How Does Emily Brontë Use Syntax In Wuthering Heights

Since its publication, Wuthering Heights has intrigued its readers; a love story gone wrong, twisted by vengeance and heartbreak. Many important factors of the novel are displayed in the portion of the novel narrated by Ellen. The passage in Wuthering Heights in which Catherine Linton’s funeral is described is vital in explaining important relationships in the novel, particularly the relationship between Heathcliff and Edgar Linton.

In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.

When Heathcliff returns three years later, his love for Catherine motivates him to enact revenge upon all those who separated him from her. Since he last saw Catherine, he has “fought through a bitter life”; he “struggled only for [her]” (Brontë 71). Nelly observes a “half-civilized ferocity” in Heathcliff’s brows (Brontë 70); she views him as “an evil beast…waiting his time to spring and destroy” (Brontë 79). Heathcliff’s obsessive love for Catherine becomes a menacing threat. Heathcliff reproaches Catherine because she “treated [him]

   "My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff" (81)" These words, uttered by Catherine, in the novel Wuthering Heights are for me the starting point in my investigation into the themes of love and obsession in the novel. Catherine has just told her housekeeper that she has made up her mind to marry Edgar Linton, although she is well aware that her love for him is bound to change as time passes. That she is obsessed by her love for Heathcliff she confirms in the above quotation and by saying that she will never, ever be separated from him. Why does she not marry him then? Well, she has

“In vapid listlessness I leant my head against the window, and continued spelling over Catherine Earnshaw – Heathcliff – Linton, till my eyes closed; but they had not rested five minutes when a glare of white letters started from the dark, as vivid as spectres – the air swarmed with Catherines; and rousing myself to dispel the obtrusive name, I discovered my candle wick reclining on one of the antique volumes, and perfuming the place with an odour of roasted calf-skin.”

We can also see this influence on Heathcliff’s person in contrast with Edgar Lindon, when Nellie describes the differences between the two men ‘it was like exchanging a bleak, hilly, coal country for a beautiful fertile valley; and his voice and greeting were as opposite as his aspect."

    Critics analyze and examine Wuthering Heights to obtain a deeper understanding of the message that Emily Bronte wants to convey. By focusing on the different literary elements of fiction used in the novel, readers are better able to understand how the author successfully uses theme, characters, and setting to create a very controversial novel in which the reader is torn between opposite conditions of love and hate, good and evil, revenge and forgiveness in  Thrushcross Grange and Wuthering Heights. There is no doubt that the use of conflictive characters such as Catherine Earnshaw, Heathcliff, and Edgar, with their interactions in the two different settings creates an

1. As it deteriorates and dies, Heathcliff and Catherine’s relationship serves as a cautionary tale and a witness to love’s destructive nature. Their love for one another is an addiction. Catherine long for Heathcliff and states, “I wish I could hold you.. till we were both dead” (Brontë 357). Catherine understands their relationship as “a source of little visible delight, but necessary” (Brontë 183). She views herself as one in the same with her lover, “Nelly, I am Heathcliff” (Brontë 183). She is obsessed with him-- regardless of her relationship with Edgar, Heathcliff never ceases to occupy her thoughts. If she were to lose Heathcliff, she would effectively go through withdrawal; their love is an addiction. She wants possession of Heathcliff

An interesting incident in the story takes place in Wuthering Heights, Heathcliff’s former home, when he returns with his new wife, Isabella Linton. He causes her great discomfort by leaving her alone in the house for a long period of time to the point of her describing him as “ingenious and unresting in seeking to gain [her] abhorrence” (Bronte 144). Heathcliff is only emotionally attached to Catherine; to all others, he treats cruelly and does not restrain his harsh insults. The major climax of the novel and the resolution to the main conflict occur with the final, dramatic union of Catherine and Heathcliff. As the two embrace and Catherine’s maid approaches them, Heathcliff “[gnashes] at [her], and [foams] like a mad dog, and [gathers] [Catherine] to him with greedy jealousy” (Bronte 159).

Emily Bronte really does do good job bringing in love, passion, longing, and death and also the afterlife, which has a way of linking them all rolled up into one, and creates the excellent novel that we all refer to in this current time as Wuthering Heights. Even though Catherine and Heathcliff's desire for each other did appear to be the attraction of Wuthering Heights, provided that it is greater and more lasting than any other sentiment that had really put on display throughout the entire novel, Bronte also does a great job with showing the provocative theme of demise and the afterlife in her novel, conferring to the disapproval of Robert M. Polhemus. Polhemus composes a criticism that goes all the way back to the early 1990s era and it was titled, "Love and Death in Wuthering Heights", and in this he makes a huge discussion of death, love, and the afterlife, and then clarifies how all three are connected.

The novel Wuthering Heights by Emily Bronte tells a story of a man named Heathcliff, who spends his whole life fueled by jealousy, revenge, and love. As a young boy, he and a girl named Catherine spend a lot of their time together. Heathcliff falls in love with Catherine and wants to pursue a marriage with her, however Catherine has other plans. Catherine is in love with a man named Edgar, but for all the wrong reasons. Thus begins the story of Heathcliff’s revenge.

Diction allows visions to be seen, whispers to be heard, and emotions to be felt. The use of images and representations defines a writer’s objectives. In Wuthering Heights, Emily Bronte highlights the magnitude of the conflict between Catherine, Edgar, and Heathcliff and maintains the audience’s attention through intense, figurative, yet entertaining usage of imagery and symbols. Imagery is used to help manifest ideas by stimulating one’s physical senses. Bronte aimed to describe Catherine’s hysteria and appeal to the audience by using visual images during Catherine’s fits of rage.

The events in a child’s life mold who he or she will one day become; for Catherine this was the day she and Heathcliff snuck out to the Thurshcross Grange and she injured her ankle. During her early years, Catherine was free spirited and was unable to understand or relate to her father’s serious attitude. In attempt to provoke her father Catherine,

This leads to him running away from the heights entirely, leaving Catherine to marry Edgar. “He had listened till he heard Catherine say it would degrade her to marry him.” (81). Upon his return (two years later), Heathcliff marries Isabella to get back at Catherine, and her speech about how marrying him would degrade her. Isabella is also taken against her and her family’s will. Heathcliff kidnaps her and locks her away at the heights. In a letter written to Nelly, Isabella confirms that it was truly against her will for her leaving, and that she cannot return in the time of crisis in her brother’s life. “… an entreaty for kind remembrance and reconciliation, if her proceeding offended him: asserting that she could not help it then, and being done, no power to repeal it.” (140). In the act of kidnapping Isabella, Heathcliff’s intent is to hurt Catherine. Catherine would develop almost a jealous-like temper towards the whole situation, as Heathcliff knew it would. Even on Catherine’s deathbed, there is a constant push and pull (in almost a literal sense) of the cruelty that goes on between the two of them. Between the crying, the vexing, and the constant apologies, comes the brutal cruelty of the words Catherine speaks to Heathcliff. “I shall not pity you, not I. You have killed me – and thriven on it, I think.” (164)

The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.