and with

Imagery is used consistently right through the poem to evoke sensory experiences and to endorse the theme. For instance: ‘A stark white ring-barked forest’-‘the sapphire misted mountains’-‘the hot gold lush of noon’ and many more. All of these appeal to the readers senses and places brilliant visual image(s) in our minds by illuminating the various features of the country, from the perspective of the poems persona. This is attained using; adjectives, ‘the sapphire-misted mountains¬¬¬’, which gives us a picture of mountains with a bluish haze embracing it, this image would thus give an impression of a composed environment and evoke a sense of tranquillity. Additionally by using ‘sapphire’ to illustrate the mist surrounding the mountains we get a sense of Australia’s uniqueness as sapphire is a rare gem. Imagery is also displayed through a metaphor used to appeal to the sense of hearing. For example: ‘the drumming of an army, the steady soaking rain’. Here Mackellar depicts the rain as an army and allows us not only to visualize but get a sense of the sound of the rain, which is presented through the adjective ‘drumming’. This line also presents to us the intensity of the rain again through the adjectives ‘drumming, steady and soaking’.

Through the peculiarities of characterisation and the distinctively visual we experience the impact of place on people. Distinctively visual language shows the similarities and differences between characters and environment with the use of vivid imagery. The distinctively visual is able to create detailed setting, characters and place. Through the distinctively visual Henry Lawson and Tim Burton convey interesting views on environment and human interactions, and their affect on people and society in Lawsons “The Loaded Dog” and “The Drovers Wife” and Burtons “Alice in Wonderland. Good morning markers and peers.

This essay will evaluate the question distinctively visual images convey distinctive experiences, Evaluating the idea that visual images give us distinct experiences and how certain experiences can change our destiny.

In the city of Las Vegas, people go through the daily trails and tribulations that the city has to offer. People constantly on the go, worried about the collection of money, pollution filling our lungs and tackled with the constant worries of reality. Being in the city, it seems as there is no escape from the madness that is being offered. Surrounded by the man made building and artificial light that illuminates the struggle of these streets. Although, there is a place that offers freedom about fifteen minutes away from the cities madness. A place where the air is fresh, a place where gargantuan rocks act as buildings, a place where the sun, moon and stars are the source of light and a place that provides freedom from the worries of the city. This center of nature providing freedom from the busy city life is Red Rock Canyon. Red Rock Canyon as a space has a rhetorical significance as a location of freedom from city life with the multitude of space it provides. Red Rock Canyon serves as an example of space and place in rhetoric and also creates ties to visual rhetoric with the unique scenery and imagery being offered. In addition aspects of memory such as cultural memory and public memory can be connected to Red Rock.

We live in a society where visual images are becoming increasingly significant, as most information in the media is presented as a combination of pictures and words. Visual representations enable individuals to interpret and evaluate texts that communicate with images more effectively. Distinctively visual techniques are used to enhance and challenge the way an individual understands personal experiences and the world. The way that they perceive these experiences can be shaped through distinctively visual techniques, as the vivid images can allow them to make sense of the world and provide diverse perspectives on how they view it. John Misto’s play ‘The Shoe-horn Sonata’ (1996) utilises powerful visual and language techniques

In chapters two and three titled “Sites” and “Movements” respectively, Howard makes the case that there is a “dialectical” relationship between the subject and the landscape (both social and physical) and

Distinctive images are often filled with various qualities, and these qualities often create interest and create unique experiences. The John Misto play ‘The Shoe Horn Sonata’ and the Craig Johnson film ‘The Skeleton Twins’ both demonstrate images which are distinct and help the audience figure out the two texts. Images, along with various film and dramatic techniques attract the eye and help give a positive response and often a feel of the characters and what is occurring. Without the use of images, the two texts and many other texts would not be distinctive visually.

In Auden’s “Musee des Beaux Arts” imagery supports the theme that suffering is ignored because it is ubiquitous. He uses imagery to get through to the reader’s five senses.

In Alan Paton’s “Cry, The Beloved Country” he uses landscape and setting to effect the characters. Mary Shelley also does this in “Frankenstein.” In “Cry, The Beloved Country” Paton describes the landscape in the first chapter as lush and habitable but then it becomes barren land because more and more people are going to the city which cause there to be less people taking care of the land. In Mary Shelley’s “Frankenstein” she also uses the city as a place that changes people. In “Frankenstein” nature is a big theme just like in “Cry, The Beloved Country.” In “Frankenstein” Victor, the mad scientist, is pure when he is in nature but when he goes to the city he becomes corrupted and turn away from nature and from God and tries to create life. In “Cry, The Beloved Country” Stephen Kumalo is pure when he is in his village but when he

The depiction of the physcical seperation of Luke and Anna from the city to the country depics their establishment of their new relationship with their new home. When Anna and Luke decides to move away from the city, Luke describes the city as “immense mortgages from which they saw no escape”. This quote is used in a negative connotation as the words “no escape” gives a negative vibe by referring the city to a prison or an undesired place where they feel stuck. Both Anna and Luke’s perspective of the city is “There are too much urban jazz in the air, the drone of jets roaring…, the manic whine of sirens…” shaping a negative atmosphere and creating an negative vibe referring the city is an undisered place where they feel stuck. Their movement