How Does Carol Ann Duffy Show Eurydice

When Orpheus is being done inside the novel, an actor plays his part: “And as though the singer had been waiting for this cue…he chose this moment to stagger grotesquely to the footlights, his arms and legs splayed out under his antique robe, and fall down in the middle of the property sheepfold” (201). In this case, the actor playing Orpheus can be seen as the actual Orpheus in the myth because he goes to do what he loves, acting, even though it is risky for him because it is assumed that he is sick with the plague. Although the actor does die from the plague, he still went to dangerous lengths to achieve his passion, like Orpheus actually does in the myth when he goes to retrieve Eurydice. In addition, the reader can now see that Orpheus and Eurydice represent all of the couples throughout the novel, and is able to see examples earlier in the novel of characters going against extreme conditions, and the possibility of death because of circumstances against their will, to be with their love. An example of this is when the town is first closed off, because citizens are not allowed to leave, only come in, and only one person does decide to enter: “At the height of the epidemic we saw only one case in which natural emotions overcame the fear of death in a particularly painful form…The two were old Dr. Castel and his wife...But this

Sarah Ruhl’s play, Eurydice, is a devastating story battling love, grief, life, and death. Although it is set during the 1950’s, the play manages to encompass the ancient Greek myth of Eurydice and Orpheus. The three most evident themes of this play are recurring death, fleeting happiness, and the power of love. The main conflict in this play is ultimately about the painful choice that comes with death; this is often caused by the King of the Underworld. One of the most impressive parts of this play is the ability to change the way the play is perceived through design.

If you met a man named Orpheus who had a girlfriend, would you assume her name was Eurydice? Many people would, because the myth of Orpheus and Eurydice is from “many, many thousand years ago” and is still passed on today, verbally and through works of literature. In his 1959 film Black Orpheus, Marcel Camus interprets this well-known myth, making changes to the story to make it more dramatic and interesting. Black Orpheus is substantially different from the original myth because Orpheus has a girlfriend before meeting Eurydice, Hermes plays a different role, Orpheus kills Eurydice, Orpheus cannot bring Eurydice back from the underworld, and Orpheus’ death

"When you say Man," said Oedipus, "you include women too. Everyone knows that." She said, "That's what you think." These lines, from the ending of Muriel Rukheyser's poem "On Oedipus the King, Myth," comment on the significance of women both in the play and in society. Though the character of Oedipus suggests that women are equal, the issue of the true role of women is brought up in the poem, and is raised in Sophocles' play.

I will argue that we may view the woman as representative of Odysseus’ grief in his moment of pity and pain, the simile in its entirety may be regarded as analogous to a potential future for his own oikos. Should he fail to return home or succeed to return only to deceit and demise, Odysseus will initiate the splintering of his home into the rabid hands of the suitors. The simile shifts from referring solely to Odysseus to encompass the possible fate of his entire household. This promotes the idea that this hero reaps what he sows for, as the perpetrator of like monstrosity, he faces the tragedy of a future akin to that of his own surviving victims.

Orpheus was the Beethoven of the Greek world, everybody loved his music. Everywhere he went, people listened to his music and loved it. Eurydice was Orpheus’ number one stalker/fan. They fell in love but Eurydice died one day, from a snake bite. Orpheus’ mad love for Eurydice ended up sending him to Tartarus and all he had to do was to bring Eurydice out of the underworld without looking at her. However, he was filled with doubt and he turned to look at her, losing her forever.

     Another female who is portrayed in a very positive light is Odysseus’ and Telemachos’ old nurse, Eurykleia. Eurykleia is repeatedly shown to be noble and extraordinarily devoted. Laertes, Odysseus’ father, in fact, favored her as much as his own wife. Also, Homer says that she loves Telemachos more than any other servant does. These traits are admirable and again show the female as virtuous. Like Penelope, Eurykleia is described as “shining among women”; a trait which, while not exactly virtuous, is positive. Homer also gives Eurykleia traits which are stereotypically male. She is commanding and can keep the other servants in line: “she spoke, and they listened well to her, and obeyed…” ( XX, 157). Eurykleia plays a minor role, but still contributes to the favorable view of women in the Odyssey.

