How Does Amanda Wingfield Present A Picture Of A Dysfunctional Family

Amanda belittles Laura’s self-ownership which makes Laura immature and helpless as an adult. When the subject of gentleman callers comes up, Amanda addresses Laura, saying, “How many do you suppose we’re going to entertain this afternoon? [...] [reappearing, airily] What? No one — not one? You must be joking! [Laura nervously echoes her laugh]” (Williams 18). Amanda is caught up in her dreams of marriage for Laura, made clear by her enthusiastic tone and body language, but Laura’s uncomfortable laugh shows how she is not amused by her mother’s aspirations. Amanda is only focused on what she wants for Laura, but she should really be concerned with what Laura wants for herself. In addition, Amanda cannot accept the fact that her daughter is not going to have any suitors; she denies reality and tries to bring Laura into her world of illusions. This irresponsible parenting causes Laura to become the childish adult that she is. When Amanda questions where Laura was going instead of business college, Laura explains that, “I went in the art museum and the bird houses at the Zoo. I visited the penguins every day! [...] Lately I’ve been spending most of my afternoons in the Jewel Box, that big glass house where they raise the tropical flowers” (21). Laura is twenty-three years old and she is getting excited about visiting attractions meant for kids. She would rather explore the Zoo, an art museum, or a greenhouse than attend college, exhibiting her immature and irresponsible mindset. This juvenile behavior is what leads to Laura’s helplessness. While on the fire escape, Amanda tells Laura to make a

Amanda becomes a woman bent on finding her daughter either a job or a husband and finding out why her son disappears every night. To help her appear strong and willful, Amanda escapes to her own days as a young girl, finding more than seventeen gentlemen callers, and allows herself to believe her life is stable enough that her daughter and her will be financially taken care of. These facades crumble when she realizes her daughter has never been capable enough to find either a job or a husband. While these expectations of Laura hurt her, they allow her mother to escape to her days of being flaunted over and adorned by men. Once she does see her daughter is struggling, Amanda has to face the fact that her daughter will always be dependant upon her mother. These realities continue to affect how her children act and the results of the

Tennessee Williams, born Thomas Lanier Williams, wrote The Glass Menagerie, a play which premiered in Chicago in 1944. This award winning play, autobiographical in nature, represented a time in which Williams felt the obligation of his responsibilities in regards to the care of his family. Robert DiYanni, Adjunct Professor of Humanities at New York University, rated it as, “One of his best-loved plays...a portrayal of loneliness among characters who confuse fantasy and reality” (DiYanni 1156). Alternatively, The Glass Menagerie, a play set in the era of the Great Depression and written from the narrator’s memory, was meant to teach us the how our relationships with one another can alter our futures, for better or worse. Everything about this particular play was a direct and clear symbolization of Williams ' life growing up. Williams uses characterization to depict several people from his real life in this play; his sister, himself, his overbearing mother, absent father, and a childhood best friend. Williams does a splendid job transforming his personal life into a working piece of art. In Tennessee Williams ' play, The Glass Menagerie, his character, Laura, is central to the structure and focus of the story due to her individual ties to all of the supporting characters throughout the seven scene play.

Williams’s play is a tragedy, and one of quietude. He once expressed that “Glass Menagerie is my first quiet play, and perhaps my last.” It is a play of profound sadness, and through relationships between characters, portrays the “cries of the heart.” There is no cry more powerful that the cry and inner desperation of the heart. Williams’s has very little social context, but rather focuses on the conflicts within a domestic family. Such a focus is powerful, and the playwright expresses this power and importance implicitly through the estranged relationship between Amanda and Tom Wingfield.

     The plays, The Glass Menagerie and A Raisin in the Sun, deal with the love, honor, and respect of family. In The Glass Menagerie, Amanda, the caring but overbearing and over protective mother, wants to be taken care of, but in A Raisin in the Sun, Mama, as she is known, is the overseer of the family. The prospective of the plays identify that we have family members, like Amanda, as overprotective, or like Mama, as overseers. I am going to give a contrast of the mothers in the plays.

   Tennessee Williams' play, The Glass Menagerie, describes three separate characters, their dreams, and the harsh realities they face in a modern world.  The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Williams' use of symbols adds depth to the play. The glass menagerie itself is a symbol Williams uses to represent the broken lives of Amanda, Laura and Tom Wingfield and their inability to live in the present.

    Tennessee Williams has a gift for character. Not many playwrights do, and even fewer possess the unique ability to craft a character as paradoxical and complex as Amanda Wingfield. In The Glass Menagerie, Amanda is a very difficult character to understand because of her psychological disposition. Williams realizes this and provides the reader with a character description in hopes of making the character more accessible to meticulous analysis.

“The Glass Menagerie” by Tennessee Williams, was written in the early forties but could be misconstrued as a present-day play, because of the family dynamic that has changed since the forties but has not been completed replaced. In this play, we are introduced to Tom Wingfield who is the breadwinner for the family, which consists of his mom and sister. Amanda Wingfield who is an overbearing mother that knows no boundaries, and Laura Wingfield who is the sweet, and embarrassingly shy daughter of Amanda. Their family dynamic is like most of ours. The mother loves her kids dearly but struggles with letting go of her old identity, the daughter who allows her disability to determine her happiness and the brother who is obligated to work but would rather drink and party his money away. I’m sure many of us can relate to this family in some form. My favorite character in “The Glass Menagerie” is Laura. I love Laura because I can relate to her in more than one way. I was a shy individual most of my life, but once people got to know me they realized I was no different from them. In the following paragraphs, I will share Laura’s character with you, the similarities between Laura and the glass unicorn and I’ll tell you how the glass unicorn represents Laura.

