How Does Brutus Create Suspense In Julius Caesar

When the play first begins we see Brutus is easily influenced and this is first seen when Cassius comes up to Brutus for the first time to join the conspirators. Cassius says that Caesar would be a king just to gain power and not for the people of Rome. Brutus falls for it in a heartbeat without even thinking about it. At this point in the story he is brave and respected. When Antony gives his speech when the play goes on Brutus sees a ghost, his own imagination of Caesar, at that point Brutus begins to gets scared and starts to feel guilty also known as the anagnorisis.

In the play Julius Caesar written by the whimsical, sophisticated William Shakespeare both beloved Brutus and noble Antony deliver their most thorough attempts to win over the delicate citizens of Rome into what they believed was correct. Brutus gave it a valiant effort in trying to convince the citizens that murdering the noble Caesar was the best thing to do for the people. In the end Brutus’ effort was not enough because Antony was able to turn every Roman against Brutus and the other deceitful conspirators during his speech with his extraordinary use of logos, pathos, and ethos.

In William Shakespeare's play The Tragedy of Julius Caesar, two speeches are given to the people of Rome about Caesar's death. In Act 3, Scene 2 of this play Brutus and Antony both try to sway the minds of the Romans toward their views. Brutus tried to make the people believe he killed Caesar for a noble cause. Antony tried to persuade the people that the conspirators committed an act of brutality toward Caesar and were traitors. The effectiveness and ineffectiveness of both Antony's and Brutus's speech to the people are conveyed through tone and rhetorical devices.

In the tragic play Julius Caesar by William Shakespeare, the ruler of Rome, Julius Caesar, is stabbed to death by some of his so-called friends. Brutus, one of Caesar's best friends, is approached by some of the other senators to join the conspiracy to kill Caesar. Brutus weighs his options and decides to join the conspirators for the good of Rome. At Caesars's funeral, Brutus gives a speech to convince the citizens that the conspirators were right to kill Caesar. In contrast, Antony gives a speech to convince the Romans that there was no real reason to kill Caesar. Both characters try to persuade the audience, but they achieve different tones using literary and rhetorical devices. The tone of Brutus' speech is prideful, while the tone of Antony's speech is dramatic and inflammatory.

In The Tragedy of Julius Caesar, two potential protagonists are presented to the audience. Both Brutus and Caesar have been mentioned as possible protagonists, but there can only be one protagonist. But who is the real protagonist? Although there is proof to back up Caesar, Brutus has more proof and solid proof. Therefore, Brutus should be named protagonist of the story.

In Act Three Marcus Brutus changes the people's opinion of the death of Caesar instantly. He convinces them that the assassination should not be considered evil, but seen as to the only way to survive while remaining free. The citizens of Rome trust and respect Brutus and believe him. Then Marc Antony convinces the people to come to a different conclusion than that portrayed by Brutus and his "honorable men". The crowd believes Antony that the conspirators committed this crime through jealousy, greed and the desire to limit Julius Caesar's growing authority. At first Marc Antony only plants a minor idea in the public's mind, allowing them to think about and discuss the new information presented to them. This method initiates the contemplation of serious issues for the crowd of citizens who need no more than this to come to their own opinion concerning what took place (III, 2, 62-106). Marc Antony then stirs his audience with emotions every person in Rome can relate to, focusing on guilt and anger. These passions intertwine, for when the crowd begins to feel guilty, they also start to become enraged. Marc Antony creates a dangerous situation with his riled audience and the possession of information that sets them over the edge into being an unforgiving mob (III, 2, 107-259). Having a serious effect on an audience is important when trying to be understood fully, however revenge is a dangerous topic especially when being

Brutus, a conflicted senator obsessed with his civic duty, convinces the people of Rome that his motives in killing Caesar were just and noble by rhetoric. Brutus is the only conspirator to have impersonal motives in killing Caesar. In fact, his motives are trying to find the best solution for Rome, and in the end, he must make the hard choice of killing his best friend for his homeland. As early as Brutus’ conversation with Cassius in Act I, Brutus exhibits this deep love and respect for Rome and how this love is conflicting with his love for his friend, Caesar: “[P]oor Brutus, with himself at war, / Forgets the shows of love to other men” (I.ii.51-52). Brutus brings up this internal conflict again when he tells the crowds that although he did love Caesar, he loved Rome and its people more. After Brutus’ murder of Caesar, he realizes that the issue of the public opinion of Rome is of the utmost importance. Because of this love for Rome, Brutus uses rhetoric to persuade these plebeians to approve of him and his cause. When Cassius warns Brutus about “how much the people will be moved / By that which [Marc Antony] will utter[!]” (III.i.252-253), Brutus tells Cassius that letting Marc Antony speak “shall advantage us more than do us wrong” (III.i.261). In these cases, Brutus demonstrates his awareness of