One would be less likely to be influenced by emotions in such a way as Odysseus when surrounded by the loving warmth of home. However, Odysseus has not been exposed to Penelope, his home, in twenty years, causing immense distraught and confusion. The change of gender from a powerful male figure to a weeping widow is the works of a feministic point of view. Odysseus is known to the public as a strong, brutal, and fearless man. Transforming him into a female character allows the portrayal of women on an equal ground to that of men. Women are as capable as men. Strength and honorability is not affected by

Euripides was one of the most well-known playwrights of ancient Greece. He was known as a modern playwright because he wrote with realism, and had a doubtful way of portraying the gods in his plays. Euripides’s plays had women as the main character because he had a sympathetic way of portraying women. The women were mainly strong and are passionate in their motives for their actions. Although Euripides is well known now, during ancient Greece Euripides wasn’t an appreciated playwright. When there were play performances men would be the audience since women weren’t allowed to take part in or watch the plays. So with the focus of women in his plays, he gave them a voice, which would throw men off, mainly because they would be terrified if their wives did and said the same things. Euripides supplied a philosophical thought to the women he has written about.

The skeleton character in the film Black Orpheus is Death, who personifies the immortal concept of death which eventually claims Eurydice before her time and kills her. This character is very important to this movie, which offered a modern day update of the myth (a legend or story used to explain things such as nature or aspects of gods) of Orpheus when this film was initially created in 1959 (No author, 1958), because he serves as the antagonist. An antagonist is an adversary. It is due to the pursuit and the machinations of the skeleton character that Eurydice even travels to Brazil. And, it is due to the skeleton character's relentless pursuit that Eurydice is eventually destroyed by Orpheus, although she compromises her safety by hanging from a power line in order to escape from Death.

The story of Orpheus and Eurydice is one that has been passed down through generations for thousands of years. Almost every generation has heard a rendition of how Orpheus and Eurydice fall in love with one another and are eventually parted by death. I say rendition because this myth is passed on by word of mouth, which in return causes the story to change depending on the story teller. This may also have a great deal to do with the different interpretation people form about the story. Black Orpheus, directed by Marcel Camus in 1959, is an interpretation or modern rendition of the Greek myth, Orpheus and Eurydice. Although this film does not adapt the literal meaning of the

Black Orpheus like its original is a tale of love two people who meant for eachother, but in the end death takes one away from the other. A marble Greek bas relief explodes to reveal black men dancing the samba to drums in a favela. Eurydice arrives in Rio de Janeiro, and takes a trolley driven by Orfeu . He is engaged to Mira, but Orfeu is

In Oedipus the King, the only female character that plays a part in the play is Oedipus’s wife, Jocasta. Although Jocasta’s role in the play is a key component to how the story plays out, she doesn’t seem to have as many lines as the men in the play. This in itself can show that a woman’s opinion wasn’t believed to have much importance compared to the opinion of a man. Jocasta was simply expected to support her husband and his decisions. In the play, Jocasta’s role seem’s to simply be present for the sole purpose of helping push Oedipus into discovering the truth about his birth. She informs him that her former husband was told “that it was fate that he should die a victim at the hands of his own son, a son to be born of Laius” (Pg. 11, Ln 820) and herself. She then continues by telling Oedipus all of the details of Laius’ death, which helps brings him to the realization that he was the man who killed Laius. When they later discover that Oedipus is Jocasta’s son, she kills herself. This seems to be a predictable ending for a woman’s life to end in Greek tragedies and

The myth of Eurydice is a sad story in which two lovers are separated by death. After his love dies, Orpheus journeys into the underworld to retrieve her, but instead loses her for good. Playwright Sarah Ruhl takes the myth of Eurydice and attempts to transform this sad tale into a more light-hearted story. However, despite humorous lines and actions throughout the play, the melancholy situation of the actual tale overwhelms any comicality present. Although meant to be funny, Sarah Ruhl's “Eurydice” can be seen as a modernized tragedy about two lovers who are separated forever by a twist of fate.

Doolittle starts the poem by setting a new attitude for Eurydice, showing the shift from the perceived passivity of Eurydice to a new, more assertive character. It’s important to note that Eurydice is reflecting upon what happened before she became a prisoner of hell for eternity. Where the poem starts is where her growth starts, not her final stage of growth. The poem starts in medias res, showing that this is indeed a continuation of the Orpheus myth and also shows that a lot has happened before the speaker has spoken. Eurydice, the speaker, says, “so you have swept me back”(H.D. 1), referring to when Orpheus came down to the underworld to rescue her. While many readers of the myth may have thought that is was romantic and heroic of Orpheus to come rescue her, the speaker thinks otherwise. She