How Does Davine Influence Dante's Inferno

Sir Gawain has played a significant role in Arthurian legends since the Middle Ages. His first major appearance in Sir Gawain and the Green Knight depicts Gawain as a warrior rather than a womanizing knight like others from King Arthur's court. Even in Sir Gawain and the Green Knight, Gawain focuses on his battle with the green knight rather than the advances of Bercilak's wife. During Gawain's visit to Bercilak's castle, his wife makes three specific advances to entice Gawain into an adulteress relationship. Although Gawain faces certain death with the Green Knight, he declines any sexual involvement with Bercilak's wife. Gawain's character remains faithful to his

Your greatest enemy and hindrance is yourself. Lessons like this are difficult to grasp and overcome, but this is just what is taught in Sir Gawain and the Green Knight. Numerous morals, including this one, are illustrated in SGGK through the use of Christian allusions and traditions. Gawain’s personal struggles on his turbulent journey teach him to both respect and fear women, to resist temptation, and to always practice honesty. He learns these important life lessons through his many failures that nearly cost him his eternal life and reputation. Values of Christianity and Chivalry collide in conflict when Sir Gawain is learning his first lesson about women.

The women in Sir Gawain and the Green Knight and Paradise Lost both had a serious impact over the men in their lives. In Sir Gawain and the Green Knight, the host’s wife heavily influenced Sir Gawain’s thoughts and strategies through seduction, especially when she offered her girdle. The host’s wife was put there to test Sir Gawain’s loyalty, and he gave in. In Paradise Lost, Eve was beneficial to Adam in many ways. Eve provided Adam with companionship, gave Adam confidence, and also helped convince him to eat the apple. Both women held crucial amounts of power, and effected the outcome in both poems.

Gawain however will not coward out and will remain loyal to the agreement and shrugs off the warning. He eventually runs into the Green Chapel and calls out for the Green Knight. The Green Knight takes three swings at Gawain purposefully missing the first two, and then nipping the neck of Gawain on the third blow. Gawain, not harmed, arose and requested to fight the Green Knight drawing his sword. The Green Knight says he didn’t want to fight only because Gawain has fulfilled the agreement already. He explains that he spared Gawain the first two times for receiving the kisses back from him but the third blow was for not returning the Green Girdle he received. Gawain was thankful and explained that women were the reason for men’s downfall giving examples. The Green Knight introduces himself as Lord Bertilak and explained the Old lady whose face was covered was his Aunt Morgan Le Fay, Merlin’s apprentice, and that he had a spell cast on him. He says the main reason he came to King Arthur’s court was Morgan Le Fay’s plan to scare Queen Guinevere to death. He asked Gawain to come and stay at his castle because he is loved there but he declines and rides back to Camelot with The Girdle under his left arm to show that he committed fault to enemies back along the way as well as the

Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this

The two poems are almost complete opposites. In Macbeth the protagonist, Macbeth, advances to power through murder, progressively becoming more evil, or sinful, in nature. Macbeth moves progressively farther from God and moral rightness, the opposite of Dante both in character and development. Macbeth begins as an honourable man who wants to serve his King and country but eventually becomes a traitor to his benefactor which, in the terms of Inferno, would place him in the ninth circle of Hell, along with Lucifer, Brutus, Judas and Cassius. Dante begins as a man who is off the moral path and later becomes closer to God. Macbeth’s wife manipulates and pressures Macbeth into becoming the King through assassination. While in Inferno Dante progressively becomes less evil and closer to God by traveling through Hell and eventually stops pitying the souls of the damned and actually begins condemning them. His departed love, Beatrice, asks Virgil the Roman poet in the first circle of Hell to

After further reading ‘Sir Gawain and the Loathly Lady’, I have seen that the character Sir Gawain. Had shown distinctive signs of being understanding. Firstly, when Sir Gawain loudly complies “Sire, I beg you, let me defend you! Grant me the quest, that I may be the one to save the honour of my king!” There, Arthur was looking to uphold the Loathly Ladies ‘absurd’ request; of marrying one of his own men.

The role of women was a key role in medieval times. In the poem of Sir Gawain and the Green Knight, two women represent this role. They are Lady Bertilak, who is Lord Bertilak’s wife, and Morgan La Faye. It all starts when Sir Gawain is welcomed to Lord Bertilak’s castle and then he meets these two women living there. At all times, Bertilak requests Gawain to feel at home and socialize with these women without problems. Bertilak trusts Gawain even though he would be away and Gawain would remain alone with women. However, his nameless wife uses many different ways to chase Sir Gawain and take advantage of her condition as the host’s wife. Lady Bertilak is a superior being that

Gawain is willing to put his welfare on the line to save his king and friend. He says that he would be a coward and without honor if he lets King Arthur die knowing that all he must do to save him is to marry a woman, although she is quite disgusting.

At the beginning of the tale, Sir Gawain struggles with loyalty. The Green Knight came to test the honesty of one person, so he announces a game. No one volunteers because they are stunned by the weirdness of his request. The Green Knight calls out King Arthur himself to take the challenge. So, Arthur takes the challenge but Sir Gawain steps forward to accept his challenge when he was confronted by the Green Knight. Gawain accepts the challenge to chop off the Green Knight’s head, Before he knew that the Green Knight has supernatural abilities. So, after he chops the Green Knights head off, he stills survive. Instead of dying, the Green Knight walked over to his own head, picks it up, turns it to face Gawain, and tells him to meet him at the Green Chapel in a year and a day. Sir Gawain leaves to find the Green Chapel and fulfil his pledge as the end of the year approaches. After riding through many dangers he comes upon a castle. He was welcome by the lord of the castle and the lord decides to invite him in to

The challenge of maintaining virtues becomes a psychological game as Gawain is separated from his peers. He battles foul enemies including “dragons/ ...wolves, and satyrs, / And forest trolls, / And bulls, and bears, and ivory-tusked boars, / And giant ogres” (lines 719-723), but his physical monsters are glossed over in comparison to the mental turmoil that Gawain faces during this segment of his journey. In his “friendless” (line 714) time “nowhere near home” (line 714), Gawain lacks the support system of his compassionate friends of the court. The only backbone he has is in his faith, leading to his prayers to Mary “To end his grief, / To guide his weary / Steps to relief” (lines 737-739) in an act of piety, another knightly virtue that Gawain embodies. Coincidentally, the pious act that grants him the salvation of discovering the castle and brings the joys of having human companionship again also leads him to his greatest challenge: the seduction of the Lady Bercilak.

Dante is a poet who wrote an epic poem called The Divine Comedy. This epic poem is about Dante’s journey as he goes through 3 levels, which he calls Inferno, Purgatory and Paradise. In the Inferno, he meets Virgil, his guide throughout his voyage. They both pass through the nine circles of Hell, where they witness many different punishments for those who have done awful things in their past. Good versus evil is a major theme that occurred throughout Hell. In the Inferno, there are times where Dante sees good and evil and also represents it himself.

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

As Dante makes his ascent through hell and purgatory, he is guided by two figures. The first is Virgil, who saves him from peril and accompanies him, as a friend, through the layers of both afterlifes. The second is Beatrice, who inspired Dante’s journey of salvation in the first place, and who he longs to be reunited with. Yet although these guides are leading him towards God, Dante mistakes their guiding as the end itself. He makes a God of Beatrice, sees her as the ultimate good towards which one strives, and makes a Jesus of Virgil, the man through whom this ultimate good is reached. In this way, Dante creates his own trinity, much to the detriment of his ascent to the True God.

The medieval church taught that women were inferior to men and that they should be compliant and obedient to their fathers and husbands. Men look down to women as their respect for their ladies are limited as in Canterbury Tales were these women start out as beneath men. These same men who feel the need to arrogate women of their dignity find their fate is later put into the women’s hands. Although a women is taciturn and does not speak out to the men and talk of their animadversion toward the men’s behavior, these same ladies have the power to then decide how these men should serve their punishment for their sacrileges and unruly decisions as in the “Wife of Bath’s Tale”, were after his life was saved by an old lady, in return this old women requested to him to “take me as your wife” (p.138). A women’s love and passion should be approached with appreciation and admiration otherwise being inconsiderate and impassionate will turn a women against a man.