How Does Faulkner Present Nature In As I Lay Dying

The writer compares his life to water on Rouge River that is heading towards dead end with unknown future. “And my reflection is dominated by water Coming to impasse, the teeter-totter Of decision” from the poem shows the seriousness and thought provoking idea i.e. contemplation probably related to meaning of life and what lies ahead. Moreover, “And plunging in we find a serene cavernous strength, And pressed to run its darkness at full length, We find our all”, reflects tone of believing in ourselves and the best we have in us. This means no matter the situation we can bring the best of us that is life. Tone of the poem helps writer to make the poem more appealing to the readers. It aids the poet to express his feeling more effectively and

“Perhaps an individual must consider his own death to be the final phenomenon of nature.” In this small excerpt from his short story “The Open Boat” one can clearly see that Stephen Crane was a firm believer in the concepts of naturalism. After the harsh and violent Civil War the United States was no longer the nation it had been before. Previously, Americans had focused on the positive or romantic side of their surroundings and had written in a romantic style, glorifying man’s communion with nature. However, after the civil war that wasn’t the case. Some American’s had now experienced the harsh reality that nature was completely unbothered by the events that occurred to man. They realized

The river represents the period between life and death. Another part of this symbol is the air representing life and under the rocks and waterfall representing death. Just as the transition from life to death is in motion, so is the rushing of the water. Both have a beginning and an ending point, but the part in the middle is constantly moving, swirling and churning. As the girl loses hope for survival and the waterfall is approaching, the narrator states, “[S]he becomes part of the river” (45). The girl now crosses over the borderline of life and death, and she is about to be swallowed up by the falls of death and can never return to life. However, when the diver goes into the river to save her, he comes out saying that “he’d never enter that river again” (47). He encounters the spiritual eccentricity of the edge of death when he looks into lifeless girl’s animated eyes, and he can not fathom that experience. Another symbol that is introduced twice is the gurgle of the aquarium, which symbolizes the attempt to understand nature’s cycle of life. As she floats downstream, the girl remembers “her sixth-grade science class, the gurgle of the aquarium at the back of the room”(45). During this moment, all of her thoughts are puzzled, and she cannot understand the death awaiting her. Later on, after sleepless nights, the diver is in the empty school where “the only sound the gurgle of the aquarium” (48). This moment is the point at which he decides

Using scientific prose, Barry reveals his deep interest in the unusual physical properties of the river. Its natural characteristics are what sets it apart; the Mississippi does not conform to standards set by other rivers. Instead, it exceeds most major rivers in variation, depth, and volume. In fact, the Mississippi is so outstanding that “theories and techniques that apply to other rivers … simply do not work on the lower Mississippi” (Barry 25-28). Looking beyond its external features, the river also contains an intricate internal system unlike any other. In addition to the complicated internal circumstances that normally occur within rivers, the Mississippi also stands out because of its “size, its sediment load, its depth, variations in its bottom” and “its ability to cave in the riverbank and slide sideways for miles” (Barry 20-23). As he describes the unusual corporeal aspects of the Mississippi, Barry brings to light his own wonder in the face of such a daunting natural force. Characterizing the river with its physical properties allows

How does the river function in the story? Is it a metaphor, a catalyst, or both? Is it a character?

In As I Lay Dying, by William Faulkner the reader gets to see how hard life is for the Bundren family. The Bundren’s face many obstacles throughout the book and somehow manage to come through most of them okay. The family fulfills their desires along the way to relieve them of these struggles. The main theme in As I Lay Dying is family dysfunction, and this family dysfunction leads to Darl’s insanity.

The author of As I Lay Dying, William Faulkner, really contributes to the aspects of literature through his ability to tell a seemingly incredible story through only the “stream-of-consciousness” technique. Faulkner takes his insight beyond the piece, through other’s views and thoughts. Although the characters might be acting differently upon each subject or handling each action in opposite ways, the tone and theme that he uses really brings the whole piece to a perfect balance. In As I Lay Dying, Faulkner displays contradicting elements through the reactions of the family members towards the mother’s death with the use of dialogue, tone, imagery, and internal conflict.

