How Does Beyonce Represent A Concept Album?

The most major finding concluded from these interviews was the shared belief that the recording industry is in disarray from a structural point of view. Both Daniel and Y expressed their concerns with the shift in power from recording labels to distributional streaming services. Y seemed to provide more insight into the egotistical recording industry. His views indicate that a potential restructuring of the entire recording industry, including the legislation previously pressured by the RIAA, will be changed as recording labels become more willing to work with streaming

I believed the basic aim of these websites were to digitally respond reasonable to the technological changes of how music was conveyed to drive sales In a positive manner but musician ended up getting a small fraction of the income receive from streaming videos and audio songs as royalties. I can personally testify to this with my personal attitude towards many popular songs I downloaded for free online that I heard for the first time on radio. In his article published in the New York Times on January 2013, Ben Sisario commented on how online streaming has hurt the industry and partially reduced sales. According to him, Many consumers has greatly welcomed this system citing them as a smart way to save money since streaming saves them more money than buying the physical album. This will virtually hurt the artist survival unless they are engaged in an important side business for survival. ( Hartwig Masuch, chief executive officer of BMG rights

Has it ever occurred to you that this generation tries to search for the next best thing? Is it like a business man try to look for the next best thing that everyone is buying? I mean if other people do it and there perfectly fine doing it we assume that we could do it and we think we will be just fine as well. Take those examples and try to use it with music. Do you think that what we listen to can affect us in any way or not? Maybe and maybe not, but some of us tend to get influenced by what they put into their heads. Not everything that we see or do can import negative thought or feelings, but listening is a part of that category as well. Therefore, what these artists are trying to do is trying to use a rhetorical device to tell us that

The music industry is an oligopoly. Since the late 1800’s people like Thomas Edison have been buying up patents in communication technology, forming monopolies, leading to a non-competitive entertainment industry. With only a handful of corporations controlling all aspects of acquisition, distribution and marketing of music, harsh business principles create an exploitative industry that takes the best of what artists have to offer and leaves many of them unable to support themselves. Beginning in the 1950’s with payola and white cover music and ultimately evolving into iTunes and Spotify, the music industry has grown into a billion dollar industry with far-reaching influence and control. Contracts rarely serve the artists’ best interest and many are left out to dry when their usefulness has expired.

Topic: Informative Speech General Purpose: To inform Specific Purpose: To inform my audience about Beyoncé’s history as a music artist and actor, her accomplishments, and family life. Thesis: Beyoncé is an inspirational figure through her music and character. Organization Strategy: Chronological- I am going to start with her first music group then proceed into her solo career and finish with her current family.

Beyonce is an African American female artist making incorporating empowering messages for women around the world. She is creating work that speaks to an audience that might not receive authentic mainstream. Beyonce ultimate goal is to visually and sonically entice wisdom through her music. Recently in a shocking video release, Beyonce debuted a new song “Formation” as well as a politically charged music video. This song was an uproar in the music industry worldwide. Millions of people around the world negatively viewed this song as a controversy. The music video and song caused many people to debate and cause a worldwide conflict.

When you have to go to a store to physically buy an album instead of simply stream it online you are much more likely to make sure that whatever album you buy is going to be worth it. Websites today such as Bandcamp and Soundcloud, along with streaming services such as Spotify, give a platform to artists to display their music to anyone willing to take the chance to listen to them. People no longer need to rely on reviews to discover music that they can find interesting, so many news outlets need to find new ways to spice up their reviews for music. Thus, adding in fashion statements, lifestyle preferences, and even how rich an artist is creates modern music

The dissolution of their relationship underlines the conflict between commercialism and artistry. There is a gently pointed critique of the recording industry ‘s preference for supermodel stars with formulaic music. Thankfully Carney never pushes these themes. The critique is unforced and quite convincing.

Nothing is more enjoyable than listening to your favorite song. All over the world, people listen to music on a daily basis. Music plays a major part in a tremendous number of people’s lives. While they are enjoying the music, they do not think about how the song came about. Music is not just the sound you hear or the voices in the background. People do not think about what is behind the scenes of where music comes from. Before the song is completed, someone has to make it happen. In music, there are different careers which are the song writer, the manager, the marketing executive, and the produced. Each of these careers play a huge role in how music is brought to the public.

