How Does Charlotte Gray Create Sympathy For Animals In This In Refugee Blue

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Night is an non fiction, dramatic book that tells the horrors of the nazi death camps all around Europe. The book is an autobiographical account of what happened, so the main character is the author. The author is Elie Wiesel who was only 14 year old when Nazi Germany came through his town of Sighet, Transylvania. This is story is set between the years of 1944 and 1945. Elie and his family of 4 are optimistic when Germany begins to take power. Germany invades Hungary, then arrives in Elie’s town. The Nazi’s begin to take over the Jews by limiting their freedom. Jews are eventually deported. The Jewish people are crowded into wagons where they are shipped to Auschwitz. He is separated from his mother and sister. Over the course of the book,

Starting off in Sighet - a quiet and simple town located in Transylvania - Eliezer and his family live untouched and anxiety free. No suspicion of their world crumbling down is present; even with warnings from Moishe the Beadle pleading “Jews, listen to me! That’s all I ask of you. No money. No pity. Just listen to me!” (Page 7), the Jews of Sighet are left carefree. Anxiety does not come until many decrees are passed and a very, very real threat is brought upon the

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The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.

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This story begins to drive the sense of emotion with the very surroundings in which it takes place. The author starts the story by setting the scene with describing an apartment as poor, urban, and gloomy. With that description alone, readers can begin to feel pity for the family’s misfortune. After the apartments sad portrayal is displayed, the author intrigues the reader even further by explaining the family’s living arrangements. For example, the author states “It was their third apartment since the start of the war; they had

Like Bridie and Sheila they too are the forgotten victims of war, left to get on with life in their new country. The opening short sentences establish an atmosphere of sadness and apprehensions as the negative connotations of ‘dampness’, ‘crowded’ and ‘sank’ denote feelings of loss. As the ‘Immigrants’ wait in silence, the onomatopoeia of ‘the train’s whistle’ is a stark reminder of their transition into a new world and loss of the old. A melancholic tone is used to frame feelings of depression coupled with the pathetic fallacy of ‘crowded air’ and ‘dampness that slowly sank into our thoughts’ to capture vividly the common experiences of dislocation that is being felt. The alliterative use of ‘slowly sank’ highlights a loss of hope further denoting pessimism about an uncertain future in a country where indifference is experienced. Skrzynecki’s use of personification ‘time hemmed us in’ reflects the confinement of the immigrants as the extended metaphor of time is symbolic of stasis in their lives, moments of transience, but with little meaning. This loss of identity, both cultural and personal is further expressed through the figurative language where the powerful simile ‘like cattle bought for slaughter’ profoundly expresses their fear and pessimism through

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These sections allow for a change in emotion as each represents a separate part of the ‘homecoming’: Saigon describes the packaging of the bodies and how the soldiers are zipped up in green plastic bags; the flight represents the travel home, which metaphorically could also be their souls to heaven; and the third section is the arrival of the bodies in Australia. The use of pronouns gives the first two sections an emotionless feel as we do not learn specific names or information about the victims. However, when the scene changes to urban Australia in the final section the emotion changes to grief and regret for the families. The emotion of the speaker is indicated by signature language, the poet describing how “telegrams tremble like leaves from a wintering tree” and “small towns where dogs in the frozen sunset raise muzzles in mute salute”. Comparing the telegrams fluttering to the ground to leaves falling from a tree in winter reinforces our assumption of the tragic news contained within the telegrams: the “wintering tree” is clearly a metaphor for death and hence we know that enclosed within the telegrams is notification of the soldiers’ demise. Equally moving is the reference to man’s best friend mourning its loss, the poet describing how the dogs respectfully acknowledge the precious