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In the beginning of the play, we meet Brutus, a highly respected, much loved, senator of Rome. He loved Rome as a republic and he has a good life until he is led astray by Cassius. When he becomes embroiled in the assassination of Caesar, he is very reluctant to do so. In the way he acted, you could tell he has sleepless nights over what he should do. He decided to kill Caesar for

A highly respected man, and admired by others that may of disliked him before it was Brutus’ end. “His life was gentle, and the elements/ So mixed in him that Nature might stand up/ And say to all the world, ‘This was a man!’” (5.5.73-75). Brutus is one with great leadership, and a loyal friend of Julius Caesar. He was easily convinced by Cassius and the conspirators that Julius Caesar was not fit for king of Rome. Before, Brutus was there and supported Caesar. Now, Cassius had talked to Brutus, and he changed his mind and thought it was best for Rome that Caesar was killed before he was crowned. Brutus then took control of the conspirators and became leader. Brutus made all the decisions with Cassius, then turned into Brutus making all the decisions by himself, regarding Cassius. Brutus’ decisions were not the best and that led him into his own death, when he ran himself into a sword. In the play The Tragedy of Julius Caesar, written by, William Shakespeare, Brutus is a man that contains great leadership skills, and does what is right; but farther in, his decisions lead to a downfall of taking Cassius out of his place when he was a good leader already, and as well as killing himself.

William Shakespeare uses breathe taking, spectacular, and deep characters throughout the play. From major characters like Caesar and Brutus to smaller ones such as Lucius and Portia they all feel fleshed out and part of the story no matter their stage time. One of the major ways a character is displayed is Brutus as he decides to go against and kill Caesar. Quoted from Shmoop University “Brutus on one hand does not want to kill Caesar since he is great friends with him and respects him very much. But on the other he wants Rome to stay a republic and fears that Caesar will make it into an empire’’. However Brutus is later convinced by Cassius and other conspirators to kill him. Brutus explains how he has a war within himself over this

Brutus finds himself swarmed with thoughts as he shows his private identity for the first time. Seeming to be at war with himself he says, “It must be by death, and, for my part, / I know no personal cause to spurn at him, / But for the general. He would be crown’d: / How that might change his nature, there’s the question” (2.1.10-13). Brutus convinces himself that the assassination of Caesar will be for the good of Rome, not for his personal advancement. Shakespeare shows the reader this side of Brutus that has not been seen before. In public, Brutus appears to be confident and loyal to Caesar, but deep on the inside he is conflicted on what choice to make and is worried about the actions he may be taking. Due to these troubling thoughts, Brutus becomes stressed and starts to stray away from his true self. “And therefore think him as a serpent’s egg / Which hatch’d would as his kind grow mischievous, / And kill him in the shell” (2.1.32-34). Brutus is conveying his true thoughts about Caesar. He wants to kill Caesar before he becomes king and it is too late. However, because Brutus appears to be loyal to Caesar, he will have to keep his plans secret from everyone or else it will harm his public status. It is just the beginning of Brutus unveiling his true, inner self and how contradictory it is to his public persona.

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At the start of the timelessly classic play, Julius Caesar was in the final stages of parlaying his military prowess and growing cult of personality into enthronement as the long absent autocrat of Rome. His brother-in-arms, Marcus Brutus, after fighting at Caesar’s side for so long, was forced to weigh his loyalty to Caesar against his loyalty to Rome, setting the stage for the troubling events to come. As Caesar’s divine right to rule and infallibility were trumpeted throughout Rome, others were not so convinced of his purity and worthiness. Cassius, a dissident Senator, opened Brutus’ eyes to the circumstances unfolding before them and to what could be lost should Caesar take the throne. Cassius voiced his opposition strongly, saying: