Don Giovanni is a one-of-a-kind character, yet so predictable living a certain lifestyle, almost to the point of being mysterious. It is the enlightenment era however, where a lot of impossibilities were being explored, and presented to the public in different forms, including this opera, Don Giovanni. Although Don Giovanni seems like a total embodiment of immorality, he nevertheless carries some admirable principles, sparkling the enlightenment idea through the story of Don Giovanni.
As we all know, the Enlightenment is known as the era of reasoning. Many had started to realize the power of rational and logical thinking. Don Giovanni is a great example for this type of thinking. Although more probably accuse him rather than praise him of seducing so many women, Giovanni has his own reasoning to it. “(How can it be fair if I just marry one woman)”? This is in fact capable of bearing careful thoughts. It would not be fair for Giovanni to stay with one single woman, for thus not only would it be unfair to all the other women, but Giovanni would
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In Lord Byron’s Don Juan, “Pleasure’s a sin, and sometimes sin’s a pleasure” (Canto the first). It was not uncommon to consider pleasure as something sinful, but to think the reverse such that sin brings pleasure is a brand-new idea. Just as the Don Giovanni in Mozart’s work, the main characters pursue in their own favor the goal of their lives. “Few mortals know what end they would be at, tut whether glory, power, or love, or treasure, the path is through perplexing ways, and when the goal is gain'd, we die…” (Canto the first) In such a shirt a life that one lives, Don Giovanni and Don Juan both seize the meaning of their lives and bravely pursue their love. This level of liberty cannot be ignored from the enlightenment idea of
Ever since the beginning of time, love has played an enormous role among humans. Everyone feels a need to love and to be loved. Some attempt to fill this yearning with activities and possessions that will not satisfy – with activities in which they should not participate and possessions they should not own. In Andrew Marvell’s poem, “To His Coy Mistress,” the speaker encounters an emotion some would call love but fits better under the designation of lust for a woman. In contrast, the speaker of Robert Herrick’s poem, “To the Virgins, to Make Much of Time,” urges virgins to marry, to make a lasting commitment in which love plays a
Without using reason in our everyday lives, society will collapse and turn into nothing but chaos. During the Enlightenment, a time when reason was beginning to be applied to the people’s thoughts, there were many great thinkers, but there were three in particular that attempted to change society’s unreasonable thinking. Voltaire, John Locke, and Mary Wollstonecraft all believed in freedom of choice; however, they believed in different branches of freedom of choice such as religion, government, and women’s education.
Joel Kupperman in Six Myths about the Good Life: Thinking About What Has Value evaluates that humans as a whole want more comfort and pleasure in life as he it “may represent a tendency that is wired into normal human nature” (Kupperman 1). Through the explanation of pleasure as well as its arguable counterpart, suffering and the discussion of their values in addition to the counterargument of hedonic treadmill, Kupperman’s views about the role of pleasure in living a good life can be strongly supported and evaluated.
Some people consider freedom the meaning of the good life. Thoreau teaches that the good life is “freedom from desire.” To have a good life people must be free to make their own choices and mistakes. However, other people have a different opinion about the good life—Andrew Carnegie believes people can find the good life through success and wealth. Yet still, others want neither of these, choosing instead to stay innocent with no responsibilities like Adam and Eve, free from decisions and the stresses of everyday life. Another view is Freud’s Pleasure Principle that suggests people are interested only in fun and doing whatever they want all the time. Moreover, these people don’t want to worry about anything else.
In evaluating the philosopher’s goal of determining how to live a good life, Epicurean philosophers argue that pleasure is the greatest good and pain is the greatest bad. Foremost, for the purpose of this analysis, I must define the pleasure and pain described. Pleasure is seen as the state of being pleased or gratified. This term is defined more specifically by the subject to which the pleasure applies, depending on what he likes. Pain is the opposite of pleasure, which is a type of emotional or physical un-pleasure that results in something that the person dislikes. “Everything in which we rejoice is pleasure, just as everything that distresses us is pain,” (Cicero 1). Through this hedonistic assessment of pleasure and pain, epicurean philosophers come to the conclusion that, “the greatest pleasure [is that] which is perceived once all pain has been removed,” (Epicurus 1).
Giving Character's character is one of the most interesting challenges in operatic composition; another is composing for all the specific characters. A composer has to distinguish between characters through his music. Jan can't sound like Fran, and Dan can't sound like Stan. Each character must have his/her own traits. Mozart's opera, Don Giovanni, provides us with many different characters to compare and contrast.
In fact, however, the pleasures differ quite a lot, in human beings at any rate. For some things delight some people, and cause pain to others; and while some find them painful and hateful, others find them pleasant and lovable…But in all such cases it seems that what is really so is what appears so to the excellent person. If this is right, as it seems to be, and virtue, i.e., the good person insofar as he is good, is the measure of each thing, then what appear pleasures to him will also really be pleasures…and if what he finds objectionable appears pleasant to someone, that is not at all surprising: for human beings suffer many sorts of corruption and damage. It is not pleasant, however, except to those people in these conditions.
The role of pleasure in morality has been examined thoroughly throughout the beginning of philosophy and continues to be a questionable issue. With these in-depth examinations, some similar outlooks as well as differing views have been recorded. Many philosophers have dissected this important topic, however I intend to concentrate of the famous works of Aristotle, Immanuel Kant, and John Stuart Mill. After meticulously analyzing each of the above philosophers’ texts, I personally prefer the position of utilitarian and Benthamite, John Stuart Mill. After comparing and contrasting the positions and reasonings of these philosophers, I will demonstrate my own reasons why I have chosen John Stuart Mill as the most established in his theory of the role of pleasure in morality.
Don Giovanni is an operatic character that plays a womanizer during the 17th century. This was a play first performed in 1789, a successful creation of Mozart and DaPonte. During the play, Don Giovanni represents a sociopath that is lead by his incredible weakness for women. This weakness leads him into darkness, complete with seduction, and murder. Since the beginning, many people have seen Don Giovanni as a hero but many others have considered him a villain. The actions of Don Giovanni are not completely heroic neither are they totally villainous. But is noticeable that throughout the play he is more a hero than a villain.
“Nevertheless, faith in knowledge and reason and in the progress they were held certain to achieve remained the dominant characteristic of the Enlightenment.” With the change in political climate, women began to grasp the idea of reason in the new society. There was a fight for education, professionalism, and citizenship. The change that the Enlightenment brought to the world, gave women the lifeline they needed to pull away from their domesticated roles as housekeepers, wives, and mothers.
Religion a deadly tool to control the masses. It was the core of many ideas and values of the past. This tool, however, was not perfect; during the enlightenment one of the main goals was to fix all the corruption of the church. Fixing some of the holes of the church lead the Age of Enlightenment to chisel and reshape the way of thinking into a work of art as triumphant as Leonardo De Vinci 's David. The modernism movement was the final product of the age of enlightenment, the beginning of the abolished the core ideas of religion swaying away from Gods Light.
The Leading Doctrines of Epicurean philosophy state that ‘it is impossible to live the pleasant life without also living sensibly, nobly and justly, and conversely it is impossible to live sensibly, nobly and justly without living pleasantly’ (Epicurus, 1998b, p.53). Therefore, the good Epicurean believes in order to live virtuously, one must adhere to a pleasurable life. For Epicureans it is impossible to live virtuously and unpleasantly or vice-versa. In addition, Epicurus describes pleasure as our ‘primary native good’ (Epicurus 1998a, p. 51), implying that all human actions are driven by pleasures and by the avoidance of pains. Another imperative concept to Epicurean philosophy is Epicurus’ idea of the three fundamental aspects in attaining pleasure, those of friendship, freedom and an analysed life
Giovanni is recounting what she’s had to do time and time again and the tone of the poem is one of frustration; frustration with the idea that, as a child, she was given the responsibility to surveil her father, yet without any means of action to curtail the violence that ensues. Giovanni goes so far to even describe herself as “[I am] the silent film (100)” to highlight that, while she may be watching, she is incapable of changing the circumstance because her voice would likely be silenced as “What goes on/In our house/Stays/In our house (Giovanni 100).” Her frustration with her inability to act is also a direct analogy to her frustration with the government’s lack of engagement in her family’s
Thus although virtue is inseparable from pleasure and necessary if we are to be happy, it is to be chosen not for its own sake but for the sake of pleasure. Beauty and the virtues and the like are to be honored if they provide pleasure, but, if they do not, we must say goodbye to them.(Intro. Epicurus, 124)
To support Aquinas’ claim that money, honor, fame, power, goods of the body, or pleasure is not required for human happiness, one may cite they share ends for the sake of human beings. That is, their ends are meant only to fulfill human capacities