The thoughts and emotions that occur in connection with water are triggered by the lake, and they help Ruth choose transience over any other form of existence. When water floods Fingerbone, the boundaries are overrun, exposing the impermanence of the physical world, and the world’s own natural push towards transience. Water shifts the margins, warning us that the visible world only shows us part of the whole--or perhaps even a mere reflection of a false reality. After the fantastic train wreck in which Ruth’s grandfather perished, the lake sealed itself over in ice, changing boundaries again, while it concealed, like a secret, the last traces of the victims with the illusion of its calm surface. The lake, a source of beauty and darkness, life and death, is “the accumulated past, which vanishes but does not vanish, which perishes and remains” (172). Water carries the symbolic possibility for rebirth– the flood causes the graves in the town cemetery to sink, “so that they looked a little like…empty bellies," suggesting that the dead were born into the receding waters (62). As water and death are so pre-eminent in Sylvie’s consciousness, in dream, she teaches Ruth to dance underwater, to live a life of transience to be

Insignificant droplets of water plunging to the ground, gradually elaborating into a system which proclaims its existence with such scintillation and momentous significance, the river. The river that carries the same inexorable rate which we live our lives by, parallels to the current of an unstoppable river. Shifted to different directions by the different obstacles encountered, the river finds different routes to get to the destination it desires and life mimics its nature as many avenues close and others open. But the river carries on and does not pass through the same obstacle twice, it does not struggle or brawl the happenings opposed to it, it simply takes another path and learns from its mistakes. The river symbolizes life. In the book Siddhartha by Herman Hesse. The river plays a significant role on a reflective surface which redirects his actions into the eyes of the protagonist, Siddhartha.

When forced to give up so much, the Joad family begins to question their faith. Several religions share the belief that water has the power to cleanse and purify oneself. When the Joad family arrives in California, all of the men bathe in a river, symbolizing their rebirth. They are purging themselves of the past and focusing on their future and their aspirations. When they submerge themselves in the water, all of their tribulations such as Granpa’s death and the loss of their farm, will be left behind in order to focus on what’s to come. The water also symbolizes a new start for the Joad family. Steinbeck writes, “He cupped his hands full of water and rubbed his face...dusty water ran out of his hair and streaked his neck” (284). The

William Faulkner’s novel, As I Lay Dying, tells the story of a family that journeys cross-country with the intentions to find a proper resting place for their mother, Addie Bundren. After reading for only a short time, it becomes clear that two of her sons, Jewel and Darl, play a much larger role in the story than the other siblings. One could find many good points to support either character being labeled as the protagonist of the story, such as the various tensions that can clearly be seen between them. That being said, Darl is, without a doubt, the best possible choice. He is forced to overcome more obstacles, including alienation from his entire family, than any other character, and is truly a changed person by the end of the novel.

The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail. (excerpt-Faulkner's Nobel Prize acceptance speech)

One way Faulkner draws a connection to outside resources is through Greek mythology. He uses mythology to relate Addie Bundren to Medusa, the mythological monster. The reader is able to see Addie as alive when she is dead and dead when she is alive. In chapter 38 the reader can see that Addie did not have many feelings of love towards her family, pardoning Jewel; she was cold and emotionless. Due to her absence of feelings, she never confesses to Anse that Jewel was not his child; Jewel was the lovechild between Addie and Whitfield. Addie’s lack of emotions caused a distance between Jewel and the Bundren family just as how Medusa

 Water represents Sethe's transition from slavery to freedom. Sethe left Sweet Home pregnant with Denver, "and ran off with no one's help" (p.224). She ran scared and fearful of the trackers following her trail.  Sethe met Amy Denver, a white women, on her way to Ohio.  Amy helped Sethe find the Ohio River.  The river was "one mile of dark water...[and] it looked like home to her and the baby"(p.83).  When Amy left, Sethe traveled downstream and met Stamp Paid.  He helped her and Denver cross the river to freedom.  Stamp took Sethe upstream, "and just when she thought he was taking her back to Kentucky, he [Stamp Paid] turned the flatbed and crossed the Ohio like a shot" (p.91).  The river locked away the memories of Sweet Home and began her life with Denver at 124.   Water represents the transition of Sethe's slave life to her life of freedom.  Again, water has cleansed the soul of the sin of slavery. The river is now a barrier.  It separates Sethe's life of slavery, to her new life of freedom.

When dawn broke, he had a clear view of the river, which was a good hundred fifty feet from his back porch doorsteps. Even in the worst of rainy seasons, he 'd never had to worry about the rise of the river; the gentle slope of the land raised the cabin well above flood level. In the nearly thirty years he 'd lived there, river water had never risen high enough to reach the 160-year-old cabin that once housed the overseer of the old Caledonia Plantation.