In the myth “Pygmalion” by Bernard Evslin, Pygmalion is a passionate sculptor who has an unconditional love for the goddess of love, sex, and beauty, Aphrodite. Throughout Evslin’s myth, he uses literary devices to demonstrate Pygmalion’s unwavering devotion to perfection and beauty. In the beginning of the story, Pygmalion’s devotion to love, specifically towards Aphrodite is displayed through repetition. During their interactions, Pygmalion exhibits his feeling towards the goddess by using repetition to express that he loves her and no one else, “Yours, Aphrodite. Yours, yours. I love you and you alone” (1). When Pygmalion says “I love you and you alone”, he is using repetition of the word “you” to emphasize his dedication to her and no other woman in the world. There are many scenes in the myth in which repetition is used for this purpose but a few stand out amongst them all. Another instance that this literary device is used is while Pygmalion is explaining why he must carve Aphrodite into a marble statue. He is responding to Aphrodite’s questions when he states, “Of you, of course! Of you, of you! I told you that I have loved you all my life without ever having seen you” (2). For the same reasons as the previous quotation, Pygmalion is declaring …show more content…
This is when an non-human object or animal is given human attributes or qualities. Bernard Evslin was right to include this literary device because it helps convey the message of what he is trying to get across to the reader more effectively. By relating inanimate objects to humans, it is easier for the audience to understand what the text is trying to communicate. A lot of personification shows up after Pygmalion is done with the statue. Aphrodite is telling Pygmalion he isn’t allowed to marry the statue instead of a woman but he thinks that his creation is full of life, “my blood went into her making. My bones shaped
Society today revolves around appearance, love, and relationships with others. Young girls grow up yearning for the perfect body image to accomplish what is considered ‘beautiful’. Many people desire their relationship to develop a particular way based on the typical definition of romanticism. Aphrodite, the goddess of love and beauty, influences all people looking for love or in love. A negative aspect of Aphrodite is her influence to judge based on impressions.
1. Personification: “The lake was silent for some time. Finally, it said: 'I weep for Narcissus, but I never noticed that Narcissus was beautiful.”' (Coelho, 2) In this quote, personification is shown because the lake is able to stay silent or weep. These are qualities of a human given to an object.
The “Tale of Philomene and Tereus” is an epic poem, written by John Gower, that is heavily based on a greek mythology. It focuses on the story of Philomene and how she is continuously raped by her sister’s husband who later became very angry at her for exposing his secret to his wife, Progne. This story begins in a the castle of Pandion, the king of the land.
It is often—in books, poems, paintings, and sculptures—that one hears of and sees the goddess of love. But when is it that one hears of the god? In Greek mythology, Eros is the god of love, and a god who is many times overlooked. In Robert Bridges’ “EPÙÓ” and Anne Stevenson’s “Eros”, the idea that Eros is overlooked is portrayed, but in two separate ways. Techniques such as diction, imagery, and tone are used to help convey the idea.
Personification is a great way to make the story very lively and exciting. One example of personification, the muttering and growling of the sea breaking on a rocky shore (Connell 19), is a great representation of this device because it adds a mysterious and human-like quality to the sound. That’s what the author was trying to accomplish; a mysterious feeling. Connell effectively used personification because when reading that, it made the sea breaking on the shore seem alive
While Gian Lorenzo Bernini’s sculpture “Apollo and Daphne” depicts a Romanian story of forbidden love, Ron Mueck’s “Two Women” portray two elderly women hyper-realistically. By analysing the meaning behind the two sculptures, evidence is given that the two artists had different intentions for their work. The story “Apollo and Daphne” is from a roman poem named “Metamorphoses” by a man named Ovid. In the story, Apollo is hit by a magical arrow from a god of
Aphrodite represents erotic love as a fascinating form of divine influence. The nude Aphrodite has powerful meaning and
Throughout The Sandman, E.T.A. Hoffmann seeks to reveal the underlying references to the Pygmalion myth by first portraying the female characters as subordinate, possessive objects that are primarily defined by their beauty and are diminished to the standard of a piece of art. As the narrative progresses, the emphasis on beauty begins to intensify and Hoffmann begins to direct the illustration of the women through their outward appearance.
Both homeric hymns to Apollo and Aphrodite feature classic mythology that explains various situations between the god and goddess and the mortals. In particular how each god and goddess eludes mortals into behavior that both favors each party and a has negative consequences. Apollo and Aphrodite have similarities and differences in which they manipulate the humans in the stories that lead to very different outcomes. A similarity between the manipulation on apollo’s and aphrodite’s part is that they each have a clear motive before there actions begin and some differences are that they have very different intentions and methods of the manipulation.
The adaptations of George Bernard Shaw’s drama Pygmalion (1914) have been a successful classical collection in the world. Somehow people forget that the important character as well as the real pygmalion is Prof. Henry Higgins, but not the flower girl Eliza. This is especially due to the cast of Eliza in the Hollywood movie My Fair Lady (1964) -- Audrey Hepburn’s great charms and her ‘idol’ effect.
The sculpture Apollo and Daphne, created by Gian Lorenzo Bernini, is based off a story from Book 1 of Ovid's Metamorphoses. It is a portrayal of when Daphne is turned into a tree when trying to escape Apollo after they were both shot with an arrow by Eros. The sculpture is a powerful visual of Daphne and Apollo’s emotions as Daphne was captured by him. To evaluate the photo further I will discuss the feeling of empathy the sculpture made me feel and two connections the sculpture has to Ovid’s story.
The play Pygmalion and My Fair Lady, the musical, are the same story. The only major difference between the two, is that My Fair Lady has songs added to the dialogue. I believe the musical version is more enjoyable because the music adds more feeling to the story.
Personification is a figure of speech in which a thing, an idea or an animal is given human attributes. The non-human objects are portrayed in such a way that we feel they have the ability to act like human beings. Personification is the figurative language that is giving the attribute of human beings to animal, an object or a concept. It is sub type of metaphor, an implied comparison in which the figurative term of the comparison is always human being. (Perrine, 1977: 64).
By naming his drama "Pygmalion," Shaw reminds people of the ancient Pygmalion Myth. Pygmalion, a sculptor, makes a beautiful statue and falls in love with his own creation. He prays that life may be granted to it. The gods give him his wish. The statue becomes a living girl named Galatea. In Shaw's play, Eliza, the heroine, is transformed from a flower girl into a graceful lady. This change is like that of a stone into a statue of perfect beauty. But just as
Social standing is central to the plot of George Bernard Shaw’s play “Pygmalion”. The portrayal of class identity in Shaw’s play appears to be a criticism of the distinctions between high society and the poorer classes in Victorian England. Shaw’s aim was to portray how the upper-crust of Victorian society viewed the lower classes, as evidenced by Higgins’ treatment of Eliza upon her first visit to his laboratory; Higgins treats her as though she is too stupid to understand that he is insulting her. The assumption is that the wealthy view the lower classes as being somehow lesser. So what is it that Shaw is trying to impart upon the reader? Shaw appeared to show open disdain not just for the upper class of society but for society in general, and Pygmalion may be interpreted as an open criticism of class distinctions in Victorian England.