How Does Cormac Mccarthy Use Of Figurative Language In The Road

The Road, a post apocalyptic novel,written by Cormac McCarthy, tells the story of a father and son traveling along the cold, barren and ash ridden interstate highways of America. Pushing all their worldly possessions in a shopping cart, they struggle to survive. Faced with despair, suicide and cannibalism, the father and son show a deep loving and caring that keeps them going through unimaginable horrors. Through the setting of a post apocalyptic society, McCarthy demonstrates the psychological effects of isolation and the need to survive and how these effects affect the relationships of the last few people on Earth.

The father does not comply with his son and leaves the naked man alone in the cold. This further shows the differences between the boy and his father. The final contrast between the two is exemplified with the ending. Throughout the book the reader is allowed to assume that if the son dies in the novel then the father would consequently commit suicide. At the end of the story when the father dies first the boy stays strong and decides to blindly follow other survivors and put his faith in them. Throughout, the story; however the father doesn't put any trust into anyone. His son, being a foil of him decides to put his faith into other survivors and takes a leap of faith and follow them their camp. This instance further shows the stark difference between the father and the son.

McCarthy’s The Road exemplifies the struggle to survive throughout the entire novel. In the most trying times, during the longest stretches without food, the father’s persistence and confidence

In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the

In addition to this, belonging to a family is a key concept in this novel. The novel opens with an alluring introduction to the family; a blissful atmosphere is created through the picturesque icons of their family life. The composer uses small photograph like icons to allude towards the widely acknowledged contentment that is readily associated with the memories in a picture album. Tan introduces the motif of the paper crane which he carries through the length of his novel as a symbol of affection and belonging between the family members. The next pages signify the break in contentment as the man begins his journey and a salient image of the couple with their hands grasping the other’s parallels the anxiety and despair in their downcast facial expressions. Although the gloomy atmosphere, the light sepia tones in the picture allow an insight into the tender and loving relationship that the family members share. Upon the man’s departure the paper crane motif returns and he hands it to his daughter as a token of his undying love for her. His migratory experience is studded by the comfort and ease that he obtains from a picture of his family. In paralleled scenes on the boat and the new apartment, the

The use of McCarthy’s style of writing is written in a way that someone can detect the feelings of the character rather than the story of what happened. The purpose for narratives is to focused on the plot of the story but McCarthy wants the readers to really feel exactly what the characters feel so he in repetitive of how “Cold and Grey” (McCarthy 19) the world around them is Even when they are physically battle something like hunger, you can really feel that they were almost always “Out of food” (McCarthy 197).

One example of this is when the lady on the train kept yelling “fire!”. She continued to say she saw fire, even though nobody else saw this. Everyone on the train thought she was crazy. This woman was very afraid that she might be burned by the fire she saw. I think that this event could symbolize the fear that everyone had during the Holocaust. Another example of symbolism in this book is all the dead bodies laying around in the end of the book. Towards the end of the book there are lots of bodies lying around that have not been disposed of. I think that this event could symbolise how the people in the camps that were still alive had lost all of their humanity. This can cause the reader to have a feeling of fear when they read the book

Every author creates some type of conflict to have the reader sitting on the edge of their seats whether the conflict be man versus man, man versus self, or man versus nature. The novel The Road by Cormac McCarthy wrote a story about both a man and a boy who have particularly conflicting characteristics when it comes to decision making. The boy in the story is very optimistic about everything and the man can be pessimistic when either deciding on what to do or when thinking about life or the future. In addition, both characters have different outlooks and personalities that can sometimes collide.

How does Cormac McCarthy’s Novel The Road, challenge a reader’s ideas, beliefs, experiences and values?

We often consider the world to be filled with core truths, such as how people should act or what constitutes a good or bad action. In The Road, McCarthy directly challenges those preconceptions by making us question the actions of the characters and injecting a healthy dose of uncertainty into the heroes’ situation. From the very beginning, the characters and their location remain ambiguous. This is done so that the characters are purposely anonymous, amorphously adopting all people. While on the road, the order of the day is unpredictability; whether they find a horde of road-savages or supplies necessary for his son’s survival is impossible to foretell. While traveling, the boy frequently asks “are we the good guy” and the father always replies with “yes” or “of course,” but as the story progresses this comes into question.

Archetypal criticism follows a basic rule of categorizing or relating any work of literature into a set framework. It works from a subjective basis, it is used to determine and grasp the ideas of universal truths messages through literary work. The universal truths and messages are determined by identifying patterns like character types, storylines, settings, symbols. The Road by Cormac McCarthy is a novel that accurately exemplifies the principles of archetypal criticism. This narrative account associates the characters of a young minor and his father to encapsulate the ideas of archetypal criticism. McCarthy presents the novel by setting the scene of a death-defying journey through a post-apocalyptic wasteland of America. The young lad

There are more significant symbols in the novel such as The Boy. The Man and Boy fight to survive many hardships, but through the darkness there is light, The Boy. He is very mature and cares for every stray person they pass. One person he cares for is a man named Ely, an old man with nothing but the clothes on his back, until he meets The Boy and his father." 'You should thank him you know, I wouldn’t have given you anything' "(McCarthy 173). The Boy wants everyone to survive and is willing to share his supplies even if it means he won`t have all the things he needs to live.

For ages, people have been debating the idea of human morality and whether or not at its core humanity is good or bad. This philosophy is explored in Cormac McCarthy’s novel, The Road. The road is the story of a man and boy living in a post-apocalyptic world. Some cataclysmic event has crippled Earth’s natural ecosystem, leaving the skies engulfed in ash and the ground devoid of much life. The duo aim to journey south as a way to escape being frozen to death in the oncoming winter. During their journey, the boy and man come across different people and places that give them a better understand of what humanity has become and where they stand on that spectrum. Throughout The Road, McCarthy revisits the idea of being the “good guy” when there is no longer a need to, “carrying the fire” as it’s detailed in the book. The dichotomy between the boy’s moral conscience and the man’s selfish ideals helps develop McCarthy’s idea of humanity losing its selflessness in the face of danger.

The Road is a story where is set in a post-apocalyptic world, where the date and location is unnamed. The author of the novel Cormac McCarthy doesn 't describe why or how the disaster has demolish the earth. But after reading the novel, I can sense that the author wanted to present a case of mystery and fear to the unknown to the reader. By the author 's exclusion I think that the story gains a better understanding of what the author wanted to express to the reader. An expression of a man and his son surviving in a post-apocalyptic setting.

Cormac McCarthy’s The Road is his post-apocalyptic magnus opus which combines a riveting plot along with an unconventional prose style. Released in 2006, the novel has won awards such as the Pulitzer Prize and the National Book Critics Circle Award (Wilson). Oprah Winfrey also selected the book for her book club ("Cormac McCarthy”). The author, Cormac McCarthy, was born in 1933 in Rhode Island and is said to have wrote the novel because of his son and their relationship. The Road centers around a boy and his father while they try to survive after an unknown disaster occurs. While some people may argue that the unusual style takes away from the novel, it adds to the tone and meaning of the work.