Introduction: Setting the trend for the future, the distribution and consumption of recorded music transformed dramatically with the launching of Apple’s iTunes in 2001. The proliferation of online music subscription services and other music sharing services exerted a great pressure on the conventional music distribution business model. Combined with this transformation, piracy of digital music had a profound impact on the whole industry. These worsening conditions in the market place for recorded music forced both established and upcoming new artists to experiment with new ways of selling their music.

Since the iTunes music store was introduced on April 28, 2003, gross music sales have plummeted in the United States - from $11.8 billion in 2003 to $7.1 billion in 2012, according to the Recording Industry Association of America (Covert). Counterintuitively, during that time consumers were buying more music than ever. How is that possible? It 's because iTunes had made digital singles popular and was selling them cheap. This would change the music industry forever. In 2000, Americans bought 943 million CD albums (Covert), and digital sales didn’t even make a dent in comparison. But by 2007, those inexpensive singles overtook CDs by a wide margin, generating 819 million sales compared to just 500 million for the CD.

In 2000 the digital music was the next big thing in how consumers listen to music. The technological shift in music changed how the relationship is between the artists, recording companies, promoters and music stores on how they operate today. In the late 90’s and early 2000’s Peer-to-peer (P2P) networks allowed free exchange of music files with companies like Napster and Kazaa was a big step that allowed consumers to store large libraries of music. With the cost of hard drive space going down; it allowed for pocket-sized computers to store more information in a smaller space that open the door for apple to step in with the unveiling of the iPod and iTunes. These systems made it possible for storage and playback that gave consumers the

Music industry professionals and Record Artists are creating opportunities for Apple that will accelerate sales and revenue for the iTunes platform. Recording artists are releasing exclusive albums on a single platform, as a method to increase album sales and sales for the platform. In 2013, U.S. recording artist Beyonce released her fifth studio album on the iTunes platform. The album was offered as a cohesive body of work with every song and video was made available with one single purchase of $15.99 (Byford, 2013). The album sold 829 thousand copies in the first three days of releasing the digital album on iTunes (Baroni, 2013). Other recording artists are exclusively selling albums on iTunes and other apple platforms to increase sales

Over the past decade, the use of CDs has been replaced with online streaming and retailing. This has eliminated much of the record companies revenues as they were used to making most of their profit off of distribution and promotion of physical copies of artists albums (Niemen). This has caused for a major shift and remodeling of major players in the music industries business models. Companies such Sony, Warner Music Group and Universal Music Group have started to completely rethink the way they conduct business (Forbes). In the past record labels were not only responsible for production, distribution and promotion of an artist and his/her music, but they also acted as a bank (Forbes), funding the artists tours and recording sessions. Recently, these music giants have been moving towards becoming more of a modular network organization. What this means is that they are less occupied with the nitty gritty, and more focused on what they do best which is distribution and promotion. This also allows for more freedom of creativity for the artist as well as fairer split of profits (Forbes). This adaption of new business models clearly shows the versatility of the music industry in adapting to new times and technologies.

The evolution of the music industry follows the familiar pattern of digitization. Innovation began with the introduction of the vinyl record, transitioned from the cassette tape to the compact disc and landed us in an era of digital downloads. The emergence of music streaming services like Spotify has progressed the industry even further, giving consumers the ability to access music on demand using download-free online platforms. Spotify faces criticism from artists as a result of the overlap of creativity and commerce. They argue that business activities corrupt creativity, transforming it into a tool for profitability rather than an outlet for expression. Artists insist that Spotify deters album sales, favors established artists and fails to support them financially. However, Spotify was created for consumers. It delivers an accessible alternative to purchasing and downloading music. The interplay between creativity and commerce is changing the nature of the music industry. Spotify has adapted to this change, providing a platform that supports both artists and consumers. Through analysis of the market, artist’s revenue, record labels and consumers, I will argue that artists should accept the evolution of the industry and support Spotify.