“The Glass Menagerie” by Tennessee Williams is a play about desire to escape and this concept is conveyed through a variety of techniques and ideas shown in this play of exploration by the playwright, Tom Wingfield. First, Jim tries to escape his engagement by having a romantic night with Laura. Then, Tom’s father escapes for the same reasons Tom did. Thirdly, according to Roger Boxill from ‘The Glass Menagerie’ Amanda escapes by reminiscing “Blue Mountain ... And the seventeen gentleman callers.” Fourthly, Laura escapes with romance, going for walks, her “Glass Menagerie, stomach pain, and the broken horn from the unicorn. Finally, Tom escapes by traveling, going to the movies, drinking, and hanging out on the fire escape looking at the moon. Symbolism is also used in many literary works to for shadow or emphasizes an event that is about to happen or already has happened in the story. Hence the title ‘The Glass Menagerie’ in the play foreshadows/emphasizes the event happening or about to happen. The action of “The Glass Menagerie” takes place in the Wingfield family’s apartment in St. Louis, 1937. The events of the play are framed by memory Tom Wingfield is the play’s narrator, and usually smokes and stands on the fire escape as he delivers his monologues.

The theme of Tennessee Williams' The Glass Menagerie is conflict. The play contains both internal and external conflict. The absence of Tom's father forces external turmoil and conflict between Tom the protagonist, and his mother the antagonist. The internal conflict is seen within Tom through his constant references to leaving home and his selfishness. The play is about a young aspiring poet named Tom, who works at a shoe warehouse. Tom is unhappy with is life at home mainly because of his overbearing, over protective mother named Amanda. Tom also has a sister within the play named Laura who chooses to isolate herself from the rest of society. During the play Tom's relationship with his mother is filled with very harsh and abrasive

The Glass Menagerie is a memory play written by Tennessee Williams in 1944 which tells about the life a family of three. This play is an incredible piece because it is based off the life of Tennessee Williams himself; the main characters are Amanda, the mother, Tom, the son, and Laura, the daughter. In Paul Newman’s depiction of the play which has been converted into a film, the film perfectly uses acts out every aspect of the play. Tennessee Williams keeps the audience attentive in his play, that’s why the film was successful. Williams accomplishes this through the character’s glass menageries, Laura’s emergence out of her shell and heartbreak, and the ending.

The Glass Menagerie, the characters are all facing some sort of problems. One of the main character in the play is Laura Wingfield. The rest of her family consist of Amanda Wingfield , her mother and her brother Tom Wingfield. Laura lives in a fictional world with her glass figurines. Laura is terribly shy, and has no gentlemen callers. The important thing in the play The Glass Menagerie is the glass figurines. Laura struggles to be social in society . The play takes place during the Great Depression where families struggle to survive.

In Tennessee Williams’, “The Glass Menagerie” Amanda was a woman who liked to reminisce about the past in order to escape from reality. Amanda was not wicked but intensely flawed. Her failures were centrally responsible for the adversity and exaggerated style of her character. Certainly, she had the endurance and heroism that she was able to support her children when her husband was gone. In her old life, she was once a Southern Belle with a genteel manner who lived on Blue Mountain. This was a place where Amanda’s version of the good old days back when she was young and popular. Amanda was full of charm in conversation that she managed to have seventeen gentlemen caller in a single day.

The Glass Menagerie is a play set in the 1930s, and the 1930s was an era where society expected women to live a domestic life. According to a journal titled “‘Women Who Have No Men to Work for Them’: Gender and Homelessness in the Great Depression, 1930-1934” by Elaine S. Abelson, “Women, unlike men, have never been fully detached from family, domestic life, and a quasi-dependent role” (106). This quote demonstrates that women have long been family-oriented, homebound, and reliant individuals. It is significant because it clearly depicts societal expectations for women in the 1930’s. During this time period, women felt oppressed because society wanted them to stay home, care for the children, cook, clean, and maintain the household; they were subservient to men. In general, a woman was not encouraged to work outside of her home because men were the traditional breadwinners. As a result, it was rare and unacceptable for women to be apart of the workforce. The workforce often discriminated against them because of their gender. This quote reveals important insight into the play by portraying the role that Amanda and Laura have in their family. Being that Amanda and Laura are women, their duty is to live a domestic life in which they accomplish daily household tasks while Tom provides the income. Amanda and Laura are not given the equivalent opportunities as Tom, so they must heavily rely on him.

Written in 1944, Tennessee Williams wrote a play during World War II when people were barely making ends meet. Centering on the Wingfield family, the story consisted of five characters: Amanda Wingfield (the mother), Laura Wingfield (the daughter), Tom Wingfield (son, narrator, Laura’s older brother), Jim Connor (Tom and Laura’s old acquaintance from high school) and Mr. Wingfield (father to Tom and Laura, and Amanda’s husband)- who abandoned the family long before the start of the play. The title, “The Glass Menagerie”, represented a collection of glass animals on display in the Wingfields’ home. At one point or another, these animals then represented each character when they couldn’t accept reality. The theme of this play were about the