How Does Esther Reflect The Permanence Of Pain?

The social code of the Victorian era places women in a role of obedience. They are expected to fulfill duties such as a mother, keeper of a house, and to be a quiet and “behaved” spouse. The narrator in this story is an obedient spouse, who has become a new mother that experiences postpartum depression. The change in her role sparks a change in her demeanor, causing a “nervous condition”, in which her husband dictates her treatment. John’s treatment of his wife represents the powerless-ness and repression of women during the late nineteenth-century.” (Wilson). John’s authority over her treatment, mimics that of patient to doctor relationship, and further reminds her of her secondary status during the era.

Despite this initial attraction to, and appreciation of, Doreen’s messy, flirty lifestyle, Esther still remains stuck in a traditional mindset. She turns on Doreen after she witnesses what she perceives as Doreen’s whorish, sloppy behavior in the incident with Lenny, where in which Doreen had drunk herself sick and acted promiscuously with a man she had met on the street just a few hours before. Esther even states that “[d]eep down, I would be loyal to Betsey and her innocent friends. It was Betsey I resembled at heart” (22). Earlier in the novel, Doreen and Esther had made fun of Betsey’s wholesome, goody-goody personality, calling her “Pollyanna Cowgirl” (6) behind her back. Even though Esther was originally awed by Doreen’s boldness, she feels naturally compelled to stay true to the clean, innocent lifestyle preferred for women in the 1950s.

Poverty and hardship are shown to create vulnerability in female characters, particularly the female servants, allowing powerful men to manipulate and sexually abuse them. Kent illustrates how poverty perpetuates maltreatment and abuse in a society like Burial Rites using the characters of Agnes’ mother Ingveldur and Agnes. Agnes’ mother is forced to make invidious choices as her children are “lugged along” from farm to farm, where she is sexually exploited by her employers. In spite of these circumstances, Agnes’ mother is commonly referred to as a whore in their society which abhors female promiscuity yet disregards male promiscuity as a harmless character trait; as in the case of Natan, who is merely “indiscreet” despite all his philandering. Born into poverty, Agnes experiences similar sexual coercion and manipulation from her “masters” and yet is labelled “a woman who is loose with her emotions and looser with her morals”. The severe poverty of Agnes is explicitly demonstrated to the reader by Kent through the intertextual reference of her entire belongings - a very dismal, piteous list to be “sold if a decent offer is presented”. Furthermore, Kent contrasts the situation of Agnes, a “landless workmaid raised on a porridge of moss and poverty”, to the comparative security Steina has experienced using a rhetorical question from

The book of Esther tells the faithfulness of one woman and her uncle. It is only one of two books that contain the heroism and bravery of a woman heroine. The story of Esther accomplishes two profound things, the first: “To demonstrate God’s providential care of his people, even those outside the land of Israel, and 2) to commend the observance of the feast of Purim by relating how it originated” (Breneman 289).Unlike the rest of the Bible the story of Esther does not directly state or talk about God, but instead shows God’s plans for all of our lives and how in all frightening moments of life, He remains faithful to those who trust and have faith in Him. “In spite of the omission of any name for deity, there is no other book in all the

In Nathaniel Hawthorne 's “The Birthmark”, we find the tragic story of a woman named Georgiana who sacrificed her life for the sake of appeasing her husband, Aylmer. What did Georgiana do that it was more favorable for her to die than to continuing to displease her husband? Georgiana, who was otherwise hailed as incomparably beautiful, had a birthmark on her face. Aylmer desired this to remove this birthmark, which he considered the one thing keeping her from being “perfect”, from her face. In an attempt to remedy his wife’s “imperfection”, Aylmer makes an elixir for her to drink. While this elixir successfully removes the birthmark, the same elixir also causes Georgiana to die soon after. This story brings to light several examples of how society belittles women and puts their desires below the desires of men.

As a woman, the narrator must be protected and controlled and kept away from harm. This seemed to be the natural mindset in the 19th century, that women need to have guidance in what they do, what decisions they make, and what they say. John calls her a “little goose”(95) and his “little girl”(236), referring her to a child, someone who needs special attention and control. His need for control over her is proven when she admits that her husband is “careful and loving and hardly lets me stir without special direction”(49). John has mentally restrained the speaker’s mind, she is forced to hide her anxieties, fears and be submissive, to preserve the happiness of their marriage. When the narrator attempts to speak up, she is bogged down and made guilty of her actions. Her husband makes her feel guilty for asking, he says, “‘I beg of you, for my sake and for our child’s sake, as well as your own, that you will never for one instant let that idea enter your mind!’”(225-226). By making her feel guilty for her illness, John has trapped her mentally from speaking up about it, convincing her that she must be more careful about her actions. Men often impose the hardships placed upon women during this era. They are often the people reassuring them of their “womanly” duties, and guiding them

“A Sorrowful Woman” features a superficially simple narration style. “Now the days were too short. She was always busy,” Stylistically clipped, with a clear passive, detached, voice the narration style seems to be a banal, unimportant feature of the text. Yet the exact mendacity that prompts this description actually serves as a prerequisite to developing an understanding for the principal character’s mindset, and consequently the theme of the text. The last passage contains numerous examples of detached narration but the clearest occurs when “She was always busy. She woke with the first bird. Worked till the sun set. No time for hair brushing. Her fingers raced the hours.” The concise, third person narration in this segment allows the reader to experience the slightly off viewpoint of ‘the mother.’ Specifically, given the lack of motivation present through the text coupled with the concluding suicide it becomes evident in the text that ‘the mother’ is suffering from depression. Given the societal stigma surrounding mental illness authors generally face an uphill

