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How Does Atwood Present The Absence Of Freedom In The Handmaid's Tale

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How does Atwood represent the absence of freedom in The Handmaid’s Tale?
Bretons H. Literary Theory: (The Politics Of Class: Marxism) states, ‘Marxist Theory argues that the way we think … the way the economy is organised.’ Taking this statement to be true, then the social economic environment & background of a writer determines their perception of the world. Atwood’s dystopian novel, The Handmaid’s Tale, is a response to her own background and the social and economic events that were taking place around the time of writing the novel. Atwood was influenced by her own ancestors who were New England Puritans. 1.“They were being persecuted in England … persecuting anyone who wasn't a Puritan. The early Puritans … set up a society that would be …show more content…

2.“It’s not a Canadian sort of thing…The States are more extreme in everything." During the 1960’s to the end of the 1970’s, there were strong liberal advances socially and politically. The 1960’s saw the Civil Right’s Movement and the Women’s Right’s movement take place. The 1970’s was a key decade for women’s rights as pro women legislations, specifically the laws recognising marital rape, legalisation of abortions, and the Pregnancy Discrimination Act were passed. The 1980’s Conservative Revival was a response to these changing attitudes. The publication of The Handmaid’s Tale in 1985 is significant. Atwood outlined the immediate response the novel received from the US, 3. ‘reaction…US,”How long have we got?”’ The novel brought fear into readers minds if the conservative trends were allowed to continue.. The 1980’s saw the weakening economy blamed on the Democratic party which saw support for the Republican’s rise. The enforcement of the concept of ‘family life’ occurred, as the Republican Party imposed their views against abortion. Conservatism became interweaved with religious interest. Support grew for far right views involving harsh opposition to homosexuality, the civil rights movement, outlawing abortion completely, even in cases of rape, and intending to convert people to conservative Christianity. These themes are represented in the novel through the image of The Wall. The first people the reader sees on the wall are former doctors. “Each has a placard … a drawing of a human foetus.” Referred to as “Angel Makers”, the view of doctors who have aided in abortion is that they are murderers. Aunt Lydia’s voice rings, “their crimes are retroactive… no woman… would seek to prevent a birth, should she be so lucky to conceive.” The next victims of the Wall are a homosexual couple, “…purple placards… Gender Treachery.” This registers that there is no

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