How Does Gcse Use Cinematography In Shutter Island

The classical Hollywood narrative is one of simplicity, linear continuity, and comprehensive storytelling, something typical American audiences were used to for most of films history. Quentin Tarantino, however, is not one to abide by the rules of cinema. The arguably auteur director reconfigures this narrative style with his 1994 classic Pulp Fiction. This film not only presented itself as a completely new and innovative take on what a film could be, but also created a foundation for which many films since have built their narratives from.

Hitchcock makes use of a number of techniques in Vertigo and brings them together to make a film that is considered to be one of his greatest masterpieces. Through the use of colour, lighting, camera movement, dialogue and characterisation, Hitchcock produces a film that fascinates and intrigues us.

Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.

The film Shutter Island depicts the story of a World War 2 veteran Andrew Laeddis and his experience with mental illness, specifically portraying the memory phenomena of repressed and recovered memories also known as dissociative amnesia and dissociative fugue (Kikuchi et.al. 2010). The illness is triggered by a psychologically traumatic event, which included discovering his wife had murdered his three children, and in response, he killing his wife (Kikuchi et.al. 2010). Additionally, the portrayal exhibits many of the criteria for a diagnosis of Post Traumatic Stress Disorder (PTSD) (Friedman et.al. 1994). The DSM-V now classifies dissociative symptoms as an additional subcategory of PTSD diagnosis, however, the film concentrates

Shocking audiences of the 1960’s, Alfred Hitchcock’s ‘Psycho’ is one of the most influential films in motion picture history, often being referenced to as the the origin of thriller films. Hitchcock successfully incorporates cinematography, music, and multiple techniques, rendering the perfect amount of tension and suspense right until the climax of the film. Thus, evoking the thrill after which the genre is named.

The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices appropriately within the context of the theme. Part of the underlying theme of this movie as explained by Truffaut himself is, “... to portray a child as honestly as possible...”(Writing About Film, 1982). It is the scenes in this movie that are most helpful in disclosing the overall theme of the film. Within the scenes, the camera angles in this film play an important role in accentuating the emotions behind the scene. The camera angles used in this film will be the primary focus of this paper. The high angle shots utilized in The 400 Blows are effective in helping to develop the overall feel of a scene. This movie

These films display ambiguous endings and leave the audience wondering as to what exactly happened, and allows them to create their own version of the ending in their own heads. This common theme displays a postmodern type of storytelling in both “The Worker Drone” and “Play”.

Hitchcock’s Psycho is a great representative of horror and thriller genres. The director masterfully creates an atmosphere of suspense and creates tension. Hitchcock blends characteristics of a thriller with horror, making the audience terrified. The director creates situations that can happen to anybody of the viewers, and thus, makes such scenes even more scaring and disturbing. For instance, the scene of the murder in a shower impresses the audience to a

The movie Shutter Island presents wrenching twists and turns from a psychological state of mind. The author of the story, Lehane, makes it certain that the psychic mind of the main character helps to enhance the plot of the story. The darkness of the story is based off of the year nineteen fifty-four to drive the setting of the story. Throughout the film, clues are given that eventually give way to the realization of reality. When the story begins in medias res, it helps engage the audience and jumpstart theories. Manipulation is a present factor used throughout the story with both the audience and the characters to create a thrilling story.

This is a film analysis of Shutter Island. Shutter Island is a 2010 film directed by Martin Scorsese. Starring Leonardo DiCaprio and Mark Ruffalo, this film is 138 minutes of psychological thrills and horror. Shutter Island covers the field of psychopathology. More specifically, it covers psychotic disorders, dissociative disorders, and treatment. Shutter Island is set in 1954 on Shutter Island, Massachusetts at the Ashecliffe Hospital for the criminally insane.

The Departed, a film written by William Monahan, Alan Mak, and Felix Chong, directed by Martin Scorsese, was in my opinion a spectacular crime-thriller deserving of less criticism from overly sentimental viewers. Though this film is in some scenes brutal and vicious, I praise Martin Scorsese’s refusal to cower away from the undeniable truth that organized crime in the United States is murderous in nature just to satisfy certain viewers as critics advocated he should. Being a four time Oscar winning film with sixty-three other awards for numerous aspects in the movie industry, I don’t believe anyone can contradict that The Departed is profoundly unforgettable to masses of moviegoers.

Every so often a movie is released with such tense anticipation and glamorous visual art that the public is drawn to this dramatic rendition of life in the theatre. For even just two hours or so, you are put into a different lifestyle. Action, drama or comedy it may be. We are thrust into a different way of thinking. We are forced to learn the characters thoughts and feelings. The hard work and artistic skill that goes into these magnificent films is not an easy thing to mimic. Out of the thousands of movies released worldwide each year only a handful are truly worthy of the label film art. Most of the great movies are either produced by a multi million dollar

Now, here is where things get a little complicated. Because as "free moral agents" we each have a right to decide what has value or merit in our lives and our environment could very well determine how our value system is formed. Boston University professor and social scientist Glenn Loury raises some critical issues in his essay "Values and Judgments: Creating Social Incentives for Good Behavior." He claims there are underlying factors that lie at the root of behavior. This is particularly true when we examine dysfunctional behavior.

Shutter Island and Insomnia are mystery thrillers which follow two detectives that are determined to solve the case using their own techniques. Shutter Island is a classic, old fashioned thriller directed by Martin Scorsese. The film is based in 1954 and follows a federal marshal and his partner as they investigate the escape of a prisoner from a mental facility. The federal Marshall suffers a series of hallucinations and distractions on his path to uncovering the truth. Insomnia also follows a pair of detectives that suffer their own set of distractions and hallucinations. The detectives are dispatched to a small northern town where the sun never sets to investigate a murder of a teenager. The movie also resembles a classic thriller film that is directed by Christopher Nolan. Both films rely on a build-up of suspense and tension to deliver a compelling story. There are quite distinct similarities and differences in both films that are portrayed in areas such as characterisation, cinematic effects and social issues.

Alfred Hitchcock is widely considered one of the most essential directors of all time and has undeniably revolutionized the cinematic art form and horror genre movement. A key ingredient to his productions is the psychoanalysis of the movie’s villains and the deceivery at comes with deep psychosis. These elements are what have taken Hitchcock from a good director to a legend. Hitchcock layers his movies in ways in which every time one watches his films they can pick up on a new detail that deepens the meaning and effects of the storyline. This is exactly what he does in his 1960 film, Psycho. By layering Freudian psychoanalysis, creating a twist ending and suspense, and giving the villain of the story, Norman Bates, a deeply rich background story, Hitchcock creates phenomenon in the audience arguably scarier, then Norman’s murders. Through this use the psychoanalysis and backstory, the audience also feels sympathy for Norman. This duality is what makes Hitchcock a wonderful artist and Psycho, a piece of art.