For instance while she and Buddy are watching a woman give birth she accounts, “The woman’s stomach stuck up so high I couldn’t see her face or the upper part of her body at all. She seemed to have nothing but an enormous spider-fat stomach and two little ugly spindly legs propped in the high stirrups and all the time the baby was being born she never stopped making this unhuman whooing noise”(Plath 35). Plath is using the visual imagery of the description of the woman’s body to show how grueling it is to go through childbirth, how Esther is challenging the fact to even have a baby if having to endure that much pain. Plath is also using the metaphor of comparing the woman’s body to a spider to show how nasty and unwanted childbirth truly is, which is against how society celebrates childbirth, Esther views it as

The “fear” of women is one of the novel’s most central features. As most of the male patients in the novel have been damaged by relationships with overpowering women. The hospital, run by women, treats only male patients, showing how women have the ability to emasculate even the most masculine of men. The narrator of the novel, Chief Bromden, witnesses the

Purity was no less important than piety. Women were warned men would try to steal their purity, but they must be strong and resist the temptation. Thomas Branagan threatened women a horrible fate if they did not remain pure in the 1808 publication, The Excellency of the Female Character Vindicated, “You will be left in silent sadness to bewail your credulity, imbecility, duplicity, and premature prostitution” (Welter 103). Women of the Nineteenth Century were taught to believe the contradiction that purity before marriage brought happiness, until it was time to be married and all innocence is lost. Without proper preparation to deal with the moral dilemma women were expected to deal with this severe change in their lives without questions (Welter 104).

When the readers meet the young, subordinated wife of a physician, who remains nameless throughout the entire story, perhaps hinting at the commonness of such situations where all those women are the same: faceless and nameless, this woman’s dilemma becomes obvious. She has been stripped off the only function a woman in those times had, the domestic one, due to the fact that she suffers from a mysterious illness which requires the infamous bed cure. Gradually, she is treated more and more as a child, unable and even forbidden to express herself in a creative way, namely to write, being persuaded that it cannot do any good to someone in her condition. This is why the protagonist (who is simultaneously the narrator), takes it upon herself to write a journal about her experiences and the mysterious woman that haunts her from the

Esther’s madness is presented as a consequence of her rebellion against the archetypes of gender roles, which she is surrounded by in the novel. Chodorow argues that, in our subjective understanding of gender relations, individuals ‘create new meanings in terms of their own unique biographies.’ Chodorow’s argument is evident in how Esther understands gender relations through her experience with Buddy Willard. His mother believes that ‘what a man is is an arrow into the future and what a woman is is the place the arrow shoots off from’ (Plath, 67). In the juxtaposition of a place and an arrow, the woman is presented as a constant and a base which enables the man to progress. Esther’s awareness of this outlook and her rejection of it allows

Similarly, “Incidents in the Life of a Slave Girl” offers many insights into the suffering that life can sometimes offer. Her account does not have the same subtle optimism found in “A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson”, however, it similarly shows how many can take their luxurious lifestyles for granted, by outlining the suffering or even discussing a woman who was happy her child was dying and would be removed from a life of pain (23). Both of these texts clearly outline how resilient human nature can be – they both tell the stories of women who are put into incredibly challenging situations and yet they both continue to survive. This survival mechanism of humans is an intriguing recurring theme in both texts and is a similarity that links them both together.

Sin, a dark and powerful force, twists the soul and warps the mind to the point where it leaves society with unconquerable difficulties in everyday life. Nathaniel Hawthorne, quite successfully, uses literature to its full potential in order to express sins presence in life. He uses the short story, “The Birthmark” to express this theme. In this story, a man by name Aylmer for the first time sees a small defect in his otherwise beautiful wife, Georgiana. When Aylmer mentions it to her, she feels hurt, but it does not seem to affect her self-image. However, as time went on, the birthmark started to bother her causing her to believe she was flawed and in need of fixing. With the assistance of Aylmer's servant, Aminadab, Aylmer creates a miracle drug that would cure his wife of her imperfection: the birthmark. The possibly deadly drug incites fear in her husband; however, the blemish on her face troubles her, as well as her husband, to the point where she believes her life means nothing unless she could get it removed. After much meticulous preparation, the wife takes the cure. At first, everything seems well as her birthmark faded, however soon everything goes wrong, and Georgina has a terrible reaction. Soon after taking the cure she dies, leaving Aylmer heartbroken and alone without his wife. In, “The Birthmark,” Nathaniel Hawthorne brings to light sin’s presence in society through the use of allusions, symbolism, color, and beauty.

At this point she simply finds no other way but to accept the stereotypical view of a young innocent girl in a relationship with an experienced man, another example of women being victims of male authority. The key to the bloody chamber is the key to her selfhood and subjugation that will ultimately kill her. ‘The protagonist’s husband clearly considers her an object of exchange and plans to inscribe upon her his continuing tale of punishment for wives’ disobedience’[viii] again showing how women make themselves victims of their own behaviour, Helen Simpson’s interpretation is that ‘I really cant see what’s wrong with finding out about what the great male fantasies about women are’ [ix] The heroine fights against the victimisation, and indeed reverses role with the male in the story, as it is Marquis who dies and it is the female who leaves this chamber and finds happiness.